Another weekend in the Smoke, another birthday surprise, this time from my old dance partner, Ian. We were treated to matinee tickets for Once, a new musical recently imported from across the Pond. I’d never heard of it but since we’re living in the sticks with our fingers off the pulse, this will surprise no-one. When we realised the set was based around a Dublin bar, we were immediately hooked. By the end of the performance, we were on our feet (as was everyone else). I’m a sucker for a love story and Once ladles it on with a trowel. Cue the brooding young busker with a broken heart and the sassy Czech lass with a quick tongue and a dodgy Hoover (don’t ask). Boy meets girl supported by a catholic cast of Celts and Slavs. Everyone sings, everyone dances and everyone fiddles, strums, beats and blows: the ensemble is the chorus and the orchestra, all wrapped up in an emerald green bow and a Bohemian flourish. Funny, touching and tender, we wept in the aisles. ‘Twas a love story to gladden this old cynic’s heart.
Category: Arts & Theatre
Downtown
Unlike many of the stately old homos of my generation, I never quite developed a taste for the torch-song trilogy of Garland, Minnelli or Bassey. And I can take or leave the new old girls on the block – the fallen Madonna, nip and tuck Cher or crazy Diana (Ross not Spencer). But, my spot is very soft for a classy dame from Surrey, a woman who first hit the streets in the year war broke out. Then, she was performing with an orchestra in the entrance hall of a Kingston-upon-Thames department store for a tin of toffee and a gold wristwatch. She was seven. Seventy four years on, she is still going strong and is currently on national tour. I am, of course, referring to the iridescent and timeless Petula Clark – child protégé, forces favourite, Hollywood starlet, Sixties pop princess, chanteuse Française and West End superstar.
Autumn was fashionably late this year but made quite an entrance when it did eventually arrive. We were battered by brolly-snapping weather as we wandered the windy streets of Ipswich in search of the Regent Theatre, East Anglia’s largest. We had a stiff double at the bar while we dried off. The drench did nothing to dampen our spirits and as we took our third row seats in the auditorium, the crowd buzzed with anticipation. Miss Clark has been treading the boards for a very long time and this was no better illustrated than by the giddy silver-haired fans who surrounded us. Every care home in Suffolk must have been drained that night. I swear I spotted a St John’s Ambulance crew on standby just in case the excitement got too much; mercifully, we were spared a medical emergency. Still, our Pet raised the blood pressure with a superb performance, giving those X Factor wannabees, a fraction of her age and a fraction of her talent a marathon for their money. From Gershwin to Lennon via Elvis and Gharls Barkley, Miss Clark stepped through her set with style, humour and remarkable agility. Naturally, ‘Downtown’ got the biggest cheer but, for me, it was ‘I Couldn’t Live Without Your Love’ that got me all dewy-eyed. You see, I’d chosen it as the soundtrack to the champagne reception at our Civil Partnership (“Ah,” I hear to cry in unison).
Come the finale of the two-hour gig, the wrinkly congregation got to their feet for the much-deserved standing ovation (though, in truth, it was more of a slow stagger than a youthful leap). Even a wheelchair-bound man in a turban found his legs, Twas a miracle from the lady who famously played Maria Von Trapp’s favourite singing nun. Hallelujah, sister.
Get your hankies ready…
A Night at the Rock Opera
Liam’s birthday is coming up so I treated him to a night at the rock opera. Players from local not-for-profit entertainment company, Mixed Voice, were strutting their stuff at the Playhouse Theatre trying their hand at ‘Rent.’ It may be a bit of a gay cliché but Liam loves a musical and ‘Rent’ is a musical he loves. Loosely based on Puccini’s ‘La Bohème,’ the tale focuses on an eclectic troupe of impoverished young artists and musicians in the late Eighties struggling against a bitter wind in Alphabet City, the once avant-garde (but now ruthlessly gentrified) district of Manhattan. While Puccini laced his opera with consumption, Rent is stalked by AIDS, the kiss of death back in the day. As the characters try to make ends meet, some meet their end. Despite the misery, Rent is neither depressing nor sugar-coated. But it is tough to stage and perform. A hugely complex, multi-layered score is punctuated by irregular rhythms, constantly changing tempos and complex harmonies which, if poorly delivered, could be a total dog’s breakfast. I had wondered if the cast would pull it off. Well, they pulled it off with some polish, receiving a well-deserved standing ovation. Even a normally reticent Liam leapt to his feet wanting more. Shame there wasn’t an encore.
