The main event of our London jolly was catching a West End matinee, but as we had a few hours to kill beforehand, we decided to broaden our cultural horizons with a visit to the majestic galleries of the British Museum. We kinda wished we hadn’t. The place is mind-blowing. Or at least it would’ve been if we’d managed to get a look-in. Sadly, it was nose to nipple, like rush hour on the Tube. I did manage to snap a few random pics as we squeezed through the Egyptian, Roman and Anglo-Saxon exhibits. Still, it kept us out of the driving rain from Storm Austen.









Back to the main event – the latest incarnation of the rock opera Rent, one of our favourite musicals. Loosely based on Puccini’s La Bohème, the tale features an eclectic troupe of impoverished young arty types in the late eighties struggling against the harsh winds of gentrification in Alphabet City, an avant-garde district of Manhattan. While Puccini laced his opera with consumption, Rent is stalked by AIDS, the kiss of death back then. As the characters try to make ends meet, some meet their end. Despite the misery, Rent isn’t depressing; nor is it sugar-coated. And this production is really out there – loud and proud. Simply staged, simply superb. The (mostly young and trendy) audience agreed.



























































