Category: Norwich

Echo Youth Theatre’s Rocking School of Rock

If you’d said a few years back that one day I’d be in a small provincial theatre watching a bunch of kids bounce about in a Lloyd Webber musical with a book by Julian Fellowes (he of Downton Abbey fame), I’d have laughed you off the stage. “Not my thang,” I would have said. “Give me Superstar and maybe Coat of Many Colours, but his other stuff? Nah, not for me.”

But there I was last night settling down to watch Echo Youth Theatre’s performance of School of Rock at the Maddermarket Theatre, along with rows of nervously proud friends and family, a buzz in the air. And I can report that Lloyd Webber’s eclectic, guitar-heavy score is a revelation. Andy’s back to his rock roots, and as the opening number blasted to the back of the auditorium, we all knew we were in for a foot thumping night.

And the talent on the stage last night was astounding. But then, that’s something I’ve come to expect from Echo Youth. It’s an ensemble piece and it would be unfair to single anyone out, apart from Chris Davidson in Jack Black mode. Oh, and Rory Peck, our favourite shake, rattle and roller. Suffice to say, the energetic and gifted cast produced a joyous and uplifting account of Lloyd Webber’s hit, and the standing ovation at the end was instant and richly deserved.

If you’re anywhere near Norwich, grab yourself a ticket for this rocking show and get yourself down to the Maddermarket (it runs until Sunday). And if you don’t come out humming Stick It to the Man, I’m the Queen of Sheba.

Echo Youth Theatre Presents Little Shop of Horrors

We had a little taste of Echo Youth Theatre’s Little Shop of Horrors at the Maddermarket’s recent charity gig and thought, yep, that’s right up our alley. The quirky musical comedy features Skid Row florist Seymour in a kinda horticultural ménage à trois with co-worker Audrey and Audrey 2, his pet pot plant with an insatiable appetite and bad attitude. What’s not to like?

Taking on a cult classic, particularly one as eccentric as Little Shop of Horrors, is either brave or foolhardy but Echo Youth Theatre have strong roots and always put on a colourful display. And they didn’t disappoint, delivering an outstanding show from the entire cast with particular stand out performances from the young leads – Korben White as Seymour, Carrigan Matthews as Audrey, George Bartlett-Archery as Mr Mushnik and Jack Rudd as Orin/Martin. We also just adored the Ronnettes, the girl group with a great sixties vibe and all the right moves.

And a special mention has to go to Lily Matthews as the voice of Audrey 2. Sensational vocals, Lily.

We pitched up at the first night so there’s still time to grab a seat this week before the curtain falls on Saturday 15th. Go on, there’s nothing to fear.

Kinky Boots

 

A glitter bomb of drag queens in outrageous slap and the highest heels sashayed onto the stage at Norwich’s Theatre Royal to add a little glamour to the naughty but nice musical Kinky Boots, the very latest thing from the class act that is the Norfolk and Norwich Operatic Society. The show is based on a 2005 British comedy* of the same name, which itself is loosely based around the true story of a Northampton cobbler struggling to save his family-run factory from closure by producing fetish footwear for men.

With songs by Cyndi Lauper and a book by Harvey Fierstein, the show is a glorious celebration of diversity and acceptance. Despite being set against the grim reality of deindustrialised Britain, it’s a heart-warming tale of hope and salvation, and strangely resonant given Norwich’s own long history of shoe-making. The dazzling cast did Cyndi proud, and dowager drag queen Lola was simply fabulous. The show ended with a well-deserved standing ovation.

Richard Jarmy Photography – @richardjarmy
Richard Jarmy Photography – @richardjarmy

I’ll leave the last words to that camp old crooner Barry Manilow and aptly named sixties supergroup The Kinks.

Her name was Lola, she was a showgirl

With yellow feathers in her hair and a dress cut down to there.

‘Copacabana‘ by Barry Manilow

Well, I’m not dumb but I can’t understand

Why she walked like a woman but talked like a man

‘Lola’ by Ray Davis

*A film directed by Norwich’s very own Julian Jarrold. The Jarrold family are big round here.

He’s Behind You!

Norwich’s Maddermarket Theatre has an eclectic offering coming up in the next few months judging by the ‘what’s on’ brochure that dropped on our mat. Patrons can select from a pick-and-mix diet of comedy, drag, drama, tribute acts and music old and new – whatever takes their fancy. And what took our fancy? Well this, obviously.

Who can resist a filthy title like that?

