Ghost of Gallipoli

Ellie McKnight is a bright academic working at Belfast University. When she falls for a minor diplomat, Ellie throws caution to the wind, jettisons her career and follows him to a posting at the British Consulate in Istanbul. And so begins her extraordinary journey in Margaret Whittock’s ingenious and atmospheric novel, Ghost of Gallipoli. Ellie is quickly chucked into the rarified world of the diplomatic corps and it’s a loose fit. Ensconced in the grand imperial pile that was the old British embassy during the days of the Sultans, she crashes into the pomposity of middle England and we are treated to a legion of midget-minded expatriates (sends a shiver down my spine and dark memories flooding back) – a ‘tight-knit group of wives into jam and chutney making’ led by head bitch, Alice Melefont.

But all is not as it seems.

Events take a spooky twist when Ellie encounters the restless soul of her great uncle Jack – an eighteen year old Private from Ulster, cannon fodder for the Gallipoli debacle of the Great War. To find some peace, Jack’s spirit is resolved to exact revenge on the descendants of those responsible for his premature demise (‘I went to war, never fired a single shot, never killed anyone, why should I have to suffer like this?’) and he needs Ellie’s earthly help. Once Ellie recovers from the disbelief and shock, the determined duo launch a dastardly partnership.

Margaret gives us a warts and all account of 1990’s Istanbul, avoiding overwrought romanticism (‘a blanket of smog often hung over the city, a poisonous mixture of lignite and car exhaust fumes’) but we never doubt the city’s power to beguile as we see Ellie ‘transfixed by the brutal beauty of the place’. With some chilling flashbacks to the Gallipoli carnage and a tantalising climax delayed until the very last pages, Ghost of Gallipoli fires on all cylinders.

Margaret was inspired to write her novel after discovering the headstone of her great uncle in a Gallipoli war cemetery. The novel is a taut and atmospheric thriller, a cleverly plotted, well-paced drama, peppered with twists and turns. It is, as they say, a ripping yarn.

Top of the Pansy Pops 2015

It’s been a stonker of a year. In partnership with Summertime Publishing, I launched Springtime Books to provide a publishing platform for expat writers and in May, I wrapped up the saga of our emigrey days with the release of Turkey Street. The book birthing was particularly painful. Eighteen months later than planned, I fretted my comeback would be as welcome as another Spice Girls reunion, but the pain eased as the reviews dropped onto the mat. Against the blogging odds, Perking the Pansies continues to trip along nicely with a bevy of fans old and new. Somehow or other, I’ve just exceeded my 1,000th post and 10,000th comment. Not bad, I suppose, for some silly old nonsense. For all these things, I’m nothing if not grateful.

Here are the top of the pansy pops for 2015 – a fine diet of gay pride; righting an old wrong; butts of steel; relationship highs and Turkish lows; murderous intent and loose ends finally tied; the dreaded curse of middle England; bad tempered café society; and a little cottage industry to keep us out of the workhouse.

London Pride 2015

Pardon Me!

Catching Crabs

Istanbul Pride, Turkey Shame

Death Duties

Turkey Street Uncovered

Happy Anniversary, Liam

Whinging Brits

Give Us a Quiche

As for the most popular image of 2015? Typical!

Here’s looking ahead to more pansy adventures in 2016. Happy New Year to one and all.

