It was high time for a little naughty fun in the smoke – a chance to spend a boozy afternoon with the London landlady of our Turkey years and an old mucker of mine from way back when. First stop was the French House, an iconic Soho watering hole popular with arty types. It’s a…
…fabulous and entertaining spot to raise a glass in London, the French House truly deserves its reputation as the best known pub in the world’s naughtiest square mile. It’s no music, no machines, no television and no mobile phones rule makes it a haven for conversationalists and a firm favourite among some of the best known names in show business.
Even if they do say so themselves.
And converse we did through four bottles of their finest house plonk. Sadly, the clientele was a bit light on thespians and there was nobody famous to gawp at.
Next up was a Thai vegan restaurant. Imagine me doing vegan? Not when I’m sober. It was tasty enough but a bit of pricey for a plate of rice and veg sprinkled with a few cashew nuts and not at all fit for soaking up the Devil’s brew.
Finally, we fell into The Admiral Duncan, a gay bar made famous by a nail bomb which, in 1999, killed three and maimed many others. It was good to see the old place still thriving after all these years despite the advent of ‘dating’ apps which have killed off many a clip joint. It’s the Amazon effect. Why bother with the faff and expense of propping up the bar hoping for a chance liaison when you can order in with free delivery?
Our former landlady popped to the loo to spend a penny and got more than she bargained for. Liam asked if she was alright.
Not really, no. There’s a transsexual masturbating in the ladies.
I had no words.
Liam suffers from acid reflux – indigestion from Hell – which he controls with early dinners and prescription drugs. In rare cases, the condition can lead to oesophageal cancer, something most sufferers don’t know they’ve got until it’s way too late. Early diagnosis improves the odds massively. If only there was an effective screening programme for those most at risk.
Enter stage left, the boffins from the University of Cambridge. They’re trialling a low-cost diagnostic tool which, if successful, could be the answer. Enter stage right, Liam the lab rat. He swallowed a large pill attached to a length of twine. Going down was the easy bit (isn’t it always?). The pill dissolved to reveal what Liam described as a Brillo pad which was tugged up through his gullet, scraping the sides as it travelled. It was quite a performance by all accounts.
To get over the shock of the drama, Liam took himself off to Cinema City to watch Stephen Sondheim’s Follies broadcast live from the National Theatre to 2,500 venues globally. Liam is a huge Sondheim fan. I’m not, so I didn’t crash the party. The last time we watched a live performance beamed to cinemas was Billy Elliot. Now that’s my kind of musical. It’s a great way for the fiscally-challenged to watch a top-notch West End show at a knock-down price.
I joined Liam later for a bottle. He was delirious after Sondheim – almost losing his mind with the pleasure – and needed a large red to bring him down to planet Earth. Throat well lubricated, we raised a glass to the miracle of medical science. It’s keeping us alive, after all. And now we’ve both done our civic duty for the greater good, we’re feeling rather smug.
I’ve always liked a mural, ever since Coronation Street’s former resident charlady Hilda Ogden tarted up her back parlour with a sea view embellished with a trio of flying ducks. She called it her ‘muriel’ and she was very proud of it. I was rather addicted to Corrie growing up – all those ballsy northern women slapping back life’s many misfortunes with humour and wit. These days, soaps tend to be all bed-hopping, murder and teenage angst with slash-yer-wrist plot-lines. Humour and wit is in short supply. Not my cup of char at all.
And talking of muriels, they’re being slapped up all over the place round these parts. Norwich is a quirky kinda town, pretty for the most part but few British cities were spared the Luftwaffe’s bombs or the post-war planners. Slum clearance was all fine and dandy but the bulldozers also swept away much worth preserving. Some clever soul had an inspiring idea of brightening up a few uninspiring corners with eccentric muriels. Hilda would have approved, I’m sure. Sadly, there are no flying ducks.
The last of seven murals was recently unveiled on Arcade Street…
Image courtesy of the Eastern Daily Press.
In Istanbul, tear gas and rubber bullets broke up small groups of brave souls attempting to defy the ban of this year’s pride march. In London, the rainbow flag flies proudly over Tower Bridge, one of the city’s most iconic buildings. Just sayin’.
Happy London Pride today. For those, like us, who won’t be parading down Whitehall, what better way to mark the event than to watch the cast of the Lion King featuring the London Gay Men’s Chorus singing the Circle of Life composed by England’s second biggest queen?
The annual Norfolk and Norwich Festival is done for another year. The festival delivers something for all ages and tastes – from the highbrow to the frivolous, the earnest to the slapstick, the traditional to the avant-garde, the well-known to the newbie, the orchestral to the bloke with a guitar – in glorious words, music, dance and acrobatics. Liam and I mostly pop along for the eclectic street performers and drinking culture. The festival marks the start of a summer season packed with designer ducks, dancing queens, technicolour floats, frilly tutus, soaring batons, bone-crunching back flips, stunning pyrotechnic wizardry and the celebration of Norfolk’s pastoral bounty. Let’s hope Mother Nature is in a bright mood for the duration.
Of all the shows sprinkled about the city during the festival, the most intriguing was the Museum of the Moon by artist Luke Jerram at the Forum. A giant moon featuring detailed NASA imagery appeared to float effortlessly above the floor. It was mesmerising. Dropped mouths just gawped up in silence, us included.
And here’s the Norwich Cathedral Choir chanting to the man in the moon, kinda medieval and mystical…
I was wandering through our local library last week and came across this intriguing exhibit:
The display was made up of 18,000 forget-me-nots, one for each individual living with dementia in Norfolk. It was Dementia Awareness Week and the library was running a host of creative events for dementia sufferers and their carers.
All sickness is cruel but dementia has got to be one of the cruellest of them all, robbing the victims of their very essence while their loved-ones look on helplessly. We know dementia. Liam’s mother was a victim and died from the inevitable complications of the disease. It’s ironic that as science and wealth has let our bodies survive beyond our allotted three score and ten, our minds often can’t keep pace. But there is hope. Just as cancer is no longer the death sentence it once was, there is every chance that science will one day halt and maybe cure the disease. A healthy older age is something we all want. And while we wait for that time to come, there are some amazing people doing some amazing things to make living with dementia just a little bit easier.
If Christmas was sedate and tranquil, January was an exploding glitter ball. The month began with the high flying Cinderella at the London Palladium, the middle featured La La Land, the bookie’s favourite at the Oscars, and the grand finale was a splendid performance of ‘La Cage Aux Folles’ at Norwich’s very own Theatre Royal. Literally meaning ‘the cage of crazy women’ – in fact ‘folles’ is French slang for screaming ladies of an entirely different gender. ‘Cage’ enjoys a glorious pedigree – the original 1973 French play, the 1978 (my coming out year) Franco-Italian film, ‘The Birdcage’, a 1996 Hollywood remake starring the late, great Robin Williams and a multi-gonged stage musical. The latest revival is now doing the rounds in the provinces. After Trump’s depressing God’s own country speech at his inauguration, it certainly revived me with its delicious ‘I am what I am’ bugger the bigots message. John Partridge’s performance as Albin, the ageing drag queen, was a revelation – totally OTT one minute, delicately poignant the next. The Norwich crowd gave him a well-deserved standing ovation.