Affectionately known as ‘The Glums’, the spectacular musical ‘Les Misérables’ has been a London fixture for nearly forty years. I’ve seen the West End production twice. I also bought the soundtrack and saw the star-studded and much-praised 2012 film adaptation. So it’s fair to say I’m pretty familiar with the tale and the tunes.
I must confess I was a little nervous as we took our seats to see Echo Youth Theatre’s version of this epic story of love, loss, injustice, rebellion and redemption. The big songs need big voices and a rousing chorus line to stir the soul. I shouldn’t have worried. As a brilliant training ground for young talent, Echo Youth always deliver. I’ve seen most of their recent shows and they’ve all hit the target with top note performances and top-notch production. Without a doubt, this show was their finest – classic and classy, energetic and emotional. And despite the high body count – most of ’em die in the end – we were left feeling elated and all tingly.
The spontaneous standing ovation at the end was richly deserved. Not glum at all.
We love a wacky musical and they don’t come much wackier than Opening Night, a brand new West End show from the pen of singer-songwriter Rufus Wainwright. Based on a 1977 film of the same name, the musical stars Sheridan Smith as an ageing has-been who’s lost her mojo and hit the bottle. It’s a familiar, well-trodden Judy and Norma theme. Despite a dedicated fanbase, Rufus Wainwright has been little troubled by commercial success. And I can see why. The score is dissonant, dense and tuneless – a torch song tale without the torch songs.
The production itself is a pretentious mess – shouty, angry and hard to follow, with bizarre staging involving TVs dotted about the auditorium and a large screen above the stage which, from where we were sitting, was largely obscured. We weren’t sure when and where to look – stage or screen – so by the second half we didn’t bother to look at all. The cast made the best of a bad lot and, come curtain call, the audience applauded politely, mostly out of pity, I thought.
Afterwards, as we piled onto the street in need of a stiff drink, Liam said, ‘Well, that was a pile of old shit’. The woman in front of us turned round and said, ‘I’m so glad you said that. It really was shit.’
Drama and performance can really help young minds build important life skills like confidence, comradeship, communication, cooperation and commitment – and loads of other vital ‘c’s too. But it takes guts and gumption to strut your stuff on the stage in front of a bunch of strangers. Back in my old school days, our annual theatrical offering usually consisted of a few spotty boys in need of deodorant mumbling a few lines from the Bard they didn’t really understand. Thankfully, things have come a long way since then.
Unlike the could-do-better days of my youth, this year’s Hobart High School’s production of Beauty and theBeast attained A+ in the talent and fun department. So much so, the show received an emotional standing ovation at the end, which I’m sure will linger long after the lights and makeup have faded. We know several members of the young cast – Benny, Eva, Jas and Rory. They were all amazing. And as for our very own budding starlet, Alice, in her directorial debut, is there anything this brilliant young lady can’t do?
For rural shires on the eastern edge of this green and pleasant land, East Anglia is rather blessed when it comes to live theatre. It seems everyone’s at it, from the have-a-go luvvies in drafty old village halls to well-seasoned thesps treading the boards at the rather magnificent Theatre Royal, Norwich. Unsurprisingly, it’s a mixed bag of riches – some good, some less so but all worth a few shillings. Always worth a punt are the song and dance showstoppers from the Norwich and Norfolk Operatic Society. And their latest, Betty Blue Eyes, was no exception.
Adapted from the 1984 film A Private Function, from the genius pen of Alan Bennett, Betty Blue Eyes is set in a small Yorkshire town just after the War, with food rationing still on the menu, resulting in unpalatable Soviet-style food queues and meagre plates. But to celebrate the 1947 royal wedding of Princess Elizabeth to Prince Phillip, the local bigwigs decide to throw a banquet fit for a queen with a main course of illegally reared, unlicensed pork. They call the pig ‘Betty’ in honour of the soon-to-be-wed princess. Of course, the feast is strictly for the top drawer with their overbearing sense of entitlement. The hoi polloi have to make do with Spam.
Quirky, eccentric, heart-warming and thoroughly British, the show was a funny, foot-tapping tale of small town, small minds and smug middle-class snobbery; the kind of ‘one rule for us, another rule for them’ mentality exposed by the recent Partygate scandal.
The cast was excellent, particularly those from our own small community hereabouts – you know who you are. For me, the stand out performances came from Will Mugford, the hen-pecked anti-hero Gilbert who saves the day, Joseph Betts as Henry, who develops a rather unconventional relationship with Betty (or perhaps not so unconventional given we’re in Norfolk) and Alex Green, the light-footed, campish Food Inspector in Gestapo leathers trying to catch out the rule-breakers.
No actual pigs were harmed in the performance.
Here they are in rehearsals…
Footnote:
According to Wikipedia , during the filming of A Private Function, Maggie Smith was hemmed in by an angry pig and had to vault over the back of it to escape. Dame Maggie then went on to win a Best Actress BAFTA for her trouble.She’s a real trouper.
