Category: Music & Dance

Happy Birthday, Pride Live!

Future RadioSuddenly I find myself with a few radio gigs under my belt. What began as a couple of promotional guest spots to flog some books on the ‘Pride Live!’ Show on Future Radio, has somehow migrated into a regular turn as co-host. This radio caper isn’t as easy as it sounds. An awful lot goes into it – before and during. For my considerable sins, I just pitch up on the night with a few scribbled notes and witter on. My two favourite Norfolk broads, jivin’ Jules and delicious Di, do all the hard work assembling the show, twiddling the knobs, queuing the music and corralling the guests. The spontaneous multi-tasking is quite beyond me and best left to the dynamic duo. If I was left at the tiller, chaos would run amok and the ultimate radio faux pas – silence – would stalk the studio. Di Cunningham also presents the morning show. The worker bees of Norwich wake to a daily dose of fun and originality. I don’t know where she gets the energy and inspiration from. Di’s considerable talents have been recognised by no less than the BBC Academy’s College of Production. High praise, highly deserved.

It’s Pride Live’s 100th show this Monday (11th March) from 6.30pm (UK time). I’ll be at the mic with Jules, chipping in with my usual witless banter and we’ve got Brian Dowling and Michael Cashman on the bill to help us celebrate the milestone. If you fancy tuning in, click on the Future Radio logo above, bookmark the site and pop a reminder in your pocket book or fancy phone. If you miss the show live, you can catch the podcast.

In today’s stormy financial climate, community radio stations can operate on a wing and a prayer. This is a tenuous link to my video choice. Cue The Buggles:

 

Nine to Five

Nine to FiveDespite a head cold that had me supping on the gin and Lemsip, Liam managed to get me to Dolly Parton’s  ‘9 to 5’ at the Theatre Royal, Norwich. Adapted from the 1980 movie comedy starring Dolly, Lily Tomlin and Jane Fonda, ‘9 to 5’ is a high-energy musical farce about three overworked and overlooked female office workers exacting delicious revenge on their lazy, lecherous, sexist, misogynistic boss. We had terrific seats for a terrific show with some terrific tunes and terrific lines (“You’re just a typewriter with tits.”). Amy Lennox* was uncanny in the Dolly role. If you closed your eyes, you’d think it was the chesty chanteuse on stage. Natalie Casey as Jane Fonda was superb with sharp comic timing and a tremendous voice. Slightly more disappointing was Jackie Clune in the Lily Tomlin part; a few more dance lessons might help. Veteran trouper, Bonnie Langford, almost stole the show in her supporting role as the boss’s fawning assistant.  Bonnie can throw her legs higher and wider than anyone I’ve ever seen on stage, screen or porn flick. The gorgeous Dolly has quite a following among the gay fraternity and the audience was liberally sprinkled with fairy dust, including the man next to me whose shocking hair don’t would have him run out of Soho. Dolly herself appeared as narrator on a large clock-faced screen above the stage. Saying “thank you” to Norwich was a nice touch and Dolly brought the house down when she launched into the familiar ‘9 to 5’ theme at the end.

*We saw the talented Amy Lennox in ‘Soho Cinders’ last summer and she was superb in that too.

One Billion Rising

One Billion Rising

‘One Billion Rising’ is a global campaign to eradicate violence towards women and girls. Why One Billion Rising? Well, it’s estimated that one third of all women on the planet will experience violence at some point in their lifetime. It’s a staggering, almost incomprehensible statistic that makes the brain hurt. Tomorrow is ‘V’ day (Victory, Valentine and Vagina) and events are being held all over the world. Everyone is invited to shake their booties in a glorious dance fest of global proportions to call a musical halt to the horrifying levels of abuse. Let’s face it, knocking women about (and much, much worse besides) just ain’t clever – never was, never will be.

One Billion Rising

The Norfolk broads are doing their bit with ‘Norwich Rising’ at the Forum at 1pm and the ladies of Turkey are getting in on the act in Fethiye, Göcek, Izmir, Izmit, Istanbul and our old stomping ground, Bodrum. So to my Bodrum Belles, Gümbet Gals and Bitez Babes, get your backsides down to the harbour for a bit of bump and grind. Gather from midday for the dress rehearsal and wear something pretty in pink. We want to see those tushes twirling in perfect harmony by the 1pm kickoff. I have my spies.