Usually, ‘Dick Whittington and His Cat’ is a traditional festive children’s pantomime based on the legendary tale of guttersnipe Richard Whittington who went from rags to riches to become the Lord Mayor of London in the fourteenth century. We’re expecting this X-rated interpretation to bring a whole new meaning to the phrase ‘he’s behind you’!

My Son’s a Queer (But What Can You Do?)

At the tender age of 12, Rob put on a full-blown Disney parade for his giggly Grandma. In dodgy wigs and improvised costumes, he gave her Ariel, Belle, Mary Poppins and Mickey Mouse while doting Dad acted as stagehand, sound technician and general props-body. It didn’t go well.

As much as I dislike the whole ‘we’re all queer, now’ thing, I jumped at the chance to see My Son’s a Queer, written and performed by Rob Madge at Norwich’s trendy Playhouse Theatre. It’s received some spectacular reviews, selling out at London’s off-West End Turbine Theatre in 2021 and taking the 2022 Edinburgh Fringe by storm. It’s currently on national tour before heading to yer actual West End this October. We saw the single-handed touring version and it was glorious – a fabulous autobiographical tale of Rob’s upbringing as a Disney-obsessed, uber-flamboyant child delivered in words, music and old family videos.

Just an everyday ordinary family with an everyday extra-ordinary child; the love – and sometimes the exasperation – shone brightly through those old movies. Despite the teachers, the bullies and the rejection, Rob stuck by his sequins and, thanks to Rob’s courage and loving family, proved beyond doubt that home is where the heart is. This isn’t always the case for the child who’s just a little bit different. We laughed a lot, we cried a bit, we jumped to our feet at the end. The simple answer to the question but what can you do? to parents everywhere is just roll with it; it will bring you endless joy.

GoGo Mammoths

GoGo Mammoths

Over the past decade Norwich has seen an invasion of psychedelic mountain gorillas, a parade of glittery elephants, the flight of the camp dragons, a husk of vivid hares, a swarm of big bugs and a hungry group of dazzling dinosaurs. This year, the T-Rexes are back with a vengeance to sink their claws and jaws into a herd of steppe mammoths – all in aid of Break, a charity supporting children in care. A round of applause, please. Let’s not worry too much that the hunters and the hunted roamed the Earth at entirely different times, separated by millions of years. It’s just a bit of fun for the bored kiddies during the summer holidays.

Most of the proto-jumbos with their oversized tusks are more county than town, dotted about various corners of Norfolk, so I thought I’d never spot one grazing in Norwich. I made do with snapping a small selection of the dapper dinos in their flashy finery instead.

Dapper Dinos!

But then I spotted this handsome beast clad in metal nuts at the entrance to St Mary’s Works. The old shoe factory is now the venue for Norwich’s uber-trendy Junkyard Market serving up street grub and fruity cocktails to a youthful crowd of beards and tattoos. We were there to celebrate a village boy’s 40th.

The sun was setting on a scorching day, and Metal Mammoth was glowing in the twilight, hot and sticky to the touch.

Welcome Back, Norwich Pride

Last Saturday Norwich Pride was back painting the town pink after a three-year absence because of you know what. And it was back with a bang – bigger, brasher and better than ever. Our bus into the city was transformed into a pride express, stuffed with jolly rainbow people from town and county. After arriving in the city, we joined the crowd of many colours heading to the centre and pitched our tent along Gentlemen’s Walk to watch the parade. It ran late. Turns out that a cast of thousands wanted to get in on the act, so it took a while to gather them all up.

Courtesy of the EDP

When it did set off, the exuberant mega-march just went on and on and on. It was truly heartening to see a long chorus line of so many young people putting it out there, happy and unafraid.

Norwich Pride is fully inclusive, everyone welcome, no one turned away. Why? Because it’s free. Some other pride events are now ticket-only. I get it, really I do. Many are run on a wing and a prayer and a bad weather day can result in a wash-out, leaving a trail of unpaid bills. But not everyone can afford the price to be proud, especially right now. Just like the NHS, let’s hope Norwich Pride remains free at point of access for many, many years to come.

Ten Lucky Years

A decade has now passed since we closed the door on the stone house in Bodrum for the last time and brought our four-year Turkish adventure to a sudden end. And ever since, while the world has continued its grim descent into oblivion, we’ve just carried on regardless. Our Anatolian days taught us to think differently and live differently – making do with less and being all the happier for it.