We missed Big Dick and His Pussy, last year’s mucky offering from the Adult Panto team, so we were determined to see Sinderella, their very naughty-but-nice interpretation of the classic rags to royalty tale we all know so well. It was a strictly gays’ and girls’ night for our foursome at Norwich’s Maddermarket Theatre, with husbands left behind to look after the sprogs. Giving a whole new meaning to that well-trod panto phrase ‘he’s behind you’, it was a non-stop, X-rated, utterly unbridled, cross-dressed, nudge-nudge, wink-wink glitterfest of smut and filth which left no profanity unsaid or hole barred. We loved it.
Just one more show to go – Treasure Island from the Loddon Players, our much-loved local am dram company – and then it’s curtains for panto season for another year.
Looking around at our troubled and troubling world, 2023 hasn’t exactly been the best of years – precious little hope and definitely no glory. Despite the doom and gloom, for the most part village life has remained tranquil and quietly satisfying, with the pansies erect and un-wilted. We know how lucky we are. This year’s crop of top pansy posts reflects this theme and has a distinctly personal and domestic feel with splash and crash, a Turkish dilly-dally, a hungry pot plant and a little slice of Essex chucked into the mix. For some unknown reason, July saw a surge in interest. And then there was the old post about our coffin hatch, which suddenly took off in November. Who knows why? It’s a mystery.
I looked around the tidy cemetery. It was serenely silent except for the sound of birdsong and the trickle of water from the mouths of the dolphins in their petrified embrace. It calmed me. I sat on the bench and inserted the earphones of the MP3 player, already cued for the moment. I pressed play,…
We’ve become part-time groupies for our local village bowls team. To the uninitiated, bowls is a traditional sport beloved of the grey herd in which the objective is to roll weighted balls along a green so that they stop close to a smaller ball at the other end – closest wins. A variant of French boules, the…
We returned from our nostalgic dalliance in Dalyan to water trickling down our dining room wall. Okay, it’s a bit of a stretch to call it an actual dining room. It’s more of a dining area. We quickly traced the leak to our bathroom, shut off the stopcock and summoned an emergency plumber. Nice young…
It’s been a quarter of a century since I last visited Dalyan on Turkey’s pine-clad south-west coast. Back in the day, it was a sleepy village on a dreamy, reed-lined river stuffed with turtles. I’d been told that Dalyan had since grown into a full-on resort stuffed with young Russians avoiding the call-up. As they…
The definition of boredom is cleaning out the bathroom extractor fan with an old toothbrush. Let’s face it, there’s only so much knick-knack dusting a boy can do when home alone. But I’m not yet ready for a meagre diet of daytime TV for the sofa-bound brain-dead – all idle chit-chat from nobodies about nothing.…
I’ve always had a fu*k ’em attitude to authority, particularly the do-as-I-say-not-as-I-do hypocrites. You know the kind of thing: politicians preaching ‘family values’ while knocking off their secretaries on the side or hellfire priests touching up the altar boys in the vestry. I’m glad to say that sheer bloody-mindedness is a glorious national trait. And…
We had a little taste of Echo Youth Theatre’s Little Shop of Horrors at the Maddermarket’s recent charity gig and thought, yep, that’s right up our alley. The quirky musical comedy features Skid Row florist Seymour in a kinda horticultural ménage à trois with co-worker Audrey and Audrey 2, his pet pot plant with an…
Liam is away visiting an old friend from his wayward early years as a young gay about town. They worked and played together when Liam did a proper job with a pension attached. It’s the first time I’ve been home alone since we moved to the village over three years ago. Liam left to catch…
We binned the car in 2014 so, unsurprisingly, good public transport is important to us. That’s why we chose a village close to Norwich with a decent bus service – regular and reliable. And Norwich has fast and frequent train services to London for our big city fixes and family stuff. All in all, it…
Essex, the home county to the east of London, has the reputation of being, well, a bit chavvy. But there’s more to Essex than big hair, gaudy bling, fake tans, assisted tits and impossibly white tombstone teeth – and that’s just the men. Beyond the faceless towns of the commuter belt, Essex is a green…
Before the miracle of modern medicine and universal healthcare, life for most was plagued by illness or the fear of it. People croaked in their beds from mundane diseases that today we pop a pill for. Many a cottage stairwell was too narrow for a coffin so some featured a trap door between floors called…
It’s Christmas so it must be pantomime time, and panto doesn’t get any more lavish and camp than the annual festive frolic at the London Palladium. Each year the show just gets bigger and better, brasher and trashier, cross-dressed in glitter, sequins and smut. Once again, all our senses were assaulted; the perfect antidote to the drizzle of a dull December and a darkening world.
