An Ordinary Hero

Sometimes real heroes are just ordinary people who do extra-ordinary things. One such ordinary hero was Nicholas Winton who, following the 1938 German annexation of the Sudetenland in what was Czechoslovakia, travelled to Prague to help deal with the ensuing refugee crisis that was overwhelming the city. Aided by a small and very brave band of fellow heroes, together they saved 669 – mostly Jewish – children from the Nazis. It was part of the much broader ‘Kindertransport’ programme across Western Europe which, in Britain alone, saved around 10,000 children – once again, mostly Jewish. But it couldn’t last. The rescue missions hit the buffers once war was declared in 1939. Tragically, many of the children who arrived on Britain’s shores were the only members of their families who survived the Holocaust.

A quiet and humble soul, Nicholas Winton’s story remained untold for 50 years until in 1988 it was finally picked up by a national newspaper and the That’s Life TV show on the Beeb. And now the heroic tale is the subject of a remarkable film One Life, with Anthony Hopkins brilliantly playing Winton in his dotage and Helena Bonham Carter as his formidable mother in earlier years, who ran the show at the London end.

Along with others, we sat through the film in stunned silence and didn’t rise from our seats until after the final credits had rolled. Winton was later knighted for services to humanity and died in 2015 at the grand old age of 106.

Here’s the trailer followed by original 1988 footage from That’s Life.

For the recreation of the That’s Life scene, the audience in the film was made up of the descendants of ‘Nicky’s children’.

“Save a life, save the World,” Winton says in the film. As we left the cinema, I couldn’t help thinking that despite his amazing story of hope, history just carries on repeating itself over and over again.

Eurovision 2023

Yes, it’s that time of year again when the technicolor travelling circus that is Eurovision rolls into town. After Ukraine’s win last year, the tele-moguls wisely decided against staging the glitterfest in Kyiv with the risk of Russian drones crashing the party – literally. So, the poisoned – or blesséd – chalice was passed to runners-up, le Royaume-Uni.

In 2014 I wrote…

… the songfest has been given an extra political frisson this year by Tsar Putin’s annexation/ repatriation (delete according to taste) of the Crimea; continued unrest in eastern Ukraine might earn Kiev a few sympathy votes…

Prophetic or what?

Reaching an audience of over 160 million, the Eurovision Song Contest is the biggest music show on the planet. These days, the competition is less about the actual songs – once heard, rarely remembered – and more about the glitzy spectacle, with performances ranging from the camply sublime to the utterly bizarre. It hardly matters. Votes will be cast along political and ethnic fault lines anyway. They always are.

The City of Liverpool won the bid to host the jamboree on behalf of Ukraine and good ol’ Auntie Beeb has chucked most of our licence fee at it with week-long sideshows online and on stage to accompany the main events. Excitement has built to fever pitch with superfans from across the realm and the continent descending on the city. There have even been special trains laid on…

Just like our Liverpudlian comrades, we’ve decided to embrace the entire silly shindig with a silly shindig of our own. Sadly, our gaff is a tad smaller than the Liverpool Arena so a kindly neighbour has stepped in to host the show at their mini-mansion. They’ll be silly hats, silly score cards and silly prizes. Good luck to the UK’s Mae Muller. It’s a crackin’ song with crackin’ lyrics.

But when the nil points roll in and the UK predictably plummets down the scoreboard, we’ll just crack open another bottle and drown our silly sorrows.

Paul O’Grady, RIP

We awoke this morning to the sad news that Paul O’Grady, AKA Lily Savage drag queen extraordinaire, has died. Even though I didn’t know Paul personally, somehow it still feels like a big loss. Lily Savage was such an important part of my formative years as a pretty young gay about town. Before Paul hit the big time on the telly box, firstly as his alter ego and then as himself, I misspent many a boozy night of slapstick and sequins watching Lily click her high heels on the velvet-draped stage of the Royal Vauxhall Tavern, South London’s premier drag pub. Quick-witted, caustic, filthy and utterly original, Lily always brought the house down. I laughed so much it hurt. Nobody dared heckle Lily when Lily was on a roll. She was more than just drag. There have been countless drag queens down the ages, some great and some dire, but Lily stood wig and shoulders above them all. Lily was comedy royalty.

There are loads of videos of Paul and Lily on YouTube. I’ve picked one – outtakes from the Lily Savage TV Show back in the day on the Beeb. If you’re easily offended, best change channels now.

Way to Go, Tom Daley

Our rainbow day came hot on the heels of the opening ceremony of the 2022 Commonwealth Games in Birmingham earlier that week. Eccentric, multicultural and with a distinctly steampunk feel, it was a gloriously quirky start to the games. Check out the amazing pictures from the Guardian.

For me, a spectacular high point of the show was Tom Daley, Olympic champion diver and growing national treasure, carrying the Queen’s baton flanked by gay rights activists each holding the LGBT progress flag high and proud.

Seen by over one billion viewers worldwide, they were there to spotlight the barbaric situation where in over half of Commonwealth countries homosexuality is illegal and also where, in three of them, the maximum penalty is execution. Just think about that for a moment. That’s another good reason why we need pride events.

But now the ‘Friendly Games’ – and they were terrific – are over for another four years, will Tom’s rainbow flag-waving make a lasting difference? We can but hope.

Click the image below to see the footage on the BBC.