Postscript
Methinks Mixed Voice liked the review:
Gorillas I Missed
I really ought to stay in more. Every time I stroll through the streets of Norwich, I trip over yet another big butch simian in glorious Technicolor. There’s a Guy hanging around on every corner. To make matters worse, I recently started to notice smaller window display versions in shops. All in all, there are probably more silverbacks in Norwich than in Rwanda (well, maybe not but you get my drift). So here are a few Gorillas I missed in my earlier post. The last ape in the montage looks enigmatically over at the Out of Africa store opposite which feels kinda appropriate. I was also rather taken with the little guy dragged up for Norwich Pride with a rainbow flag sticking out of the top of his head. So, my friends, give it up for Gay the Gorilla and his mates with their coats of many colours.
You might also like Gorillas in Our Midst
P.S. No more Gorillas, I promise.
Phil Starr, Drag Star
When I did a piece on Ruthie Henshall’s Norwich gig a while ago, I slipped in a little anecdote about my pipe cleaning days and a drag queen called Dockyard Doris. This sent me on a trip around You Tube to find old footage of the lovely Doris. I discovered a few clips but none worth showing to your nan. While I was digging, I stumbled across some old recordings of Phil Starr. Warm memories came flooding back of simpler days when a real belly laugh was easier to come by. Phil Starr was an old school drag queen comic with impeccable timing and a closet-full of shaggy dog stories, each with a witty twist. Cutting but never cruel, Phil started his career in the Fifties and played to packed pubs right up to his sudden death in 2005 at the age of 73. I saw Phil sprinkle his fairly dust in the East End and Brighton. I laughed so much, it hurt.
I’ve picked out one example for your delectation. It’s rude, just a little bit crude and not at all PC. Change channels now if you’re easily offended.
Dispirit of the Dance
Liam dragged me along to the Theatre Royal to see Spirit of the Dance, a cross-cultural burlesque with a strong Celtic twist. It may be an international smash, seen by over ten million people, but I’m afraid I wasn’t terribly impressed. The enchantment of Irish country dancing is in the regimental coordination and parade ground precision. One wrong step and the spell is broken. Sadly, there was quite a lot of wrong footing going on by the mismatched little and large chorus line. The lighting was so poor, they might as well have been barn dancing and when they got to the fake Folies Bergère routine, I’d lost the will to live; more can’t can’t than Can Can. Added to this, the score sounded like it had been run up on a Roland in a shed. I didn’t see too many people shelling out for the CD during the mercifully long interval. A stout tenor with a Jagger-swagger was rolled on now and again. Why? His voice was fine but it added nothing to the show and just got in the way. And, hasn’t Nessun Dorma rather been done to death? Norwich audiences are very forgiving but, every time he strutted on stage, you could hear the groans from the herd of grey. His face didn’t fit and neither did his baggy tux. Riverdance it ain’t.
The Show is Over Now
Time to take down the Anatolian display and pack away the posters. The Pride Without Prejudice Show is done and dusted for another year and what a successful run its been. If you’d told me back in the day when I ebbed and flowed along the nose-to-nipple Victoria Line that, a few years on, I’d be showcasing a book I’d written at a bone fide exhibition I would have told you to where to get off (at the next stop and mind the gap). Did I sell any books from it? Your guess is as good as mine. At the very same time I was mounting the posters, I was featured on WordPress’ Blogger Profile site which has over 10 million subscribers. As soon as their interview was published, it all went a bit crazy for a while. If I did flog a few copies off as a result of the show it was icing on the cake. Will I exhibit again next year with the Sisterhood? Wild goats won’t keep me away.
Art for Art’s Sake
As well as running a little workshop about blogging (a chat with one man and his dog, no doubt), I’m also exhibiting the Perking the Pansies book at Pride Without Prejudice at the St Margaret’s Church of Art. The gig starts tomorrow and continues for a fortnight. Can my irreverent take on the emigrey soap opera with my carry-on capers and titter-ye-not narrative be thought of as art? Entertainment perhaps, but art? I tend not to dwell on such questions. Some people think an unmade bed at the Tate is art. Who am I to judge? I’ll just chuck up my posters and hope for a few sales. The exhibition is presented by Art of Norwich in association with Norwich Pride and the Queer Arts Club. The showcase is open to all artists and entry is free. If you happen to be in the fair city of Norwich and have some time on your hands, come along and soak up the highbrow culture and my lowbrow wit.