This year’s extravaganza is a panto mainstay – the evergreen Peter Pan, but not quite as Disney, or indeed JM Barrie, imagined it. Starring Ab Fab’s Jennifer Saunders as Captain Hook and the matchless Julian Clary mincing on as Seaman Smee, the cast also includes Palladium regulars Paul Zerdin, Nigel Havers, Gary Wilmot, and the simply wonderful Rob Madge as Fairy Tink who made us laugh and cry in his autobiographic tale My Son’s a Queer (But What Can You Do?).
This year’s offering struck a more poignant note, dedicated as it was to the late Paul O’Grady, who sparred with Julian Clary on the Palladium stage a number of times as his alter-ego, Lily Savage.
Naturally, Julian steals every scene he’s in with one outrageous costume after another and all the best gags – a tsunami of filth. Absolutely fabulous.
Our immediate neighbours at the Duke of York’s Theatre in old London Town were a trio of antique thesps with silver hair, floaty chiffon and silk scarves – very Sunset Boulevard – who were getting so over-excited by Backstairs Billy I thought we might have to ask if there was a doctor in the house. Liam got chatting to the classy lady in the pew next to him. She was an actress – retired, not resting, she told him.
“Theatre? TV? Films?” he asked.
“Ads, darling,” she said.
It turns out she was the face of Cadbury’s drinking chocolate back in the day.
As we dropped into our seats on the top deck of the early morning workers’ express to Norwich, Liam said, “Okay Jack, roll up for a magical mystery tour.” I had no clue what was to come but went along for the ride anyway. Three hours later we were meandering through London’s theatreland, eventually joining the queue outside the Duke of York’s Theatre in St. Martin’s Lane.
Sneaky Liam had secretly booked tickets for a West End play I’d mentioned in a throwaway comment months earlier. The show, Backstairs Billy, is a comedy about the close relationship between Queen Elizabeth the Queen Mother and her faithful retainer of 50 years, William ‘Billy’ Tallon.
Set long after the dowager queen had been put out to pasture, the razer-sharp script cascades from belly-laugh slapstick farce to moments of real tenderness. The sparkling Penelope Wilton (The Best Exotic Marigold Hotel, Downton Abbey) and hunky Luke Evans (Beauty and the Beast) play mistress and servant. And they do it with great aplomb.
Billy cut a controversial figure in royal circles. The Queen Mother wasn’t the only queen he serviced. An infamous chaser of young men, Billy often sailed close to the wind at a time when it wasn’t quite cricket. The play waltzes around one such indiscretion when he was caught in flagrante delicto with a casual pickup in the garden room of Clarence House and almost got the boot. But the Queen Mother’s loyalty knew no bounds – apparently she loved her gays, as evidenced by the famous quote,
“Perhaps, when you two queens are quite finished, you could get this old queen her drink.”
Whether or not she actually said this we shall never know, but the line got the biggest laugh in the show.
Billy died in 2007 and, despite his notoriety, his funeral was held in the Queen’s Chapel at St. James’s Palace, and it was attended by more than 200 mourners, including lords, ladies and luvvies of stage and screen. Not too shabby for a boy from the wrong side of the tracks.
Before we got hitched, Liam and I had both enjoyed the many meaty treats of old Amsterdam. Needless to say, it didn’t include a cultural cruise around the august galleries of the world-famous Rijks Museum. These days, life is mercifully more sedate. Randy times with likely lads on the pull are but a distant memory, and nights on the tiles have given way to days on the trail.
First up on our cultural pilgrimage was the Homomonument, a memorial to those poor souls persecuted for their sexuality during the Second World War. Opened in 1987, the monument takes the form of a giant pale pink triangle jutting out into the Keizersgracht. The pink triangle was the badge gay men were forced to wear in the Nazi death camps. And we all know what happened in those places.
This is the one site I’d seen before. Here’s me in the naughty nineties. The second picture is me now. Obviously, I haven’t changed a bit!
To my shame, I’d never visited Anne Frank’s Huis, so I was determined to right this particular wrong. It was a sobering lesson in everyday evil. Lest we forget.
And, yes, we made it to the Rijks Museum – huge and impressive but way too busy, I thought. There’s little time to take in the art without being bothered by jostling, happy snappers. Well, if you can’t beat ’em…
The following day we took an audio tour around the well-sculptured Royal Palace on Dam Square with its lofty ceilings and twinkling crystal chandeliers. It was great fun, apart from the couple of young pushy queens who didn’t understand the simple concept of the queue.
As our long weekend coincided with Storm Babet tearing across Northwest Europe, we were expecting lively weather. And we got it. We coped by drinking through it; like we needed an excuse.
Despite the inclement weather (and contrary to the images below), the city was rammed. Weaving through the obstacle course of talkers, walkers, cars, trams and manic cyclists coming at us from every which way was quite the challenge. It’s a miracle we didn’t come a cropper. But we survived unscathed.
Perking the Pansies 