Our flat is like a weather chamber. When Mother Nature decides to throw a wobbly, we hear every eruption. So last month when Storm Doris (Doris?) huffed and puffed with 90 mph winds, we feared she’d blow the house down. We decided to abandon the microloft and seek refuge elsewhere. Usually this would be the pub but on this occasion we choose the Bridewell Museum. The Bridewell charts the civic and social history of Norwich – from its modest beginnings as a few Anglo-Saxon huts on the muddy banks of the river to the pillaging Vikings, conquering Normans, religious glory days of spires and steeples, economic salvation by Flemish refugees, a spectacular rise to become England’s second city, a slow industrial decline and the city’s renaissance as a financial centre, cultural hub and UNESCO City of Literature. It’s a ripping yarn of churches and chapels, friaries and priories, martyrs and merchants, weavers and cobblers, chocolatiers and mustard makers, fire and flood, black death and blitzkrieg. Norwich was the first British city to build social houses and the first to have them flattened by the Luftwaffe – two of the many things catching my attention as we meandered through the exhibits. And what fun we had dressing up.
Football? What’s that then?
Yellow really isn’t my colour
Shiver me timbers
Top hat, no tails
If you’d like to know more, check out Norwich Museum at the Bridewell.
Afterwards we did make it to a local hostelry for a few jars. Well who am I to argue with the lady?
And so we survived Doris’ rage in one piece. Which is more than I can say for the roof.
I hate beards. Well, I hate the idea of having one. So it makes no sense whatsoever that I should grow a beard – other than as a perverse way of raising a few pennies for a cause close to my heart.
Mencap is an amazing charity. Since the 1940’s they’ve pushed through huge changes in social care and legislation for people with a learning disability. What’s more, they give brilliant support in the community, running life-changing housing and employment schemes for people who otherwise would lose out.
With social care provision in a right state at the moment, it’s more important than ever to bang the drum for anyone who’s vulnerable. And I have a personal reason for supporting Mencap. My amazing younger brother had some wonderful support throughout his life, right up to when we lost him in 2013. Without it, Mark’s life would have been so very different.
I’ll leave the last word to Northel, a young man with a learning disability who recently wrote to me.
The charity helps people like me with a learning disability to find jobs, and they support us and our families. Your gift will help more people like me with a learning disability and for that I am truly grateful.
If you can spare a few pennies to sponsor me through a month of itching hell, I’d be ever so grateful. I’ll post a picture of the hairy mess on my Just Giving page and on Facebook once it reaches its full, disgusting glory. Anything I raise will go to Mencap. Click the JustGiving link below.
P.S. Donating through JustGiving is simple, fast and totally secure. Your details are safe with JustGiving – they’ll never sell them on or send unwanted emails. Once you donate, they’ll send your money directly to the charity. So it’s the most efficient way to donate – saving time and cutting costs for the charity.
Recently, apprentice clerics at an Anglican theological college in Cambridge were given permission to hold a service to commemorate LGBT history month. The Church of England still gets its collective cassock in a twist about sexuality, particularly in matters carnal and marital, so a step in the right direction you might think. Allegedly the cheeky ordinands went a tad too far for some when they held the service in Polari, a slang language of mixed origins once used in Britain by sinners on the social margins – actors (when acting was considered little better than whoring), circus types, villains, ladies of the night, and up to the seventies, gay people.
So, instead of…
Glory be to the Father, and to the Son, and the Holy Spirit.
The congregation got…
Fabeness be to the Auntie, and to the Homie Chavvie, and to the Fantabulosa Fairy.
The college principal ‘hugely regretted’ the use of an unauthorised liturgy. In other words he threw a queeny fit. Personally, I think it’s much ado about nothing. It wasn’t a public service and, since the Bible has been translated many, many times down the ages from the Hebrew and Greek texts, who’s to say the Polari version is any less legitimate? A fairy tale is a fairly tale whatever language it’s in.
Polari died out when times became less buttoned-up but a few words have entered into modern parlance – naff and camp among them. It has a delicious un-PC vocabulary of wonderfully ripe terms. Here’s a few…
Basket (a man’s bulge through his clothes); bibi (bisexual); bona (good); bona nochy (a good night); bungery (pub); buvare (a drink); camp (effeminate); carts (willy); chicken (young man); cottage (a public convenience used for jollies); dilly boy (rent boy); dish (bum); eek (face); handbag (money); jubes (breasts); lallies (legs); mince (walk); naff (nasty); national handbag (welfare benefits); omi (man) omi-palone (camp queen); plate (oral sex); palone (woman); palone-omi (lesbian); remould (sex change); riah (hair) rough trade (working class sex); slap (makeup); todd (alone); tootsie trade (sex between two passive partners); trade (sex); troll (to walk about looking for sex): varda (see).
Varda the godly chickens!