Land of the Blind

If you’re looking for a masterclass in how to open a thriller, I suggest you read the first two pages of Barbara Nadel’s latest book, Land of the Blind. It’s the start of a rich and taut mystery, expertly crafted and atmospherically set in the extraordinary city of Istanbul. Following the discovery of a woman’s body in the hidden depths of the ancient Hippodrome, dog-eared, chain-smoking Inspector Çetin İkmen, leads the reader to the achingly satisfying reveal. İkmen is eminently likeable. He puffs and shuffles his way through the politically charged streets of the city like a Turkish Columbo. Nadel’s writing is fluid, crisp and crystal clear. As the clever plot weaves its way, she deftly lifts the veil on the contradictions of contemporary Turkey: the clash between secularism and Islamism, freedom and conformity. But this is no personal polemic against the direction of modern Turkey, more an astute observation seen through the eyes of the cleverly cast characters, from Inspector Süleyman and his controversial liaison with a feisty gypsy in the hills, to Ahmet Oden, a despised and despicable property mogul. Add into the mix the riots at Gezi Park and you end up with a compelling and electrifying read. In some ways, the city is as much a protagonist as the canny sleuth. A brilliant seventeenth book in the Çetin İkmen series.

Istanbul Pride, Turkey Shame

Yesterday, at the very last minute, the Turkish authorities banned Istanbul Pride. A peaceful celebration of difference and diversity was savagely dispersed by water cannon, rubber bullets and tear gas, the weapons of choice for the Turkish State. Memories of Gezi Park came flooding back. It seems the holy month of Ramadan was the feeble excuse offered up by the Police. Yet, last year’s march also occurred during Ramadan and passed off without incident. Perhaps this was the last hurrah of a president on the skids. I do hope so. Watch the footage of a young man waving a rainbow flag being blown clear off his feet by a water cannon. Is this the image of a modern Turkey President Erdogan wants to convey to the world?

What a shame. This is unacceptable, ridiculous and inhuman. Stop it. #istanbulpride pic.twitter.com/inbxMAYaES

— denise (@dxnyse) June 28, 2015

Images courtesy of Occupy Gezi and Twitter

Murder, She Wrote

After I survived the surgeon’s knife, I was told to put my feet up and let nature do the healing so I’ve been doing the bare minimum to keep the wheels on the bus of Jack Scott enterprises. I must admit, my lolling about on the sofa has involved a fair amount of daytime TV – a thin diet of magazine programmes, flashy quiz shows, racy gossip, silly soaps, mindless vox pop, meagre news and convoluted whodunnits. It’s all been quite soporific and great for helping me catch up on my sleep. This healing lark is so exhausting.

Occasionally though, a classic grabs my attention and holds it for the duration. Such is the 1974 film version of Agatha Christie’s Murder on the Orient Express with a stellar ensemble headed by Albert Finney in the role of Hercule Poirot, Ms Christie’s fey and fussy Belgian detective. I’ve seen the movie loads of times. It’s hugely OTT and I can only assume that the cast laid down bets during the first read-through on who could ham it up the most. My vote goes to Wendy Hiller as the ageing Russian princess, all lacy widow’s weaves and truly dreadful Romanov accent. She would have given the Bolshies a run for their money. Sadly, along with Dame Wendy, most of the players are now dearly departed – Anthony Perkins, Ingrid Bergman, Rachel Roberts, Denis Quilley, Colin Blakely, John Gielgud and, of course, the fabulous Lauren Bacall who popped her clogs just last month.

It’s rumoured that Agatha Christie wrote at least some of her famous book when she stayed at the Pera Palace Hotel in Istanbul back in its glory days, the digs of choice for princes and presidents visiting the Ottoman capital. I’ve lodged there myself a couple of times during its more recent rundown years. Or as I put it in the new book (cue the plug):

“The Pera Palace was once the opulent end of the line for the Orient Express but had fallen on hard times, a piece of Istanbul’s neglected family silver in dire need of a good buffing.”

Chapter Eight, The Best of Times, the Worst of Times

It was Liam’s first visit to old Constantinople and we endured four seasons in three days – driving snow, bitter winds, low grey clouds and sparkling sunshine under blue skies. Our room at the Pera Palace was so cold, we were forced to share the huge antique bathtub to keep warm. It wasn’t too much of an imposition. Since then the hotel has been buffed to buggery with a multi-million lira facelift. Even the prolific and profitable Ms Christie might now baulk at the rack rate (if she were still alive, that is).