Middle England or Middle America?

Middle England or middle America? Imelda Staunton or Frances McDormand? Who could choose? Not us, so we did both.

First up, Imelda was finding her feet in Finding Your Feet, ably supported by a sterling cast of foot-tapping veterans. The trailer doesn’t really do justice to this winter warmer of knobs and snobs, free love and last chances. Charming, witty, a little bit sad and very, very British, I’m so glad I didn’t let the underpowered promo put me off.

And what can anyone say about Three Billboards Outside Ebbing, Missouri?  I’ll leave it to Ann Hornaday at the Washington Post who wrote…

The film is as dark as they come, a pitch-black, often laceratingly funny look at human nature at its most nasty, brutish and dim-witted.

Amen to that. Frances McDormand bristles with benign menace and the film is pitilessly brilliant, blurring the lines between right and wrong. Oh, and there’s an awful lot of swearing in it too. Here’s the trailer. Best change channels now if you’re offended by the C word.

What a Gay Day

Yesterday, the US Supreme Court legalised same-sex marriage in all 50 states and America joined a select group of nations that have introduced marriage equality. The map I’ve featured from Freedom to Marry illustrates the situation around the world before the Yankee vote. In these damp little islands of ours, only Northern Ireland is holding back the tide, Canute-like. The fire and brimstone lot who dominate the Northern Ireland Assembly are in good company – kiddie fiddling priests, the British National Party, Ex-Soviet republics and religious fundamentalists of all persuasions who fine, flog and hang. The dusty old Ulstermen will lose the fight in the end. It’s inevitable. Reason and sanity are against them. Today, the streets of London are paved with gold sequins. It’s London Pride, a grand celebration of everything that’s been achieved. Doubtless, black cab drivers will cuss and bemused tourists will think they’ve landed in Oz. Sadly, we can’t be there to join the party.

Evolution

I’ve always worked, even in the loosest sense of the word. When my dear old dad popped his clogs way too early, my mother lost her husband, her livelihood and her home in one fatal blow. I resolved not be a burden and dropped out of sixth form college to get a job. I was seventeen.

My first brush with gainful employment was at a meat importing company near Smithfield Market in the City of London. It was a tedious gig and some days it sent me to sleep – literally. In those days, I was far too fond of sowing my wild oats. My employers were very forgiving but we both knew it wasn’t a marriage made in bovine heaven.

Next up, flogging light bulbs to the rich and famous in Habitat, a trendy home store on London’s infamous King’s Road (well, it was infamous back in the day). Felicity Kendall was always sweet and Lionel Blair was always vile. My partner in crime was an eccentric old Chelsea girl who had the look of Margaret Lockwood and drove a battered Citroen 2CV. As a pretty boy with a wandering eye, I collected phone numbers on credit card slips and tripped the light fantastic. They were the heady days of a deliciously misspent youth: ‘Days on the tills and nights on the tiles…’ as I wrote in Perking the Pansies (that’s my first book by the way. Not a bad read so they say). Eventually, I abandoned the Lighting Department for the counting house and rose to the rank of Chief Cashier. Cooking the books took all of half a day and I soon tired of flicking the abacus and twiddling my thumbs.

A life in the New World beckoned. I threw caution to the wind and boarded a Freddie Laker flight to the good old U.S of A – a one-way ticket to the land of the free and the promiscuous. I planned to stay and wallow but after a few months spreading the love in Washington DC, I became homesick. Before long I was flying back across the Pond to a land being ravaged by rampant Thatcherism. Imagine if I had I stayed the course. I could be a Yankee citizen with an irritating mid-Atlantic accent and a completely different tale to bore you with.

The Iron Lady would have approved of my next position – credit controller at Citibank, trying to extract cash from the cashless. It was a soulless task. As a bleeding-heart liberal, my face was never going to fit and I jumped ship before I went under. Besides, it was time for me to grow up and get a mortgage. I got a proper job with a pension attached at the council. This wasn’t any old council, mind. Oh no, we’re talking the Royal Borough of Kensington and Chelsea, a beneficent parish with the richest real estate on the planet and enough reserves to bail out Greece. More through luck than judgement, I crawled up the career ladder and become quite important with a fat budget and a hundred people to boss about. But then I met Liam and he turned my head with dreams of hazy, lazy days in the sun. I was seduced. We liquidated our assets, upped sticks and lived the dream for a time. It was the best thing I ever did, and we did it for as long as we could.

And now we’re back on home turf. Why? Well, you’ll have to read the sequel to find out. We soon looked for ways to pass the long samey days, anything to avoid the empty calories of daytime TV. Quite by chance, Turkey turned me into a writer and new skills bring new opportunities. What are they? Find out more in a day or so…

Bewitched

The CrucibleMaddermarket Theatre Blue PlaqueA damp and dingy Saturday afternoon saw us at the Maddermarket Theatre for an am-dram matinee courtesy of the Norwich Players. We were Maddermarket virgins and I fancied a peek at the converted Catholic chapel. A striking Sixties’ add-on foyer looked better on the outside and led us to the interior of the church, reconfigured as an Elizabethan playhouse. We took our pews for The Crucible, Arthur Miller’s loud and densely scripted account of the Salem Witch Trials in colonial Massachusetts at the end of the Seventeenth Century. I looked around the audience. Many of them could well have sailed on the Mayflower. By now, we’re used to mingling with the grey herd at Norwich’s cultural events, but the care homes of Norfolk must have been deserted that afternoon. When the over-generous use of dry ice to create the misty ambience of a midnight glade threatened to gas the first four rows, I feared some of the punters might not make it back to the coach.

Maddermarket Theatre

Miller’s now iconic play is a story of rampant fundamentalism, ignorance and the abuse of power. Mass hysteria is whipped up to impose religious orthodoxy and settle old scores. Miller wrote the piece as an allegory of Fifties’ McCarthyism when the U.S. government hounded and blacklisted alleged communists (and socialists and liberals and anyone else who didn’t tow the party line). Sound familiar? Just take a look around the world. The play’s core message is just as relevant today as it was then. The talented thespians did well to deliver the difficult drama with conviction leaving us with the real sense of a menacing world gone completely bonkers. Sadly, the message was all lost on a few. As we queued to leave the auditorium at the end of the performance, an old Norfolk broad turned to her companion and announced:

“Didn’t understand a word of it. Not a word. Marvelous, wasn’t it?’

Pot, Poofs and the Good Book

The wise people of the Yankee state of Washington have voted in a referendum to legalise both same sex marriage and the recreational use of marijuana. Perhaps the Good Book was right all along.

Leviticus 20:13: ‘A man who lays with another man should be stoned.’

Who knew?