I love the Lion King. I love the original Disney animation. I love the musical. And when I saw the trailer for the ‘photorealistic’ computer-generated remake, the hairs on the back of my neck stood on end. So there was a lot riding on our return to Pride Rock. The film is technically brilliant – a visual masterpiece that dazzles with intricate detail and epic scale. It’s sure to do very well at the box office. But, on the whole, I was left strangely unmoved by the spectacle. The film lacks much of the charm and expressiveness of the ‘hand-drawn’ original. And the re-worked music seemed under-powered, particularly the African chants and rhythms which underscore the story’s very essence. Beyoncé’s breathy rendition of Elton John’s ‘Can You Feel Love Tonight’ was really disappointing. Gifted as she is, the song doesn’t suit Beyoncé’s range and, in my humble view, Elton’s ballads should never be warbled, X Factor-style. But, I guess that’s the modern way and my musical tastes are distinctly old hat.
I was a huge Elton John fan as a teenager. I had all the albums, lots of the singles and a large poster of Elton in over-sized star-shaped glasses on my bedroom wall. So it was with great anticipation that we saw ‘Rocketman’, the new EJ biopic. So what’s it like? Well, in summary, the beginning (child protégé to blossoming musical genius) is heart-wrenching. The middle bit (meteoric rise to global super-stardom and descent into rock star excess) is, well, middling. And the finale (reformed addict to legendary national treasure) is foot-tapping joy. Elton’s no-holes-barred lifestyle and multiple neuroses are laid bare – delivered by ingenious scene-stealing fantasy sequences set to his best-known songs. And, there’s no ‘straight-washing’ either to placate the censors in less enlightened lands. It’s all out there in sequin-studded, piano-beating, coke-snorting, vodka-swilling, bed-hopping glorious Technicolor.
Taron Egerton as the Rocket Man is perfect, capturing, though not caricaturing, Elton’s mannerisms, shyness, petulance, sulkiness and explosive presence – both on and off stage. And his voice ain’t bad either. The film is good, rather than great, entertaining rather than profound. My only real criticism is, while Elton’s pain is front and centre – honestly told – it’s a tad self-absorbed with little insight into the hurt and mayhem caused to others by the swirling emotional tornado that is Elton Hercules John. But, I’m still a fan.
Sir Ian Mckellen, star of stage, screen and gay bar, turns 80 this year. To celebrate this remarkable milestone, he’s trolling round the country on a nationwide tour of theatres big and small, illustrious and humble. The boards don’t come more illustrious than the Old Vic in London or more humble than the 300-seater Maddermarket Theatre here in old Norwich Town. It was to the Maddermarket we trolled to catch his one-man show.
And what a show he put on – from Gandalf to Shakespeare via Gerard Manley Hopkins and TS Eliot, all sprinkled with intimate memoir and gossipy anecdotes – like spending the evening with your favourite uncle, the one with a racy past and funny tales to tell. Wise, witty and utterly charming, Sir Ian (or Serena as he’s affectionately known to the brethren) doesn’t hide his light or sexuality under a bushel. He’s very matter of fact about both – modest about his immense talent and a ‘so what?’ attitude about his love life. How he can drop into character, instantly recalling long, complex soliloquies from the Bard is beyond me. His campy, high-pitched Juliet was pure joy.
There are many wonderful stories about Serena but perhaps my favourite is the time he arrived in Singapore to roll out his King Lear. Man-on-man hanky-panky was (and still is) illegal in the city state where the punishment is the cane and up to two years in Sing Sing. He was being interviewed on breakfast TV and asked the host where he might find a gay bar. I suspect one or two viewers choked on their muesli.
Come Valentine’s Day, romantically-minded Liam likes to put on a show and the show in question was the Calendar Girls musical at the Theatre Royal, Norwich. And what a show it was too. Adapted from the 2003 film, it’s based on the real-life story of a group of middle-aged Yorkshire lasses from the local Women’s Institute who bare all in a naughty calendar. The husband of one of the racy ladies had died from cancer and the modest aim was to raise enough cash to buy a new sofa for the relatives’ room at their local hospital. The plucky troop battled against their own considerable anxieties and stiff resistance from their local chairlady, horrified as she was that the squeaky-clean, jam and Jerusalem reputation of the WI would be badly sullied. Eventually though, the ladies triumphed. The calendar was a runaway international success and it, and the sequels, have so far raised over £2 million for Leukaemia research. And the ladies bought the sofa. I call that a result.
The musical version, with a score by Gary Barlow from Take That, is emotional without being soppy, tuneful, uplifting, joyous and very, very funny. The touring cast of well-knowns and less well-knowns really know how to belt out a song or two. Like us, the audience lapped it up and gave a standing ovation at the end. For some, though, it was all too much. The lady next to Liam sobbed the whole way through. Cancer, as we all know, is a serious business.
