Last year New Year’s Eve pyrotechnics were all big bangs but no punters. The pandemic saw to that. This year, punters were back in force, lining the banks of the Thames. To mark their return, London Mayor Sadiq Khan put on a show of shock and awe. There were nods to various events from 2022 – the lionesses’ historic win in the Euros, fifty years of London Pride, standing tall with Ukraine and, of course, remembering Her Maj. The sky exploded like a million party poppers, a spectacular musical extravaganza to celebrate London’s extraordinary diversity and strong sense of inclusion – a city for all – and it was a marvellous sight to behold.
Yes, folks, it’s that time of year when big money is lavished on those big-budget Yuletide TV ads with a social conscience – ads to make you smile, make you cry and make you think. I know it’s all about the relentless commercialisation of Christmas and a crude attempt by big business to convince us all that they’re the good guys really. But, if they’re well done and have a laser-sharp message then they can strike the perfect note and, hopefully, make a difference. Every little helps, as they say at Tesco. Here are my personal favourites from the UK, Germany and Spain.
With all the endless doom and gloom swilling around us, it’s easy to forget just how far we’ve come. It says something incredibly powerful about our society when the three finalists of Strictly Come Dancing – the most popular show on British TV – were a black woman, a deaf actor and a same-sex couple, as voted for by the viewers. As critic Barbara Ellen put it in her Guardian review:
“A ground-breaking Strictly final in step with modern Britain.”
“… Strictly, and the BBC, at its best: everyone welcome, and everything all the better for it.”
Hot on the heels of Strictly came the BBC’s Sports Personality of the Year, also a public vote. It was won by the child of Chinese-Romanian immigrants with a gay diver bringing up the rear in second place.
And then came the out-of-the-blue and very public marriage proposal on the stage of Norwich’s splendid Theatre Royal at the end of their Christmas panto production of Dick Whittington. When Joe popped the question, the kids went wild. Just as well Luke said yes!
Watch it on Facebook. Congratulations boys.
“Ar ya brothers?”
asked the driver in broad Naarfuk as we clambered into the back of the taxi. Here we go, I thought. We’re gonna have that conversation again.
Cabbies are notorious chatterboxes, aren’t they? I think it’s in the job description. And they’ve usually got a view on absolutely everything, with opinions often slightly to the right of Attila the Hun. I knew where the conversation was heading and I didn’t fancy going round the houses so I cut straight to the chase.
“No, we’re husbands.”
“Oh, reet. Me youngest is gay too.”
It turns out our local yokel is totally unfazed by his son’s sexuality and he told us about it – loudly and proudly all the way.
“’Bin goin’ steady wiv the boyfriend for a couple of year now. I ‘ear weddin’ bells. I might get me a noo ‘at!”
So much for my petty prejudices.
Released in 2010, ‘Made in Dagenham’ is a gritty, evocative and warm-hearted film about the female workers at the Ford car plant in Dagenham, East London, who, in 1968, downed tools to demand equal pay for doing work of equal value. The machinists faced a barrage of patronising and often vicious opposition from every side – from the management at Ford UK, their paymasters across the pond and the Labour government of the day but also from their male co-workers and their union, run – you guessed it – by men. Evidently, solidarity only applied to the hairy-arsed blokes on the assembly line.
It was a time when a woman’s place was in the home and even those who had to work to put food on the table were routinely paid less than men because, well, they were just women, after all. Thankfully, times were a-changing. The strike was ultimately successful and led to the 1970 Equal Pay Act.
A musical adaptation followed in November 2014, opening at the Adelphi Theatre in London. It’s now doing the provincial rounds and we saw the production by the Norfolk and Norwich Operatic Society at Norwich’s handsome Theatre Royal. Am-dram it may have been but top not notch am-dram it was with sparkling vocal performances, light-footed routines and a real sixties vibe. We caught the matinee, joining the grey herd who laughed, gasped and clapped their way through a clever and often very naughty script, witty lyrics and jolly tunes. Mind you, the nice people from St John’s Ambulance were on standby with their defibrillators – just in case it all got too much.
Here’s how they did it in the West End…