An Intimate Evening with Ruthie Henshall

ruthie-goldRuthie Henshall, star of the West End, Broadway and Celebrity Family Fortunes, was in town performing her one woman gig at the Norwich Playhouse. Liam was first in the queue for tickets. Olivier award-winning Ruthie went down like mulled wine on a chilly night and belted out the old show tunes to an appreciative audience of old queens and old codgers. Ruthie’s tender rendition of “I Dreamed a Dream” from “Les Mis” (Ruthie played the role of tragic Fantine on stage in 1992) made for an interesting comparison with Anne Hathaway’s epic interpretation in the film version of the Glums currently doing the rounds. Ruthie didn’t disappoint.

The likeable Ms Henshaw punctuated the show with intimate tales and titbits from her chequered past. The slightly nervous repartee contrasted with a confident despatch of her back catalogue and the overall effect was rather endearing. I left the auditorium thinking that this was a girl I could have a drink with. Liam left the auditorium in love with yet another chanteuse.

I have my own romantic association with “I Dream a Dream.” Many moons ago in a gay bar on the Fulham Road, it was sung to me by a fat drag queen called ‘Dockyard Doris.’ Dearly departed Doris had a huge voice and carried off the key change with music hall assurance. The song was requested by a gas fitter (I was cleaning out his pipes at the time). He thought I was the one. I had other ideas. 

Matilda

Matilda

Matilda2We ventured down to the Smoke during the big freeze for a night at the theatre. Surprisingly, our train ride both to and from London was untroubled by the threat of snow drifts wafting across the frozen flatlands. Our West End treat was Matilda, the RSC musical adapted from Roald Dahl’s dark parable of good and evil. The gong-drenched pantomime was a slick, visually stunning, superbly staged, brilliantly choreographed, foot-tapping extravaganza that left a warm glow like a vintage brandy on a chilly night. The performance was only slightly marred by the quartet of ladies sitting immediately behind us who provided a running commentary while rustling their way through a hundredweight of Maltesers. Every appearance of a cute child on stage was greeted with an “aah” and, since much of the cast is made up of cute kiddies, there were a lot of aahs to sit through. A word of caution, the deafening crescendo of pre-pubescent sopranos singing in perfect harmony might crack your glasses and make your ears bleed.

Matilda1

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Les Misérables

Les misThe advantages of joining the club at Cinema City are free tickets and 10% off at the bar, both of which are guaranteed to drag us out into the drizzle. Our latest freebie at the flicks was the musical blockbuster, ‘Les Misérables,’ adapted from the all-conquering stage musical. Les Mis follows the fortunes of on-the-run ex-con, Jean Valjean, ducking and diving his way to redemption from the final defeat of Napoleon in 1815 to the abortive Paris uprisings of 1832. Anyone who is familiar with the Victor Hugo tale will know the misery of the revolting masses is relentless. The film slaps on the despair with a technicolor trowel from the epic opening act right through to the desperate insurrection of the final scenes. The historic ex-Royal Naval College (now university) at Greenwich is used to great effect as the grand backdrop to the bloody revolution. I presume the lofty burghers of Paris didn’t provide the right tax breaks to the production company.

The complicated score of Les Mis requires pipes of semi-operatic quality and it was entertaining watching various Hollywood divas straining to hold a tune. Apart from Russell Crowe’s flat notes, on the whole it wasn’t half bad, and Anne Hathaway’s exquisite performance as the luckless Fantine was a tear-jerking revelation. The film is 2 ½ hours long which befits one of the longest novels ever penned. The Glums canters the distance well enough. Misery was never so much fun.

Blood Brothers, the Farewell Tour

The flatlands of Norfolk were draped in thick wet fog when Liam dragged me out to see ‘Blood Brothers’ at the Theatre Royal. The show is on its farewell tour after a 24 year run in the West End. The damp opaque night was a fitting overture to the brother’s grim tale of twins separated at birth. Loosely based on an Alexandre Dumas novella, Willy Russell’s gritty kitchen sink drama is acted out on the mean streets of Sixties, Seventies and Eighties Liverpool. Apart from “Tell Me It’s Not True,” there are very few memorable melodies in the show; Blood Brothers is more of a play with music than a musical play. The annoying pop-star placement trend continues to afflict the UK stage. Niki Evans, an ex-X Factor contestant, was cast as the hapless mother and ex-Wet Wet Wet pretty boy front man, Marti Pellow was the narrator. In fact, Ms Evans was indisposed for our night at the theatre and Tracey Spencer (who usually plays a supporting role) slipped into her shoes. Like Cinderella, it was a perfect fit. Ms Spencer has one of those rare seductive voices with a goose bump touch. It was she and Sean Jones (who played the doomed twin, Mickey) who stole the show. Interestingly, the two actors are married in real life. Less interesting was Marti Pellow’s performance. He delivered his lines with misplaced melodrama (think Shakespeare with a laboured Scouse accent) and he was very pedestrian (literally and metaphorically). Despite this, the show got an enthusiastic standing ovation. My verdict? I was on my feet too.