Nuns and Nazis

I first watched The Sound of Music in the sixties at the tender age of seven. To see over the heads of the people in front of me, I sat on an upturned seat. Not that I saw that much anyway. I nodded off halfway through and didn’t wake up ‘til Dame Julie and co were heading for the hills.

Even though the film eventually became a Christmas staple on TV, I never actually sat through it. All I knew was that it was a tale of good versus evil with singalong tunes. And then the BBC exposed the truth about the von Trapps in a 2013 warts-and-all documentary. It turned out our heroes didn’t climb any mountain or ford any stream to escape the clutches of the nasty Nazis. No, they caught the 5.30 express to Italy. It was a bitter blow.

To restore my faith in the fairy tale, I jumped at the chance to see a new production at Norwich’s Theatre Royal by the Norfolk and Norwich Operatic Society. They’re amateur thesps but they always put on a good show.

As we necked our interval gins, I asked Liam,

So, when does the cute blond sing ‘Tomorrow Belongs to Me?’

That’s from Cabaret.

Oh.

Seems I was mixing up my Nazis.

Overall, the production was charming, with some really sweet moments. Nuns and Nazis, what’s not to like? For us, the stand-out performance was from Sara Cubitt as the Mother Abbess. ‘Climb Every Mountain’ is a tough song to sing, and we held our breath as she warbled towards that devilishly difficult final note. Did she hit it? Oh yes. 

In Step with Modern Britain

With all the endless doom and gloom swilling around us, it’s easy to forget just how far we’ve come. It says something incredibly powerful about our society when the three finalists of Strictly Come Dancing – the most popular show on British TV – were a black woman, a deaf actor and a same-sex couple, as voted for by the viewers. As critic Barbara Ellen put it in her Guardian review:

“A ground-breaking Strictly final in step with modern Britain.”

“… Strictly, and the BBC, at its best: everyone welcome, and everything all the better for it.”

Hot on the heels of Strictly came the BBC’s Sports Personality of the Year, also a public vote. It was won by the child of Chinese-Romanian immigrants with a gay diver bringing up the rear in second place.

And then came the out-of-the-blue and very public marriage proposal on the stage of Norwich’s splendid Theatre Royal at the end of their Christmas panto production of Dick Whittington. When Joe popped the question, the kids went wild. Just as well Luke said yes!

Watch it on Facebook. Congratulations boys.

Strike A POSE

We love ‘POSE’ – a must-watch on the telly box. The first two series were compulsive viewing and pioneering in the heart-warming but warts-and-all portrayal of the LGBT drag ball scene of 80s and 90s New York. Gritty, witty and fabulous, the edgy drama pulled no punches. Life on the margins was rough and tumble and then AIDS joined the party to make it deadly. The cast of largely unknowns delivered a sparkling script with conviction and passion. It’s no surprise that POSE has been lavished with critical acclaim and showered with gongs and globes.

We could hardly wait for the third and final season on the BBC. It had already aired in the US – again to universal praise – so we were on the edge of our seats with anticipation. Tragically, it didn’t start well. The clunky plot of the opening episodes seemed like it had been chucked together by committee using keywords. Usually we don’t have a problem with Yankee accents but during one particular mumbling scene we had to switch on the subtitles. Touches of former brilliance did emerge mid-series but the saccharine pep talks about lurv just went on and on. The hard edge was lost. We still lurv POSE but the romance has sadly cooled.

Putting on the Ritz

I know it can be tough on pets and those of a nervous disposition but I do love a pyrotechnic extravaganza, especially at New Year – all that sound and fury signifying nothing but the turning of time. When London was home, I’d jump on the Tube to enjoy the spectacle from the banks of Old Father Thames along with tens of thousands of other revellers. These days I’m content to watch from the comfort of a warm sofa, glass of bubbly in hand.

For obvious reasons, we assumed the fireworks would be off this year. But the Mayor of London, Sadiq Khan, had other ideas. Without plug or promotion, sneaky Sadiq gave us the old razzle dazzle to cheer us up. The theatres may all be dark right now but London can still put on a show.  

Classy Classics

Despite a charming and traditional appearance, Loddon Village comes with all mod cons – well, almost. A decent mobile phone signal would be nice. So imagine our surprise when we stumbled on this classic thirties Austin Seven in the church car park.

A few days on, feet up and glasses clinked, we settled down to watch the newly rebooted ‘All Creatures Great and Small’ on the telly box. Imagine our surprise when we spotted this classic Austin Seven taking centre stage.

Must be a rural thing.

All Creatures Great and Small is based on the books of the British country vet Alf Wight, writing as James Herriot. The hugely popular original series was made by the BBC and ran from the seventies all the way through to the noughties, so the Channel Five remake has a lot to live up to. So far so good – classy and timeless, just like the cars. And it wouldn’t be the same without James Herriot’s arm up a cow.

That’s a rural thing too.

God Save You Queens

God Save You Queens

Sadly, for various reasons, we didn’t make it to Norwich Pride 2019 for the daytime festivities, though we did manage to catch the tail-end of the fun and raised a glass or two in a local hostelry. Judging by all the party pictures splashed across social media the following day, we missed the best-ever with thousands of folk of every imaginable hue marching and dancing, chanting and cheering. The big pink gong must go to Town Crier, Mike, who opened the proceedings with a rousing speech from the balcony of City Hall.

For more amazing scenes, check out the coverage on Auntie Beeb’s website.