There’s no better way to spend Boxing Day than a trip to the flicks, especially when it’s to see the long-awaited sequel to a classic. Liam and I saw the original Mary Poppins as little ‘uns (though not together, obviously) and it was the child in us both that spit-spotted us to Cinema City to see Mary Poppins Returns. In fact, Liam was virtually hyperventilating along the way. Sequels are so often disappointing, even more so when competing with rose-tinted memories of the distant past. Expectations were high and expectations were exceeded. The film is every bit as magical, charming, melodic and whimsical as the original. Kids of a certain age will be mesmerised, and subtle references to the first film will keep the nostalgic grown-ups happy too. As the closing credits rolled, applause rippled through the crowd. By all accounts, PL Travis, the author of the Mary Poppins books, hated the Disney treatment of the first film so no doubt she wouldn’t approve of the sequel either. But I hope Julie Andrews likes her able successor, Emily Blunt – practically perfect in every way, I say. I feel a barrow-load of gongs coming on.
The world may be going to Hell in a handcart but the Pansies keep on blooming – year in, year out. I keep them fed and watered and I’m grateful to those who pass by to admire the display. As the New Year dawns and more dark clouds lurk on the horizon, it’s a good time to look back at the pansies that perked the most in 2018. Life is a Cabaret, Old Chum, romped home by a mile. Who knew a drag show in a circus tent could strike such a chord?
As for the also-rans, it’s the usual eclectic bunch – as befits my random rants and ramblings from daily life: cowboys, cross-dressers, the curse of modern parlance, movie misses, gym bunnies, Hellenic heaven, and stories old and new from the Land of the Sunrise.
Life is a Cabaret, Old Chum | Can I Get, Like, a Coffee? | My Brokeback Mountain Moment | Heal Thyself | Pretty in Pink | Do You Have a Tale to Tell? | Is This the Real Life? Is This Just Fantasy? | A Hard Act to Follow | Old Money, No Money | Postcards from Crete
And what was the most popular post from years past? For the second year running it’s that 2012 camp classic, Gran Canaria, Sex Emporium. It’s the title that won it. Shame on you.
With 2018 all wrapped up, we’re off to the Ivy for some posh nosh and to see in the New Year. Wishing everyone peace and prosperity for 2019.
Christmas comes but once a year, thank the Lord. You can almost taste the stress in the high street from the world-weary shoppers to the fixed-grin workers with tired old tinsel in their hair. I shop early to avoid the hurly-burly. We do, though, always look forward to the John Lewis festive TV ad, and this year’s offering featuring Elton John is a cracker. But then, I’ve always had a soft spot for Captain Fantastic. Predictably, a few scrooges got all bah humbug about the extravagance in these austere times; the moral high ground can be a joyless place. Besides, it’s our job to fix the ills of society, not a shop.
This year, Liam and I are having a quiet one in the microloft. The calorific grub will come courtesy of Mr Marks and Mr Spencer and the quality of the vino will go up a notch or two. Then we’ll drop onto the sofa to foot-tap our way through Mama Mia – Here We Go Again! Out on DVD just in time for Christmas. A perfect day.
Seasons greetings to one and all. Whatever Christmas means to you, may your day be peaceful.
We were planning to see Bohemian Rhapsody, the new Freddie Mercury biopic. But the reviews have been decidedly mixed, despite Rami Malek’s astonishing portrayal as the Queen of Queen. It’s been said that, as producers of the film, the surviving members of the band all come across as a bit too saintly. Of course, they’re not saints. Nobody is. And Freddie’s sexuality has been sanitised, presumably to appeal to the widest international audience possible. Freddie’s excesses are well-documented. His AIDS-related death was awful and, for me, profoundly affecting. I remember it all too well. I once saw Freddie at a gay club back in the day, surrounded by his acolytes. There was nothing ambiguous about Freddie. So we decided to give the film a miss to avoid the disappointment. Instead, we lunched at Bishop’s, one of Norwich best indie restaurants. The meal was courtesy of the staff at the village surgery where Liam earns an honest crust. We’d already had our joint birthday treat at the newly opened Ivy Brasserie. But you can never have too many birthday treats, can you?
‘I’m going to see A Star is Born,’ said a colleague of Liam’s. ‘It’s supposed to be brilliant,’ she gushed. ‘Have you seen the original, you know, the one with Barbra Streisand?’
‘That’s not the original’ he replied.
Liam was right. Ms Streisand and her dodgy seventies curly perm was not the first. That honour goes to the 1937 version with Janet Gaynor and Frederic March. Then there was the more famous remake – the 1954 musical with Judy Garland and England’s very own James Mason. And who could forget the 2013 Bollywood incarnation? No, I didn’t see it either.
Image courtesy of The Atlantic
Now it’s been rolled out again, this time with Lady Gaga and Bradley Cooper in the leads. Reviews have been star-bright and Liam’s a sucker for a gay icon – Garland, Streisand, Gaga (though I’m not sure about Gaynor, unless it’s Gloria, of course). Naturally, we couldn’t resist.
It’s a well-trodden plot – a maelstrom of passion and torment as girl on the way up mates with boy on the way down – so no need to recount it here. But was it worth the ticket price?
Well, sort of. Both leads are excellent and Lady Gaga lets it go with both barrels but the film is way too long, the dialogue way too mumbly and the script way too sweary. I’m no prude and I’ve been known to utter the odd profanity myself but, really, there’s no need to say f*ck with every other word. It dulls the effect, especially for a weepy. It left me unmoved. What would Judy say?
‘Mamma Mia!’ is silly singalong foot-tapping ABBA-fest, a huge block of cheesiness that leaves a warm glow inside like a sugary bowl of Ready Brek. It’s one the most successful British films ever. So what about the sequel, ‘Mamma Mia! Here We Go Again’? Often sequels are rubbish. This one, though, is right on the money, money, money. The one liners are sharper, the flares wider, the platforms higher, the sequins flashier. The cast had a ball and so did we. And there wasn’t a dry eye in the house by the end.
We took our seats at Cinema City for Nothing Like a Dame, a film that captures four great thespian dames – Judi Dench, Maggie Smith, Joan Plowright and Eileen Atkins – in conversation. We had great expectations and we weren’t disappointed. All the director had to do was point the camera, say ‘action’, sit back and watch them rock. And rock they did with gossipy warmth, wit and insight, humour, naughtiness and modesty – without a hint of the pompous luvviness you might expect from these titans of the stage. It really hit me when I released that Joan Plowright, who could out-act anyone with just a look, is now blind. I had no idea. Despite this, the film was a voyeuristic joy, and it was a privilege to see it.
And so, in the best pansies tradition, here’s the trailer…