After Turkey, we pitched our tent in Norfolk, a flat and bountiful corner of old England – first in Norwich, then Chedgrave, a village few people have heard of. To begin with, we rented, trying the city on for size. Our first lodgings were a 400-year-old former weaver’s gaff in flint and brick near Norwich’s University of the Arts. We loved it, giving us a taste for city life and its student vibe. But our antique digs were cold and draughty and, even back in 2012, cost a king’s ransom to heat. Gawd knows what the bills are like now.

After a couple of years, we decided to put down roots and buy our own slice of historic Norwich – a micro-loft in a handsome converted Victorian warehouse, a writer’s garret to polish off Turkey Street, my second memoir.

At the time, our savings were still in Turkish lira earning pretty good interest. Little did we know that the lira was about to take a dive – and lucky for us, we converted to sterling just in the nick of time. Only days later Turkey’s currency dropped off a cliff, and it’s been more or less in freefall ever since. Had we hesitated it might have been the workhouse for us, not some trendy city-centre apartment.

Five years later, we fancied a quieter life, with room to breathe and a log burner to keep our tootsies toasty. We put the micro-loft on the market and it was bought by the first person to view. Quite by chance, Liam noticed a tiny 1850s worker’s cottage for sale. We came, we saw, we bought. Five months into our village life, the world was in lockdown, and our cottage was the perfect place to ride out the storm. Our luck was still in.

Truth is, we only chose Norfolk because we needed somewhere we could actually afford and that was a relatively easy commute to London: there was family stuff to deal with. But as time moved on there was no longer a need for us to stick around the sticks. For a while, we toyed with God’s Own County – Yorkshire – with its big-limbed, hunky Heathcliffs. It certainly does have its moody blue attractions among the moors and mills.

But we’re rather taken with our East Anglian hamlet, with its broad Naarfuk brogue, big skies and chirpy birds with their squawky dawn call – loud enough to wake the dead in the churchyard next door. And we may be newbie Norfolk broads but we’re definitely not the only gays in the village.

The cottage is my nineteenth address. Will I make it to twenty? And will our luck hold? Who knows? But we do have a coffin hatch just in case the Grim Reaper comes a-knocking.

The Little Mermaid Makes a Big Splash

The Maddermarket Theatre, former chapel and the spiritual home of am-dram in Norwich, is firing on all cylinders again after a tough couple of years because of you know what. The latest production to rock the stage was Disney’s The Little Mermaid courtesy of the Echo Youth Theatre. Despite the best of intentions, amateur gigs can sometimes sink without trace. A stiff gin has got us through many a stinker. Did The Little Mermaid flounder on the rocks?

Definitely not. The young cast put on a cracking show full of joy, energy and enthusiasm, and the clever use of Heelys – trainers with wheels which enabled the seafood to glide effortlessly across the stage – was inspired. Wardrobe and makeup merit a special mention. The fishy weaves were just fabulous.

There was some real talent and great vocals on that stage – not least from our very own rising starlet, Alice Peck, the daughter of our local tavern keeper. We loved her performance. Keep it up, Alice. You have a bright future treading the boards.

Ariel with Flotsam and Jetsam
Ariel saves Prince Eric
Sebastian the crab with Alice the soft-curled beauty in yellow.

Images courtesy of Charley Nicol and Norwich Evening News.

The show got a well-deserved standing ovation. And the stiff gins were nice too – before, during and after.

Nuns and Nazis

I first watched The Sound of Music in the sixties at the tender age of seven. To see over the heads of the people in front of me, I sat on an upturned seat. Not that I saw that much anyway. I nodded off halfway through and didn’t wake up ‘til Dame Julie and co were heading for the hills.

Even though the film eventually became a Christmas staple on TV, I never actually sat through it. All I knew was that it was a tale of good versus evil with singalong tunes. And then the BBC exposed the truth about the von Trapps in a 2013 warts-and-all documentary. It turned out our heroes didn’t climb any mountain or ford any stream to escape the clutches of the nasty Nazis. No, they caught the 5.30 express to Italy. It was a bitter blow.

To restore my faith in the fairy tale, I jumped at the chance to see a new production at Norwich’s Theatre Royal by the Norfolk and Norwich Operatic Society. They’re amateur thesps but they always put on a good show.

As we necked our interval gins, I asked Liam,

So, when does the cute blond sing ‘Tomorrow Belongs to Me?’

That’s from Cabaret.

Oh.

Seems I was mixing up my Nazis.

Overall, the production was charming, with some really sweet moments. Nuns and Nazis, what’s not to like? For us, the stand-out performance was from Sara Cubitt as the Mother Abbess. ‘Climb Every Mountain’ is a tough song to sing, and we held our breath as she warbled towards that devilishly difficult final note. Did she hit it? Oh yes.