I used the phrase ‘clip joint’ on a post a little while ago and the words brought back distant memories of an old flame long since extinguished. He crimped for his supper. A bit of a gay cliché I know but he did have his own salon. He called it ‘Clip Joint’ and it was a good little earner down Wandsworth Town way. We stepped out for about 18 months and had some naughty fun until my fickle crimper discovered line dancing and a South African clone. They wore matching tight-cropped beards and dosey doe’d down the aisle. I moved on to lusher pastures and Clip Joint moved up to Nob Hill, rebranded as Alan Foster Hair Design. I heard he bought a detached gaff with en-suite swimming pool. Alan deserves his success. He has talented hands and there’s money to be made in curly perms.
What is it with British plumbing? I’ve never lived anywhere in Blighty with good enough water pressure to provide a decent douche. Don’t you just loathe a limp spray? Norwich is no different. Okay, the house is 370 years but that’s no excuse in this day and age. I’m old too, but my own water works do a decent enough job. My little winkle sprinkles with much more umph. I’m feeling nostalgic for our fireman’s hose of a spray in Bodrum. It was strong enough to pin an unsuspecting nude to the tiles. Mind you, that was only when the water was actually on. For the dry shifts, we kept a bucket by the basin for a quick whore’s wipe. My one consolation is that, come the mould season, we won’t have viral spores breeding across the bathroom ceiling like a medieval plague.
Our wimpy water works also extended to the porcelain. The lacklustre flush was barely enough to deal with even the most modest log. Emergency assistance was delivered by engineer Maurice who parachuted in from the Smoke for the weekend. His talented hands fiddled with my ballcock and, hey presto, Niagara Falls. His labours were rewarded with a large glass of white, followed by several more (but that’s another story).
Liam has made friends with the Theatre Royal which means he’ll be dragging me along to every passing production doing the provincial rounds. As a taste of things to come, we popped along to catch the latest re-working of a treasured old favourite. Deliciously dark and tragically ironic, Cabaret is poignantly set within the doomed metrosexual decadence of Weimar Berlin before the monstrous social cleansing of Nazi Germany. These days, it takes big money to put on big shows and the best way to get bums on seats is to roll out the big names. This time round, the Kit Kat Club starred Pop Idol winner and grannies’ favourite, Will Young, as theEmcee and ex-Eastender, ex-Bionic Woman, Michelle Ryan as Sally Bowles. Putting pop names in the frame isn’t always a recipe for success. Young Will was a tasty revelation. He stepped along with camp Teutonic aplomb and wowed the audience with voice and perfectly paced pathos. Michelle Ryan, on the other hand, was barely serviceable as Sally. Her voice simply isn’t strong or distinct enough to carry off the big numbers and her Julie Andrew’s impersonation had to be propped up by a more talented chorus line. In between the big budget numbers, the dislocated scenes with the run-of-the-mill supporting cast were pedestrian and the deliberate pregnant pauses gave the impression that lines had been fluffed or forgotten. Of course, I’m a small gun critic so what do I know? But I suspect that when the show hits the West End, the big guns may well turn on at least one of the the big names.
I’ve invested in smart phone from Virgin. Well I say invested, it came free with a 24 month contract. My trusty old Nokia just doesn’t cut the Colman’s mustard anymore. Nor is it the right image for an infamous author and fading community radio star. Besides, my pay-as-you-go tariff was crippling me and this one comes with free this, free that. You see, it’s a smart-arse Samsung smarty pants touch screen Star Trek contraption and it’s so much smarter than me. My stumpy little fingers can’t quite manage the micro-keyboard and the bloody thing insists on wolf-whistling at me. I have no idea why. It’s been twenty years since that last happened. I tell you, it’s enough to turn an ex-pretty boy’s head. And if I don’t feed it daily, it just conks out. My old low IQ phone may be dim-witted but at least it goes on for weeks without draining the national grid. Beam me up Scotty and show me how it works. Where’s my 10 year old nephew when I need him?
Mother’s inaugural royal visit to the weaver’s croft went without a hitch. She was escorted across country by my nephew and namesake, Jack Junior. I wondered if she’d be able to climb the narrow winding steps up to the attic boudoirs. I needn’t have worried. She remains a spritely 83 year and still runs for buses, despite a touch of arthritis. She had a good root around and gave her seal of approval. Fed and brandy’d, she retired for the evening with ‘Fifty Shades Darker’. We took young Jack to the bar at the Playhouse Theatre to discuss his exam results and flourishing love life. This popular watering hole by the water is always bursting with fresh-faced students and earnest artists with a dash of old homos thrown into the mix. The next morning, as Liam fixed breakfast, Mother noticed a timeworn photo of her wedding I keep in a frame on the window ledge. We looked at it together. Handsome Dad looked dapper and proud in his dress uniform and the old girl looked stunning and radiant in her classic cut wedding dress and virginal veil. “But who,” I asked “was the drag queen in the fur next to Dad?”