For a taste, here’s the trailer (from the West End production)
Contrary to rumour, the age demographic around the pool of the gentlemen-only bungalow resort was more mixed than anticipated. Everything else, though, was as billed – comfortable abode with a few luxury touches, an obliging Portugeezer host, glorious weather and a warm and inviting salt-water pool (despite the black tiles giving the water the appearance of the Thames at London Bridge). The complimentary bottle of Cava went down a treat too.
Mostly we lazed, read and exchanged small talk with our fellow inmates, all looked over by a serene statue of the Buddha. What he made of the wibbly-wobbly willies slowly sizzling like bangers on a BBQ, God only knows. When I first holidayed to Gran Canaria back in the early eighties, nudity was strictly verboten. As the years rolled by and buttons loosened, full frontal was allowed but only after the cleaners had left for the day. Now, it’s okay to let it all hang down wherever and whenever you fancy, even while sipping a sex on the beach at the bar. Public licentiousness, though, was off the menu, particularly in the jacuzzi. It clogs up the filters, apparently.
We kept our family jewels firmly under wraps except in the privacy of our bung. Our eyes, though, were everywhere and especially drawn to a tattooed man from Doncaster with well-nibbled nipples and pendulous equipment. Well, it would’ve been rude not to look.
As we lolled around the pool, the travelling sun poked through under the parasol. Liam said…
I must put something on my face.
I suggested. How we laughed.
Being of a certain age and disposition, we only ventured out a few nights to the bars which are mostly located in a shopping centre which…
…is a naff treat for all the senses, a crumbling multi-layered open air shopping and sex emporium. It started to fall apart as soon as it was built. By day, it’s an over-sized pound shop patronised by ancient slow-lane Germans in busy shirts and socked sandals. But, at the stroke of midnight, the racks of tat are wheeled away, the garish bars throw open their doors and the entire place is transformed into a gaudy cacophonous neon-lit cess-pit of drunken debauchery.
As described in my post, Gran Canaria, Sex Emporium, of many years past.
The place hadn’t changed much except, perhaps, for the drag acts, which have raised their game since last we were there – a little more vaudeville and a little less Blackpool.
One steamy afternoon, we jumped in a cab to the lighthouse at Maspalomas for a light lunch and a few bevvies. First up was a low-brow diner with a slapped-up Gemma Collins lookalike sitting on the next table with her Essex companions. Next up was a gay oom-pah-pah bierkeller serving strong ale and bar snacks to the jolly leather-faced Germans. We were gutted to learn that ‘brot mit knoblauchsauce’ was German for garlic bread. Who knew? The afternoon ended at a posh café sinking a delicious bottle of Rioja while watching the sun go down.
All in all, not a bad gig.
The world may be going to Hell in a handcart but the Pansies keep on blooming – year in, year out. I keep them fed and watered and I’m grateful to those who pass by to admire the display. As the New Year dawns and more dark clouds lurk on the horizon, it’s a good time to look back at the pansies that perked the most in 2018. Life is a Cabaret, Old Chum, romped home by a mile. Who knew a drag show in a circus tent could strike such a chord?
As for the also-rans, it’s the usual eclectic bunch – as befits my random rants and ramblings from daily life: cowboys, cross-dressers, the curse of modern parlance, movie misses, gym bunnies, Hellenic heaven, and stories old and new from the Land of the Sunrise.
Life is a Cabaret, Old Chum | Can I Get, Like, a Coffee? | My Brokeback Mountain Moment | Heal Thyself | Pretty in Pink | Do You Have a Tale to Tell? | Is This the Real Life? Is This Just Fantasy? | A Hard Act to Follow | Old Money, No Money | Postcards from Crete
And what was the most popular post from years past? For the second year running it’s that 2012 camp classic, Gran Canaria, Sex Emporium. It’s the title that won it. Shame on you.
With 2018 all wrapped up, we’re off to the Ivy for some posh nosh and to see in the New Year. Wishing everyone peace and prosperity for 2019.
We were planning to see Bohemian Rhapsody, the new Freddie Mercury biopic. But the reviews have been decidedly mixed, despite Rami Malek’s astonishing portrayal as the Queen of Queen. It’s been said that, as producers of the film, the surviving members of the band all come across as a bit too saintly. Of course, they’re not saints. Nobody is. And Freddie’s sexuality has been sanitised, presumably to appeal to the widest international audience possible. Freddie’s excesses are well-documented. His AIDS-related death was awful and, for me, profoundly affecting. I remember it all too well. I once saw Freddie at a gay club back in the day, surrounded by his acolytes. There was nothing ambiguous about Freddie. So we decided to give the film a miss to avoid the disappointment. Instead, we lunched at Bishop’s, one of Norwich best indie restaurants. The meal was courtesy of the staff at the village surgery where Liam earns an honest crust. We’d already had our joint birthday treat at the newly opened Ivy Brasserie. But you can never have too many birthday treats, can you?