Category: Music & Dance

The Voice Hits Pontin’s

Back at base camp, we donned our glad rags and pirouetted down to the Stardust Cabaret Bar (think swirly carpets and swirly ceilings) to watch the permanently smiling bluecoats strut their amateur stuff. We were greeted by pissed-up pensioners and sprightly sprogs. As far as we could tell, we were the only wooly-woofters in wonderland (apart from a light fairy dusting from one or two of the bluecoats, obviously). We’d arrived at the tail end of a line dancing hour and sat back to marvel at a small company of wrinklies giving their pacemakers a welcome workout. The dosey doe harmonies were supplied by one woman and her magnificent organ. I ordered a couple of drinks from a barmaid called Richard. She’d mislaid her badge, apparently. Taking a table next to a couple of senior citizens, we nodded a polite (if slightly nervous) hello. We needn’t have bothered. Mr Senior had already nodded off into his half-pint of ‘mild’. Mrs Senior made no attempt to check for a pulse so we guessed he hadn’t yet expired. “That’ll be us in twenty years,” whispered. Liam. “You’re kidding,” I replied. “That’s us now.”

The headline act was local lass Toni Warne, a finalist from the BBC show The Voice. Liam could hardly contain his excitement. As he shivered in anticipation, the dressing room door inexplicably blew open to reveal a startled MC sucking on an illicit fag. Once recomposed, the camp compere minced out onto the floor to introduce the star turn. “Please give it up for Toni Ward.” Ms Warne didn’t let his faux pas get her down and belted out a string of old standards and modern classics from Doris Day and Barbra Streisand to Adele and Jessie J, all bang in tune. Mrs Senior turned down her hearing aid I suspect she and the rest of the audience would have preferred a spot of Vera Lynn. Liam thought Ms Warne had a great voice for musical theatre. I felt rather sorry for her. I thought aspiring stars gigged at Pontin’s before making it big, not after.

Despite the so-so weather and jaded Seventies social club ambience, we rather enjoyed our windswept blast from the past. Thank you, Pontin’s. You perked up these weary travelling pansies and provided a quiet place to rest and write.

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Amadeus

We were listening to Classic FM. Up popped Mozart’s Symphony No 41 in C Major (the ‘Jupiter’). Magic memories came flooding back of Liam’s long past days when he played oboe in minor league orchestras. He gushed about how he was plucked from obscurity to fly solo oboe for the Amadeus masterpiece at Chelsea Town Hall in 1997.  While he was practising his art in the grand Victorian hall on the ground floor, I was practising my trade in the Social Services Department in the basement. We never passed on the stairs and I didn’t get the chance to finger his instrument until 2006.

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Oboe for Hire

Second Time Around

Eurovision 2012

The campest cabaret has come to town. This year, the good burghers of Baku are proud hosts to the financially crippling annual Eurovision Song-fest. At least the well-oiled Azeris can afford to stage the ritzy affair without going cap in hand to the IMF. Various tone-deaf bottle blond painted divas with floaty hair, mincing pretty-boys in tight white lycra and hairy ruritanians in ethnic pantomime drag have parachuted into town to compete for the most infamous music prize on the planet. The Azeri autocrats are rubbing their hands in glee. As usual, votes will be cast along political and ethnic fault lines regardless of the quality (or otherwise) of the compositions, most of which will be badly sung in banal single-syllable pop English. It’s music, Jim, but not as we know it. Expect plenty of back slapping Balkan bonhomie between recently befriended old foes, top marks from the Turkish jury to their Azeri pals, the usual love-in between Athens and Nicosia and friendly hands across the Baltic. Pity poor Engelbert, he hasn’t got a hope in Hell. To not come last will be a decent achievement. Regardless of the shameless predictability of it all, we’ll be popping our euro-corks courtesy of a lovely Bitez Babe. We’ve promised not to trash the joint as Engelbert’s nul points come rolling in.

The glitzy shindig has caused quite a ruckus in the Caucasus. A couple of Eurovision websites have been hacked by anti-gay cyber attacks, leaving the catchy slogan “here is no place to immoral gays in Azerbaijan. Leave our country, no place to stay in Azerbaijan for gays who look like animals.”  Now, who are they calling an old dog? The Iranians have thrown a hissy fit at the prospect of all that decadent fun and frolics from the sexually suspect just across the border. The Iranian ambassador has been withdrawn in protest, there’ve been riots by the great unwashed and a fatwa or two from the mad mullahs. Like the Puritans of old, it seems the Iranians have forgotten what is it is to have a little glittery fun. These days, what passes for Saturday night entertainment on state-controlled TV is ‘Lynch the Queers, Live”.  Now, where did I put my knitting needles?

While I’m looking for them, check out the Russian entry from the singing grannies.

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Singing For His Pension

Eurovision Helps the Aged

Eurovision Song-fest Fever

Donna Summer’s Last Dance

Donna Summer, the original disco diva, died yesterday from cancer. She was only 63. I bopped to her tunes during the decadent days of my misspent youth. For me, she was much cooler than the likes of Diana Ross. “Love to Love You Baby” launched Donna Summer’s international career. It was a track designed to court controversy with lots of orgasmic moans and groans to get the knickers of the moral minority in a collective twist. The BBC refused to play it, a sure fire way to empty the shelves. After a string of massive worldwide hits, Donna Summer committed career suicide by allegedly claiming that AIDS was divine retribution, a faux pas of epic proportions given that dancing queens represented the bedrock of her fan base. At the time, AIDS stalked the gay community like the grim reaper. I was one of the lucky ones. Many of my contemporaries were not. It was no surprise that Donna Summer’s career nosedived. Her belated denial of the allegation did nothing to stem the tide and she withdrew from the spotlight to lick her wounds. After a couple of years waiting in the wings, all was forgiven and Miss Summer stepped back in the light with a successful comeback and some classy jingles.