The talented folk at Future Radio must have thought my debut gig on Pride Live wasn’t too embarrassing as they asked me back for a repeat performance. This time, I wasn’t plugging the book. As the Pride season draws to a close and rainbow flags across the realm are folded away for yet another year, I was invited to bang my drum about paying to be proud at Brighton Pride. Towards the end of the piece, my train of thought was fatally derailed by my new-fangled smart phone throbbing in my pants. It turned me into a rambling wreck. Despite my momentary bout of bumbling amnesia, I hope I came across as the voice of moderation. You can be the judge by clicking on the big poofy pink radio.
Norwich’s rich cultural repertoire has Liam drooling like a rabid dog. He’s joined the club at the Theatre Royal and has planned an entire programme of cultural festivities to drag me along to. I daren’t admit that I’d rather catch Coronation Street as the cold nights approach. Our latest date was with Anna Karenina at Cinema City. The mini-multiplex is housed in the Suckling’s House and Stuart Hall, a Grade I listed complex spanning a 14th Century merchant’s house and an early twentieth century public hall. Much of the ground floor is occupied by a trendy bar with an ancient vaulted oak ceiling and a fancy restaurant extending into a medieval courtyard. It feels like a swanky café with a cinema attached rather than the other way round. We took our deep, comfy seats and witnessed a parade of boozy bacchanalian folk file past with bottles of white rattling away in their ice buckets. Anna was a lavish hostess – exquisitely staged, sumptuously filmed, superbly acted and evocatively scored. Loyalty, betrayal and suffocating social convention were magically set against the sweeping steppe. Keira Knightley’s impossibly long bedecked neck stole the show. Liam was mesmerised. I was strangely unmoved. As the end credits rolled, the audience tottered out. Many were clearly pie-eyed and not in control of their faculties. Who says the middle classes don’t have a drink problem?
We Brits love to wallow in glorious failure. It’s almost a national fetish. We relish the underdog fighting against insurmountable odds – remember Eddie the Eagle and the Jamaican Bobsleigh Team (not to mention Dunkirk)? This time we had a runaway success on our hands and it crept up behind us like a batty boy in a back room, confounding the doubters and crowned with a bulging bag of bling. Blighty has been in a foul mood for years and, for a brief moment, people have something to smile about. For me, it was the Paralympics that defined the true spirit of the Games – from mad dash to Mad Max, fire to phoenix, high fliers to high wires, gold-play to Coldplay – the very best of humanity tainted only by the very worst of Channel 4 coverage. Keenly covered at home, not so keenly covered abroad, some of our friends across the seas should hang their heads in shame. The Americans televised only limited highlights (despite the presence of a large and impressive American Team) and my former foster home, Turkey, decided to screen a soccer match instead of the opening ceremony. Tonight saw a joyous and very British closing show received by a wall of noise. It was a triumph – a triumph made in Britain.
Photo: Ian Kington/AFP
Now that the big top has come down and the circus is leaving town for Brazil, what next? Will the park become a weedy white elephant like so many of the past? Will the colossal cost deepen the double dip as the bills drop on the mat? There’s a chance, a good chance, that the legacy will endure. The park itself is small and perfectly formed (a bit like me), the velodrome was going to be built anyway and the aquatics centre will replace the aging National Sports Centre pools at Crystal Palace. I used to train there when, for a short while before I discovered hormones, I was a promising young diver. It was a bugger to get to. As for the Olympic Stadium itself, it’s a great fit for big-ticket concerts by big-wig stars. It’s already booked for the 2017 World Athletic Championships and we may yet see Hammers’ fans screaming from the terraces. Transport links in that part of town have been completely transformed and the Olympic Village will provide quality affordable housing for one of the most deprived areas of the country. Remember the Millennium Dome (itself a 2012 venue)? Who would have thought back in 2001 that it would emerge as one of the most successful music venues in the world as the O2? Few facilities were specifically built for the Games and some were designed to be temporary. One or two may even get packed up and shipped off to Rio for 2016. Now, here’s a thought. Perhaps the IOC should commission IKEA to design the travelling flat pack games. Now where did I put that allen key?
With the wonders of cutting edge digital photography, it’s supposed to be virtually impossible to take a bad snap. Just aim and click, right? Wrong. I’m rubbish. Sometimes, though, there’s a little unexpected magic among the discarded litter on the cutting room floor. I was clearing out the camera the other day and came across these images from our February trip to London. The images are of the London Eye taken from inside the Royal Festival Hall. Neither of the pictures has been retouched. It shows what fun you can have with a wobbly wrist.
I used the phrase ‘clip joint’ on a post a little while ago and the words brought back distant memories of an old flame long since extinguished. He crimped for his supper. A bit of a gay cliché I know but he did have his own salon. He called it ‘Clip Joint’ and it was a good little earner down Wandsworth Town way. We stepped out for about 18 months and had some naughty fun until my fickle crimper discovered line dancing and a South African clone. They wore matching tight-cropped beards and dosey doe’d down the aisle. I moved on to lusher pastures and Clip Joint moved up to Nob Hill, rebranded as Alan Foster Hair Design. I heard he bought a detached gaff with en-suite swimming pool. Alan deserves his success. He has talented hands and there’s money to be made in curly perms.
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