Ladies and gents, give it up for the fine city of Norwich as seen through the creative lens of BAFTA-winning film maker Rob Whitworth and starring the Norman cathedral, for centuries the largest building in East Anglia. These days I’m guessing that honour goes to the terminal building at Stansted Airport.
Liam suffers from acid reflux – indigestion from Hell – which he controls with early dinners and prescription drugs. In rare cases, the condition can lead to oesophageal cancer, something most sufferers don’t know they’ve got until it’s way too late. Early diagnosis improves the odds massively. If only there was an effective screening programme for those most at risk.
Enter stage left, the boffins from the University of Cambridge. They’re trialling a low-cost diagnostic tool which, if successful, could be the answer. Enter stage right, Liam the lab rat. He swallowed a large pill attached to a length of twine. Going down was the easy bit (isn’t it always?). The pill dissolved to reveal what Liam described as a Brillo pad which was tugged up through his gullet, scraping the sides as it travelled. It was quite a performance by all accounts.
To get over the shock of the drama, Liam took himself off to Cinema City to watch Stephen Sondheim’s Follies broadcast live from the National Theatre to 2,500 venues globally. Liam is a huge Sondheim fan. I’m not, so I didn’t crash the party. The last time we watched a live performance beamed to cinemas was Billy Elliot. Now that’s my kind of musical. It’s a great way for the fiscally-challenged to watch a top-notch West End show at a knock-down price.
I joined Liam later for a bottle. He was delirious after Sondheim – almost losing his mind with the pleasure – and needed a large red to bring him down to planet Earth. Throat well lubricated, we raised a glass to the miracle of medical science. It’s keeping us alive, after all. And now we’ve both done our civic duty for the greater good, we’re feeling rather smug.
When we first moved into the micro-loft we tarted up the bathroom and fitted a fancy new shower screen. But East Anglian water is so hard it almost hurts – calcifying kettles quicker than Medusa’s stare – and I soon tired of the elbow grease needed to keep the fancy shower screen fancy. So we replaced it with an easy-wash shower curtain in electric blue. Sorted.
But what to do with the fancy shower screen? There’s not a lot of storage in the micro-loft (the clue’s in the micro) so we decided to ask the Council to take it away. In the meantime, we just slid it under our bed and forgot all about it.
Twelve months on and we returned to the micro-loft one afternoon to find the entire bedroom floor covered in glass fragments. It didn’t compute at first. You know, those times when you just can’t believe your eyes? Then the penny dropped – the fancy shower screen. It had exploded – everywhere. The biggest bang our bed had experienced in years. And the effect was almost artistic – the kind of thing that wins the Turner Prize.
It took hours to sweep up and I put my back out in the process.
The moral of this explosive story? Simple. Don’t store a fancy shower screen under your bed.
I know it’s a-coming because the Christmas lights went on in Norwich last week, enthusiastically witnessed by thousands of over-wrought kids and their anxious carers. Pushy pushchairs and strident strollers took back the streets and our ankles became collateral damage. The good burghers of Norwich fired up City Hall with a row of giant exploding fountains, and rockets flew from the roof of Jarrolds, the well-groomed department store for the well-heeled. Here’s a taste…
Chapelfield Shopping Centre has also unveiled its glitzy seasonal offering, even turning the word ‘christmas’ into a verb – punters are ‘christmassing’ all over the shop. The meaning isn’t entirely clear but I’m guessing it’s about people spending money they don’t have on things people don’t need. It was ever thus. They’ve replaced the enormous melodic Christmas tree of yesteryear with something more modest. It’s chic but silent.
I rather miss the camper, older model belting out Yuletide tunes every thirty minutes though I’m guessing that sentiment wouldn’t be shared by the staff and patrons of the adjacent restaurants who’d have to put up with the racket.
After the fun came the fare. We squeezed through the crowd to grab some hot Spanish sausage. Exotic street food has really taken off round these parts and I’ve always been partial to a generous slice of Iberian spice. The chorizo ciabatta griddled with red piquillo peppers was divine. We finished off the evening in a local hostelry, the newly tarted-up Lamb Inn – no prams the size of a small hatchback, no tantrum-ing kids, no over-fussing parents. My kind of advent.
Author Shelley Workinger runs a blog that provides a unique approach to book promotion – food and the consumption thereof. My expanding waistline is evidence enough of my love of all things culinary, so I bit her hand off to get featured.
Turkish cuisine is justifiably famed as one of the world’s greatest. The Sultan’s table overflowed with extravagant bounty from the vast Ottoman domains that once stretched across three continents. The empire may be history, but food – preparing it, eating it, sharing it – is still of enormous cultural importance to all Turks regardless of status and income. So it’s small wonder the simple act of eating plays a starring role in both of my memoirs, Perking the Pansies and its sequel, Turkey Street. Here’s a soupçon…
We’ve seen a few films recently, most notably God’s Own Country, a windswept tale of romance and raunch between a monosyllabic, emotionally-repressed Yorkshire hill farmer (Josh O’Connor – the literary one from the Durrells) and an enlightened and worldly-wise labourer from Romania (a superbly self-possessed Alec Secăreanu). It’s a kinda coming out tale for the Brexit generation and a tad ironic given the reception gay people usually receive in Romania. Liam thought it was all a bit too Wuthering Heights. I enjoyed the desolation but only because it was finally relieved by a bit of boy-gets-boy at the end. The critics praised the film but damned the redemption. Critics seem to love grim tales that leave you reaching for the gin and pills.
We also saw The Party, a dark satirical farce filmed entirely in black and white about a soiree of smug, fizz-swigging Islington intellectuals whose lives (and leftie credentials) visibly unravel before your eyes. They wriggle while the vol-au-vents burn. I really wanted to like this film but didn’t. There were some great lines…
“You’re a first-class lesbian and a second-rate thinker,”
…and a great twist at the end but it all got a bit too slapstick – and not half as clever as it thinks it is. I nearly reached for the gin and pills.
And then came the main event. Murder on the Orient Express is arguably Agatha Christie’s most ingenious plot. I’ve seen the 1974 star-studded version many times so I know whodunit but did I care? Kenneth Branagh’s re-make (both as director and as Poirot – the Belgian sleuth, sporting gravity-defying face furniture) may be slightly less stellar, cast-wise, but it more than made up for it with spectacle and opulent period detail, dishing up characters less cardboard cut-out than the usual Christie servings. The famously snowed-in train provided an afternoon of pure escapism that really dried out a rainy day. It sparkled – from the dramatic Istanbul skyline to Branagh’s anguished Poirot. Later, we raised a gin or two to the new Hercule. No pills required.
I’ve just finished A Turbulent Mind, A Poetry Collection of a Mother’s Journey with Alzheimer’s by Jay Artale who is perhaps better known as travel writer Roving Jay. Her Bodrum Peninsula Travel Guide remains the most comprehensive book about our old Turkish stomping ground.
Jay’s latest work is altogether more revealing. In a series of soul-baring poems, Jay has written a deeply personal account of her mother’s agonising journey with Alzheimer’s, that cruel and uncompromising disease. Candid, sometimes funny and always illuminating, Jay asks the reader to…
embrace the moments of joy that still pass through every day.
The book is currently available on Kindle only, though Jay has plans to publish the book in paperback soon.
On a lighter poetic note, I had the great pleasure to work with author Iona Jenkins on her own compilation – Heartsong, A Collection of Reflections and Poetry. I was delighted to find out the book was a solo medalist winner in the 2017 New Apple Summer e-Book Awards. Fantastic news!