Cue the video. This is Barbara Dixon who played the original mother way back in 1983.

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Sucking on a Woo Woo

Sucking on a Woo Woo

On the morning of my birthday, we awoke to the thud of wildebeest migrating across the floor of the apartment above us. It coincided with the thud of wildebeest migrating across my forehead. We dragged ourselves out of our pit and wandered into the sunny run-down wilderness in search of comfort food. We found it at Jimmy’s bar and availed ourselves of generous Jimmy’s ample portions. The rest of the afternoon was spent in a semi-coma around the cool pool. Around us, there was an excitable coach party, in from Maastricht. It turned out to be the same rowdy herd who disturbed our slumber by clog-hopping across the floor. Why didn’t I pack my elephant gun? As I nodded off in the shade, Liam slipped away and when I returned to the apartment, I found it decorated with Canarian-style birthday paraphernalia. A cartoon banner was draped across the balcony and a mini chocolate slice was topped with eight multi-coloured candles. We toasted my old age with a glass of plonk Liam had picked up at the local market, a steal at 65 cents a litre (yes, 65 cents), though I admit it could have doubled up as oven cleaner. Once Liam had put a smile on my face, he then took advantage by sitting on it.

Rested, rinsed and sporting a post-coital glow, we headed back to the brothel in our best gay-about-shopping-mall outfits. Even at our age, we scrubbed up rather well. We drank, we ate, we drank some more. Meals on the rock are more ‘hearty’ than haute cuisine. Liam’s steak was the size of the Isle of Wight and I was served up half a sow stuffed with Brie. As we sucked on our after-dinner woos-woos, we watched the congregation of happy gays weaving around us; young and old alike, same sex couples of all genders and hues holding hands, laughing and loving. The security guards looked on in amusement. They were there, not to harass, but to keep us safe. I wonder what General Franco would have made of it?

We bar-hopped the night away before agreeing on a final snifter or two at Coco Loco, a raucous dance and video dive. Everyone was in a merry mood, fuelled by the cheap duty-free triples coursing through their veins. Cabaret was provided by a lithe young thing whose skimpy gold lame shorts gave his religion away. He rode the dance pole like an old pro and shook his booty like Beyoncé. As we meandered through the exotic hubbub, Liam was being stalked by a tall dark stranger, a  man whose snout was so large he could have snorted Colombia. I too had an admirer. My foreign paramour was a drunken vision in denim with a face that could grate Parmesan. Liam, ever competitive,  leaned over and whispered, “Don’t think much of yours.”

 

What a drag …

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Gran Canaria, Sex Emporium

Gran Canaria, Sex Emporium

Eight hours after leaving Norwich, we turned the key on our digs at Playa Del Inglés. Aside from a few up-market hotels, Canarian apartments tend to be standard fare – concrete boxes with a small dark bedroom, an enclosed shower-room with barely enough light to fix your face, a stark balcony with nasty plastic seats, an ill-equipped kitchenette and a wipe-down living space decorated with lopsided Athena prints. We were pleasantly surprised to find that our concrete box was a comfortable cut above, with laminate flooring, trendy fittings and a flat screen TV. Liam flicked through the channels. The only one in English was CNN. They were showing an interview with Mitt Romney’s sons – all Hollywood teeth and apple pie. I wanted to throw up. At least the Osmonds could sing. I swept open the balcony door and the first thing to catch my eye was a sign for the ‘Garage Sex Shop – Cabins, Cinema and Video.’  It does exactly what it says on the tin, a metaphor for the entire mid-Atlantic rock. We’d arrived.

Gran Canaria October 2012 037

When it comes to a turn around the dance floor, location is more important than lodgings. Happily, we were spitting distance from the Yumbo Center, the throbbing epicentre of gay Canarian low-life. The Yumbo is a naff treat for all the senses, a crumbling multi-layered open air shopping and sex emporium. It started to fall apart as soon as it was built (some twenty five years ago). By day, it’s an over-sized pound shop patronised by ancient slow-lane Germans in busy shirts and socked sandals. But, at the stroke of midnight, the racks of tat are wheeled away, the garish bars throw open their doors and the entire place is transformed into a gaudy cacophonous neon-lit cess-pit of drunken debauchery. After four years of tranquilising sexual ambiguity in Turkey, the no nonsense in-yer-face, up-for-anything style was right up our alley.

Our photos couldn’t possible do justice to the wonder that is the Yumbo Center (we must get ourselves a better camera) but this certainly does:

Next Holiday Post: Sucking on a Woo Woo