In Step with Modern Britain

With all the endless doom and gloom swilling around us, it’s easy to forget just how far we’ve come. It says something incredibly powerful about our society when the three finalists of Strictly Come Dancing – the most popular show on British TV – were a black woman, a deaf actor and a same-sex couple, as voted for by the viewers. As critic Barbara Ellen put it in her Guardian review:

“A ground-breaking Strictly final in step with modern Britain.”

“… Strictly, and the BBC, at its best: everyone welcome, and everything all the better for it.”

Hot on the heels of Strictly came the BBC’s Sports Personality of the Year, also a public vote. It was won by the child of Chinese-Romanian immigrants with a gay diver bringing up the rear in second place.

And then came the out-of-the-blue and very public marriage proposal on the stage of Norwich’s splendid Theatre Royal at the end of their Christmas panto production of Dick Whittington. When Joe popped the question, the kids went wild. Just as well Luke said yes!

Watch it on Facebook. Congratulations boys.

Petty Prejudices

“Ar ya brothers?”

asked the driver in broad Naarfuk as we clambered into the back of the taxi. Here we go, I thought. We’re gonna have that conversation again.

Cabbies are notorious chatterboxes, aren’t they? I think it’s in the job description. And they’ve usually got a view on absolutely everything, with opinions often slightly to the right of Attila the Hun. I knew where the conversation was heading and I didn’t fancy going round the houses so I cut straight to the chase.

“No, we’re husbands.”

“Oh, reet. Me youngest is gay too.”

It turns out our local yokel is totally unfazed by his son’s sexuality and he told us about it – loudly and proudly all the way.

“’Bin goin’ steady wiv the boyfriend for a couple of year now. I ‘ear weddin’ bells. I might get me a noo ‘at!”

So much for my petty prejudices.

Made in Dagenham

Released in 2010, ‘Made in Dagenham’ is a gritty, evocative and warm-hearted film about the female workers at the Ford car plant in Dagenham, East London, who, in 1968, downed tools to demand equal pay for doing work of equal value. The machinists faced a barrage of patronising and often vicious opposition from every side – from the management at Ford UK, their paymasters across the pond and the Labour government of the day but also from their male co-workers and their union, run – you guessed it – by men. Evidently, solidarity only applied to the hairy-arsed blokes on the assembly line.

It was a time when a woman’s place was in the home and even those who had to work to put food on the table were routinely paid less than men because, well, they were just women, after all. Thankfully, times were a-changing. The strike was ultimately successful and led to the 1970 Equal Pay Act.

A musical adaptation followed in November 2014, opening at the Adelphi Theatre in London. It’s now doing the provincial rounds and we saw the production by the Norfolk and Norwich Operatic Society at Norwich’s handsome Theatre Royal. Am-dram it may have been but top not notch am-dram it was with sparkling vocal performances, light-footed routines and a real sixties vibe. We caught the matinee, joining the grey herd who laughed, gasped and clapped their way through a clever and often very naughty script, witty lyrics and jolly tunes. Mind you, the nice people from St John’s Ambulance were on standby with their defibrillators – just in case it all got too much.

Here’s how they did it in the West End…

Helping History Out of the Closet

The Autumn edition of ‘Link’, the South Norfolk Council community magazine, dropped on the mat. Packed with facts and fun, it’s something to thumb through over coffee and a rich tea. It’s the usual recipe of charity gigs, sport and leisure updates, seasonal treats, pub and club news, health and environmental titbits and (groan) advice on preparing for Brexit. But also thrown into the mix is a remarkable full-page piece about a roving exhibition called ‘Helping History Out of the Closet’. Intended to raise awareness about LGBT issues, the show was put together by the Thetford Teenage History Club who were shocked to discover that man-on-man action could once land you in the clink, or worse. Why remarkable?

Well, it isn’t that long ago that a council in liberal London banned a gay support group from an out-of-hours chinwag on council premises for fear of a moral backlash. I guess the powers that be thought it might degenerate into an orgy and frighten the grand old dames of Kensington. I worked for that council and had the keys to the offices in Earls Court so we met anyway, under cover of darkness.

Essentially South Norfolk is one giant field sprinkled with small towns and villages. Like most rural communities, it’s conservative with a small ‘c’ (and sometimes with a massive one) where change is snail-paced and being different can be an isolating and horrible experience. We’ve come a long way. Let’s hope it stays that way.

The Shiny Shrimps

Business has been brisk; we’ve been working late to meet immoveable deadlines and we needed a little light relief from our labours. It came in the form of camp and cheery French-language film, The Shiny Shrimps (or Les Crevettes Pailletées).

The Shiny Shrimps

The story goes like this:

After an Olympic swimming champion at the tail-end of his career makes a homophobic remark on TV to a gay reporter, he is forced to do penance by coaching an amateur water polo team trying to make it to the Gay Games. His charges are unruly, uncompetitive and unapologetically flamboyant. It’s a tough gig but he whips them into shape. Along the way, it’s a journey of revelation and reconciliation to a soundtrack of Bonnie Tyler’s Holding Out for a Hero and Sabina’s Boys, Boys, Boys with a bit of Celine Dion chucked in for good measure.

Billed as a cross between Pride and Priscilla, Queen of the Desert, the film isn’t nearly as good as either and a bit lightweight pathos and politics-wise. Nevertheless, it was feel-good jolly romp at the end of a hard-slog week. Here’s the trailer…