If Christmas was sedate and tranquil, January was an exploding glitter ball. The month began with the high flying Cinderella at the London Palladium, the middle featured La La Land, the bookie’s favourite at the Oscars, and the grand finale was a splendid performance of ‘La Cage Aux Folles’ at Norwich’s very own Theatre Royal. Literally meaning ‘the cage of crazy women’ – in fact ‘folles’ is French slang for screaming ladies of an entirely different gender. ‘Cage’ enjoys a glorious pedigree – the original 1973 French play, the 1978 (my coming out year) Franco-Italian film, ‘The Birdcage’, a 1996 Hollywood remake starring the late, great Robin Williams and a multi-gonged stage musical. The latest revival is now doing the rounds in the provinces. After Trump’s depressing God’s own country speech at his inauguration, it certainly revived me with its delicious ‘I am what I am’ bugger the bigots message. John Partridge’s performance as Albin, the ageing drag queen, was a revelation – totally OTT one minute, delicately poignant the next. The Norwich crowd gave him a well-deserved standing ovation.
Lauded as a return to the great Hollywood musicals of yesteryear, the very thought of ‘La La Land’ made Liam go weak at the knees. Must be the gay gene. Either that or arthritis. So we sank into our comfy seats at Cinema City, big drinks in hand and surrounded by the wealthy wrinklies of the county for a grey hair-raising, foot-tapping, old school show. Sadly, for me, the hype didn’t quite live up to the reality. The plot – a love affair between a failed actress and her down at heel jazz player – was engaging enough. I’m partial to a simple boy meets girl romance (or boy meets boy, girl meets girl for that matter). But the ambitious and much-praised opening danceathon at a traffic jam on a LA freeway was underwhelming and the other song and dance routines peppering the film seemed a bit random. Emma Stone was dazzling in the lead but Ryan Gosling as her beau, while very nice to look at and not at all bad on his feet, was well, flat, acting-wise. The film was atmospheric and partially redeemed by the closing ‘what if?’ scene so I suppose the moral of the story is that love doesn’t always conquer all.
With a full chorus of rave reviews and gongs galore, the film will undoubtedly conquer all at the Oscars so what do I know? And Liam loved it.
Here’s the official trailer. It’s better than the movie.
I don’t mean Olay Total Effects or any of the other magic potions promising to hold back the ravages of time. No, I mean the seven signs as they apply to a middle-aged ex-pretty boy who knows he’s got fewer years ahead than behind. I was reminded of my impending decrepitude when trying to grab a rogue sock evading capture at the back of the washing machine. The sock nearly won. So there it was, my first sign of ageing – stiff in all the wrong places.
But what of the others? Well, in no order of priority…
The only time I get to wear a suit these days is at funerals. This in itself is no bad thing. If only I didn’t have to replace it every year to keep up with my expanding midriff.
I used to sleep like a Brothers Grimm princess. I even slept through an earthquake in Bodrum once. These days I get caught short mid-slumber. And I’d rather sit to pee than stand.
My memory of yesteryear used to be as sharp as a drag queen’s stiletto. Nowadays, I never forget a face but names often defeat me. And sometimes I go into a room and can’t remember why.
As I grow older, my farts get louder (and more frequent). Thankfully, following through is still as rare as a gay bar in Tehran.
I reached puberty sooner than most and my hirsute legs were a source of great adolescent pride. Now I constantly moult. Sweeping up short and curlies from the bathroom floor has become a daily chore. What’s left is rapidly turning silver.
Liberal tolerance was my mantra for decades and accepting (though not always respecting) differing opinions was the price I paid. Now I shout at the box when some ill-informed twat spouts rubbish. I have become a grumpy old man and I rather enjoy it.
Despite stiffness, middle-age spread, nocturnal bladder weakness, fading memory, noisy flatulence, grey pubes and a serious bout of the grumps, I’m content with my lot. Unlike Olay’s fanciful brew, happiness is something you can’t bottle and sell at Boots. But then I’m yet to suffer from the eighth sign of ageing – erectile dysfunction. Now that would burst my bubble.
I’m a sucker for a good old fashioned Grimm tale. And if it comes triple-wrapped in high camp and topped with flying fairies, then I’m hooked. And they don’t come more camp or more soaring than Cinderella at the London Palladium. Panto’s not for everyone, I know. All that ‘he’s behind you’ and ‘oh no, he isn’t’ slapstick leaves some people baffled. But only the truly sour would sniff at this lavish, no-holes-barred, gags and glitter extravaganza. I haven’t laughed so much in years. With the likes of Julian Clary and Lilly Savage in the cast, the hard core double-entendre was not for the faint hearted but there were no profanities among the lewdness – so that kept the mums and dads happy. Lilly was a tad under-powered so it was left to Julian to steal the show. Seeing him in leathers and feathers flying over the stalls on a Vespa was surreal. And the rest of the cast were pretty sparkling too. Amanda Holden can actually sing. Who knew? There’s something very winter-warming about this peculiarly British theatrical tradition. Oh no there isn’t. Oh yes there is!
Thank you to our very own fairy godmother for getting us to the ball. You’re a star.