Gorillas in Our Midst
We got back from holiday to face an invasion of psychedelic gorillas. I thought someone had slipped some acid in my gin and I was tripping the light fantastic. Don’t fret, I haven’t taken to class A drugs and mugging old Norfolk broads to feed a nasty habit. Not yet anyway.
Looking like the camp cast of ‘Planet of the Apes, the Panto,’ these unique and rather fabulous specimens of street art form the 53-strong gorilla trail around the city organised by the ‘Go Go Gorilla’ campaign. According to their website the trail will…
“… take place for 10 weeks during the summer of 2013 and will encourage thousands of people to discover and re-discover the city of Norwich, provide community and education projects and highlight environmental issues and the plight of one of the world’s most endangered species.”
At the end of the exhibition, the multi-coloured silverbacks will be auctioned off for charity. Bid early to avoid disappointment. Remember, a Guy’s for life, not just for Christmas (so says Liam). It certainly knocks spots off a naff garden gnome, not to mention the pushy teenagers in the street gripping clip boards to extract direct debits for the World Wildlife Fund.
Here’s a small selection:
The Go Go Gorilla campaign got into a bit of hot water with the Freddie Mercury estate when one of the exhibits aped the late great Queen showman in his cloney stage clobber. Breach of copyright, apparently. It was removed from the forecourt of the Forum – to be repainted. Boo, hiss. Unlike the stuffy suits running his estate, I’m reliably informed that Mr Mercury had a wicked sense of humour and a charitable bent.
I rather hoped that Freddie the Gorilla would be resurrected in full drag as a tribute to the ‘I Want to Break Free’ video. Sadly, it was not to be. Freddie was reinstated today, sprayed black and minus his tash, crop top and signature buck teeth. So now it’s just any old primate in a Queen jacket. Still, all the fuss gave the campaign a bit of a boost and got them on the BBC.
Here’s my personal favourite, a mean-looking bugger with a strangely benign face. He’s less adorned than the others with just a light dusting of glitter sparkling away in the sun. Clearly, this Guy is not afraid of his feminine side. Or perhaps Guy’s really a Gal?
Jack and Liam go to Palma
Old Palma is a place in which to wander and explore. This is just as well. Our hotel, the Costa Azul, hadn’t quite finished constructing the bar by the miniscule pool or supplied enough parasols to avoid third degree burns on the sun terrace. We spent blissful days meandering through narrow cobbled streets, along grand boulevards, over battlements and across elegant piazzas. Palma is a city with art at its heart and the evidence is liberally littered around the streets.
Come nightfall, the Santa Catalina ward – once down at heel but now dressed up to the nines – seduced us with her trendy bars, cool restaurants and laid-back vibe. Upmarket Old Palma is a far cry from downmarket Palma Nova and eating out comes with a West End price tag attached. We stuck with the set menus to keep a check on the check. Still, a palatable glass or two of Rioja was very reasonable priced wherever we watered, and we did quite a lot of watering. Generally, the crowds were good humoured and lively, without being raucous. The one exception was a small bar called The Escape, a roadside inn tucked into the corner of a pretty piazza and frequented by pissed-up Brits from the yachting fraternity. Typical.
Towards the tail end of our stay, we pushed the boat out to visit Ábaco, a cocktail bar in the old town. Occupying a palatial former merchant’s house, part bar, part museum, Ábaco is a bit of an institution with guests being serenaded by light opera in Baroque opulence as they sip lethal cocktails served by snotty waiters in gold lamé cummerbunds. The entire experience was Disney kitsch with a crazy Catalan twist and only slightly marred by the continuous procession of camera-toting tourists wanting to stand, snap and gawp (image courtesy of MallorcaHoliday.com).
We took the opportunity to venture out of town to the small resort of Ca’n Pastilla to surprise an old friend. Welsh rarebit, Bernard, gave up butlering for bar work a few years back and now owns ‘Thai at the Tavern,’ an unassuming little establishment at the end of the promenade. It does exactly what it says on the tin. Pop in if you’re in town. You’re sure to get a warm welcome, a cold beer and a spicy Siamese from the friendly valley boy. Bernard and I used to step out with the same fella (but not at the same time, obviously). I call Bernard El Presidente of the First Wives Club. When the bar closed, we ended the evening in a backstreet dive well away from the main drag with Bernard, a bunch of jovial locals, a bottle or three of cheap plonk and a strong whiff of weed. The next day we had wine flu.
Perking the Pansies 