Getting the Abbey Habit

West End super-hit Sister Act (developed from the Whoopi Goldberg movie) is on nationwide pilgrimage and arrived at the Theatre Royal, Norwich, in April. To celebrate this holy occasion, the theatre attempted to break the Guinness World Record for the most number of people dragged up as nuns in one place. Graham James, Bishop of Norwich, was ordained to judge the endeavour. The good Bishop was escorted by Jan McFarlane, Archdeacon of Norwich, who was dressed to impress in her big black dress. The Venerable Archdeacon said,

“It was frighteningly easy to find a habit. I thought about borrowing a real one but decided to get my own. I may have missed my true calling.”

Alas, the challenge fell rather short of the 251 needed to break the record. Liam was distraught at getting none of the nun fun. He was relishing the thought of running up a couple of habits on the old Singer.

Check out the video

A Balcony with a View

Blessed (and gloriously noisy) are the children…

Children’s Day 2012

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Turkey’s Got Talent

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Britain’s Got Loads of Talent

We caught the opening episode of this year’s Britain’s Got Talent on catch-up TV. A genuine attempt to discover the best (and worst) amateur talent that Blighty has to offer, or a cynical commercial exercise in crass oversentimentality? Probably both and so what? It was brilliant. From the weird to the truly wonderful, the eccentric to the frankly insane, we lapped up every last drop.

First to have us on the edge of our IKEA sofa was a duo of male, married (to each other) ballroom dancers called the Sugar Dandies. Their sweet dance of love had the audience swaying in the stalls and cheering from the aisles. Tears rolled down my cheeks. Then came the Welsh all-teenage boys choir from the Valleys called Only Boys Aloud (get it?). Their sublime rendition of a traditional Welsh folk song brought the stunned crowd to its feet and sent shivers down my spine. Who says the only thing the so-called illiterate teenagers of Blighty do these days is shag, take drugs and riot?

The soaring triumph was Jonathan, a shy, overweight 17 year man with big hair, clumsy demeanour and self-esteem in the sewer. Charlotte, his pretty singing companion had to virtually drag him on stage. After a slightly shaky start, jaws dropped as hesitant tenor met pretty pop opera voice. The hairs at the back of neck stood up in tribute. Fabulous.

Cue the videos (if you get an error, just click into You Tube)

Singing For His Pension

Soft focus image courtesy of the BBC

Remarkably, wrinkly Engelbert (aka Arnold Dorsey) can still hold a note at 75. Mr Humperdinck will be singing for his pension at the 57th Eurovision Song Contest with a sweet little ditty called Love Will Set You Free. It’s actually not a bad ballad in a Lionel Bart musical kind of way. Come Eurovision night in May, the streets of Soho will be empty, the middle aged ladies of the Carpathians will be chucking their knickers at the screen and Caucasian grannies will be swooning in the aisles in Baku. But, can Engelbert win and bring glory back to Blighty after 15 luckless years? Not while the Baltic league and Balkan cartel are in the driving seat, methinks. What do you think?

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Someone Like You

Kym Ciftci is a Didim doll and a complete force of nature. Kym isn’t just a looker, she’s a talented looker. She has a gift for the song and for the word. Kym’s also got a soulful, silky voice and a heart as big as the Temple of Apollo. All this is coming together for one night only on the 5th of April in a brand new musical play called ‘Someone Like You’ which Kym has both written and directed. All proceeds will go to a local children’s charity. If Liam doesn’t receive the call from Blighty, we will be there to show our support. Be there or be square. It’s a weepy so make sure you bring a Kleenex.

For more information, click here

For Whom the Bell Tolls

Living as do at the heart of old Bodrum Town, we are both regaled and disturbed in equal measure by the glorious non-stop cacophony that surrounds us – the silly-speed mopeds farting down the street, the earth-quaking Turkopop vying with the impatient horns from every four-wheel Nissan tank, the catcalls from the randy rooftop pussies, the amplified ezan bouncing about in surround sound, the discordant cock-a-doodle-doos from the roosters in every courtyard and lonely mongrels barking incessantly until they’re hoarse.

One of the charming aspects of town centre living is the twice daily water-man who heralds his arrival by ringing his little bell. He’s a hairy giant of a beast who effortlessly swings his 19 litre bottles around like a Herculean water carrier. It’s enough to make a boy go weak at the knees. For a while, we were waterless. Our dusky su-seller’s familiar ding-a-ling was missing from our noise-scape. Maybe he was ill or away visiting relatives? A week went by before, one afternoon, we saw him silently pass by our window. Liam rushed out, empty bottle in hand. “Where’s your little bell?” he asked. “Finish,” was the shrugged response. “Many complaint because of noise.” Liam struggled to understand above the roar of the traffic. “But I like your little bell,” he said. Su-man smiled the warmest of smiles and shook Liam’s hand. “I know, my friend. I know.” It’s a real shame. We miss our big man’s little ding dong.

Now for the tenuous link. Sit back and feast on Ding a Dong, Teach In’s Eurovision Song Contest entry for the Netherlands some time during the Seventies (judging by the outrageous glam drag).

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