We love ‘POSE’ – a must-watch on the telly box. The first two series were compulsive viewing and pioneering in the heart-warming but warts-and-all portrayal of the LGBT drag ball scene of 80s and 90s New York. Gritty, witty and fabulous, the edgy drama pulled no punches. Life on the margins was rough and tumble and then AIDS joined the party to make it deadly. The cast of largely unknowns delivered a sparkling script with conviction and passion. It’s no surprise that POSE has been lavished with critical acclaim and showered with gongs and globes.
We could hardly wait for the third and final season on the BBC. It had already aired in the US – again to universal praise – so we were on the edge of our seats with anticipation. Tragically, it didn’t start well. The clunky plot of the opening episodes seemed like it had been chucked together by committee using keywords. Usually we don’t have a problem with Yankee accents but during one particular mumbling scene we had to switch on the subtitles. Touches of former brilliance did emerge mid-series but the saccharine pep talks about lurv just went on and on. The hard edge was lost. We still lurv POSE but the romance has sadly cooled.
I know it can be tough on pets and those of a nervous disposition but I do love a pyrotechnic extravaganza, especially at New Year – all that sound and fury signifying nothing but the turning of time. When London was home, I’d jump on the Tube to enjoy the spectacle from the banks of Old Father Thames along with tens of thousands of other revellers. These days I’m content to watch from the comfort of a warm sofa, glass of bubbly in hand.
For obvious reasons, we assumed the fireworks would be off this year. But the Mayor of London, Sadiq Khan, had other ideas. Without plug or promotion, sneaky Sadiq gave us the old razzle dazzle to cheer us up. The theatres may all be dark right now but London can still put on a show.
Despite a charming and traditional appearance, Loddon Village comes with all mod cons – well, almost. A decent mobile phone signal would be nice. So imagine our surprise when we stumbled on this classic thirties Austin Seven in the church car park.
A few days on, feet up and glasses clinked, we settled down to watch the newly rebooted ‘All Creatures Great and Small’ on the telly box. Imagine our surprise when we spotted this classic Austin Seven taking centre stage.
Must be a rural thing.
All Creatures Great and Small is based on the books of the British country vet Alf Wight, writing as James Herriot. The hugely popular original series was made by the BBC and ran from the seventies all the way through to the noughties, so the Channel Five remake has a lot to live up to. So far so good – classy and timeless, just like the cars. And it wouldn’t be the same without James Herriot’s arm up a cow.
Sadly, for various reasons, we didn’t make it to Norwich Pride 2019 for the daytime festivities, though we did manage to catch the tail-end of the fun and raised a glass or two in a local hostelry. Judging by all the party pictures splashed across social media the following day, we missed the best-ever with thousands of folk of every imaginable hue marching and dancing, chanting and cheering. The big pink gong must go to Town Crier, Mike, who opened the proceedings with a rousing speech from the balcony of City Hall.
For more amazing scenes, check out the coverage on Auntie Beeb’s website.
Following bountiful Christmas fare, and with emotions loosened by the Malbec, we plopped onto the sofa and cried our way through Mama Mia, Here We Go Again on DVD and Call the Midwife on the Beeb. Others, meanwhile, took to Google in search of something altogether less wholesome and more carnal. I do hope those dropping into pansyland looking for ‘pussy lovers’, ‘pussy galore’, ‘sticky knickers’ and ‘sex emporium’ weren’t too deflated to read about cats, Bond girls, a heat-wave and two old poofs on holiday.