Our final jolly in old London Town at the end of 2019 was a trip to see Wicked – the stage prequel to The Wizard of Oz and a show every friend of Dorothy should see before they reach the end of the rainbow.
Bizarrely, neither Liam nor I had seen the musical before even though it’s been a firm West End fixture for donkey’s years and one of the rare few that just go on and on, pulling in the punters night after night. The trouble with many a classic on a long run is it can all get a bit tired. Fine wine to vinegar? Actually, no. The big scenes are still big and the current lead – Nikki Bentley, as Elphaba, the Wicked Witch of the East – has a belting voice. And the political subplot – the rise of fascism – is as relevant now as it’s ever been. There was a standing ovation at the end. All in all, not a bad gig.
It’s funny how things turn out. At the start of 2019 we were loft-living city-style, happy as pigs in the proverbial. By the end, we’d escaped to the country surrounded by the stuff, all quite by chance. Our best laid plans for a move to God’s own county were consigned to the recycling bin. And, my old girl reached her own milestone – turning 90 and still on the fags.
These twin themes were writ large in Perking the Pansies this year. There’s a lesson there somewhere. Also featuring in the top ten were a couple of fairy films, a fine but imperfect city and steely celebrations by the pansies still perking after all this time. Ladies and gents, please give it up for…
As usual, popular classics were of the more salacious kind. For the third year running, Gran Canaria, Sex Emporium from 2012 was the most read blast from the past. And the most clicked image was those naughty but nice boys with their big oars from Catching Crabs.
Shame on you.
Happy New Year to one and all. All we hope for in 2020 is some sunshine. It’s been pissing down virtually every day since we moved.
The Autumn edition of ‘Link’, the South Norfolk Council community magazine, dropped on the mat. Packed with facts and fun, it’s something to thumb through over coffee and a rich tea. It’s the usual recipe of charity gigs, sport and leisure updates, seasonal treats, pub and club news, health and environmental titbits and (groan) advice on preparing for Brexit. But also thrown into the mix is a remarkable full-page piece about a roving exhibition called ‘Helping History Out of the Closet’. Intended to raise awareness about LGBT issues, the show was put together by the Thetford Teenage History Club who were shocked to discover that man-on-man action could once land you in the clink, or worse. Why remarkable?
Well, it isn’t that long ago that a council in liberal London banned a gay support group from an out-of-hours chinwag on council premises for fear of a moral backlash. I guess the powers that be thought it might degenerate into an orgy and frighten the grand old dames of Kensington. I worked for that council and had the keys to the offices in Earls Court so we met anyway, under cover of darkness.
Essentially South Norfolk is one giant field sprinkled with small towns and villages. Like most rural communities, it’s conservative with a small ‘c’ (and sometimes with a massive one) where change is snail-paced and being different can be an isolating and horrible experience. We’ve come a long way. Let’s hope it stays that way.
We arrived early in Chelsea for our close encounter with Tut’s bling giving us the chance to wander round my old manor where, back in the day, I was the money counter in Habitat. Come Saturday afternoons, I used to hang out at the Markham Arms with punters spilling out onto the pavement, trying to catch the eye of a likely lad who might. And many did. The King’s Road was where London swung in the sixties and, in the seventies, glam rockers minced and punks strutted. These days the unique boutiques and the avant garde have given way to chic shops for the filthy rich surrounded by some of the most expensive property on the planet. The Markham Arms is now a bank.
Another pub where my youth was gloriously misspent was the Queen’s Head in (wait for it) Tryon Street. The scene of my undoing was probably Britain’s oldest gay pub, with a pink lineage stretching back to the buttoned-up fifties. Last time I looked back in 2013, the pub had been saved from developers wanting to make a mint converting the handsome building into luxury flats. Alas, it was a pyrrhic victory as this image confirms.
Still, it wasn’t all doom and gloom on my trip down memory lane. Liam got to stand outside the former home of PL Travers, the author of Mary Poppins. It made his day.
This year, Liam and I jollied in London for our birthdays. A state of the art, hi-tech micro-room in St James’ was the perfect base for our foraging. We arrived on Remembrance Sunday and the centre of town was buzzing with blazers, badges and bling under a canopy of Christmas lights. It was fun being tourists with time on our hands to roam and drink it all in, something we rarely did when we were worker bees on the treadmill.
Talking of drinking it all in, no trip to the West End is quite the same without a jar or two in a local hostelry. As seems to be our habit these days, we ended up at Halfway to Heaven, a gay bar just off Trafalgar Square and the splendid den of iniquity where Liam first caught my roving eye 13 years ago. Quite by chance, we arrived just in time to catch their annual Remembrance Day show.
The pub was rammed with military veterans – men and women, young and old, straight, gay and everything in between, all in their Sunday best – enjoying a convivial mingle with the regulars.
Halfway to Heaven has become something of a safe and welcoming place for ex-military LGBT people. Who knew? But it was a wonder to behold. When we were at the bar ordering drinks, a middle-aged woman was chatting to the manager.
“Thank you for being so nice to my dad and his husband,”
she said, pointing at two old soldiers in the corner.
Our move date from city to country coincided with tickets to see Armistead Maupin’s one-man show at Norwich’s Theatre Royal. Maupin is the author of the Tales of the City series of novels set in San Francisco which chronicle the lives and times of an eclectic group of residents passing through the Barbary Lane boarding house turned apartments owned by Anna Madrigal. We love the books (and subsequent TV serialisations) so it was with heavy hearts we had to give Maupin a miss.
Liam was determined not to miss the next big thing – gay
icon-wise – to come along. And they don’t get bigger than the late, great Judy
Garland. Liam is a BIG fan and was virtually hyperventilating as we took our
seats at Norwich’s Cinema City for ‘Judy’, staring the wonderful Renée
Zellweger in the title role. Liam loves a dead diva.
Covering the brief period when the down-at-heel legend arrives in London in the winter of 1968 to perform a series of last-chance concerts, ‘Judy’ is not exactly a feel-good film. We all know what happens in the end and watching Judy’s descent into drug and drink-fuelled hell makes grim viewing. But the film is strangely compelling and Ms Zellweger is mesmerising – interpreting rather than parodying Judy’s magical stage presence – and all in her own voice. No miming needed. I hear Oscar knocking.
Business has been brisk; we’ve been working late to meet immoveable deadlines and we needed a little light relief from our labours. It came in the form of camp and cheery French-language film, The Shiny Shrimps (or Les Crevettes Pailletées).
The story goes like this:
After an Olympic swimming champion at the tail-end of his career makes a homophobic remark on TV to a gay reporter, he is forced to do penance by coaching an amateur water polo team trying to make it to the Gay Games. His charges are unruly, uncompetitive and unapologetically flamboyant. It’s a tough gig but he whips them into shape. Along the way, it’s a journey of revelation and reconciliation to a soundtrack of Bonnie Tyler’s Holding Out for a Hero and Sabina’s Boys, Boys, Boys with a bit of Celine Dion chucked in for good measure.
Billed as a cross between Pride and Priscilla, Queen of the Desert, the film isn’t nearly as good as either and a bit lightweight pathos and politics-wise. Nevertheless, it was feel-good jolly romp at the end of a hard-slog week. Here’s the trailer…