Category: Films

Philomena

Philomena

The nice people at Virgin Media offered us two preview tickets to see Philomena, Judi Dench’s latest flick. The advanced screening was at our local Odeon Multiplex which isn’t my venue of choice – too Las Vegas lounge for my liking. I prefer Cinema City, a nice bar-restaurant with a picture house attached. But, it would have been rude to refuse a freebie. Based on true events, the film is about an elderly Irish woman trying to find the son she was forced to give up to the nasty nuns following a quickie with handsome young buck at a village fair. Well, it was the buttoned-up no-thrills Fifties and unmarried mothers were the whores of Babylon. The film co-stars Steve Coogan (who also produced it and co-wrote the screenplay) as the real-like Martin Sixthsmith, former BBC journalist and Blairite spin doctor who wrote the book upon which the film is based. The movie went on general release today so I won’t add a spoiler. Suffice it to say it ain’t The Sound of Music but it isn’t Angela’s Ashes either. The subtle, gentle and often funny script allows the harrowing  story to unfold and take centre stage without the outrage slapping the audience about the face. Dame Judi is, as always, superb and Steve Googan (who is more famous as Norwich’s very own fictitious DJ, Alan Partridge) is surprisingly good.  It’s well worth shelling out a few shillings for.

A Night at the Rock Opera

RentLiam’s birthday is coming up so I treated him to a night at the rock opera. Players from local not-for-profit entertainment company, Mixed Voice, were strutting their stuff at the Playhouse Theatre trying their hand at ‘Rent.’ It may be a bit of a gay cliché but Liam loves a musical and ‘Rent’ is a musical he loves. Loosely based on Puccini’s ‘La Bohème,’ the tale focuses on an eclectic troupe of impoverished young artists and musicians in the late Eighties struggling against a bitter wind in Alphabet City, the once avant-garde (but now ruthlessly gentrified) district of Manhattan. While Puccini laced his opera with consumption, Rent is stalked by AIDS, the kiss of death back in the day. As the characters try to make ends meet, some meet their end. Despite the misery, Rent is neither depressing nor sugar-coated. But it is tough to stage and perform. A hugely complex, multi-layered score is punctuated by irregular rhythms, constantly changing tempos and complex harmonies which, if poorly delivered, could be a total dog’s breakfast. I had wondered if the cast would pull it off. Well, they pulled it off with some polish, receiving a well-deserved standing ovation. Even a normally reticent Liam leapt to his feet wanting more. Shame there wasn’t an encore.

 

Postscript

Methinks Mixed Voice liked the review:

Behind the Candelabra – Venereal Warts and All

Behind the Candelabra – Venereal Warts and All

Behind the CandelabraI’m old enough to have caught the tail-end of Liberace’s long and very successful career as pianist to ladies of a certain age. Despite being the most outrageous old queen in the business and the rampant tittle-tattle about his bawdy private life, Liberace got away it by suing the arse off anyone who told tales out of school and playing the I-just-haven’t-found-the-right-girl tune to his myopic fans. Back in the day, it was easier to maintain the lie. If he was still alive and tinkling, the Twitter generation and the red tops would have a field day, particularly as Walt loved to play fast and loose with his reputation by buggering the boys in back rooms. So, with a sparkling set of reviews, we anticipated the Liberace biopic ‘Behind the Candelabra‘ with some relish. Was the film worth the hype? Well, yes and no. Michael Douglas as the rhinestone peacock was superb. He deserves an Oscar but won’t get one as the film was made-for-TV by HBO in the States (though he will qualify for a BAFTA here in old Blighty). Matt Damon as the young lover sported a suitably rabbit-in-headlights look and Rob Lowe almost stole the show as a deliciously wicked pill-pushing plastic surgeon who’d been under the knife once too often himself. The film caught the gas-guzzling Seventies’ mood brilliantly and there were some good lines. By the end of the performance though, too many things were left unsaid. When Liberace’s elderly mother died (an unrecognisable Debbie Reynolds) his response was, “Now I am free.” Why? We’re not told. I found myself getting a little bored as the glitter-sprinkled film camped along to its inevitable conclusion and became irritated when the Middle England audience giggled in embarrassment at some of the mildly raunchy scenes and ripe language. Ladies, it wasn’t that graphic. You really need to get out more.

Pillow Talk

Pillow Talk

pillow talkI’m struggling just a little to give up the dreaded weed (okay, I’m struggling a lot). Most of the time I bear my cross with the help of nicotine patches as my tobacco crutches. But, an evening on the Devil’s brew at the local ale house invariably sees me falling off the wagon: a relapse is odds on favourite every time. It’s another bad habit I must try harder to break (along with liver-dissolving binge drinking, artery-hardening titbits and talking to myself). A word of warning to other patch addicts. Don’t wear the bloody things in bed if you want to wake up calmed and rested. Last time I left a patch slapped on my arm, I tossed all night like a tart with crabs and had crazy dreams in vivid Fifties Technicolor. I wager few people these days dream of sleeping with Doris Day. Nothing smutty, you understand; after all, the virtuous Miss Day shared a cinematic bed with Rock (leather queen) Hudson. The minute I woke up, I panicked that the sheets weren’t fresh enough for the Febreze-fragrant star of the CinemaScope screen. It’s enough to drive a restless boy into the arms of a shrink.

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To Boldly Go…

To Boldly Go…

Star TrekThe strapline for Star Trek must be the most famous split infinitive in popular culture. Off we boldly went to Cinema City to watch the latest instalment of the franchise, ‘Star Trek, Into Darkness.’ I’m not what you might call a trekkie. Nor am I particularly keen on slash and burn all-American action movies but I’ve always had a soft spot for a touch of sci-fi with a brain. We both enjoyed the hyper-ride. The script was crisp and engaging, the bromance between the unfeasibly handsome Kirk and the French-fringed Spock was credible and the action sequences tripped along at warp speed. The big budget special effects were, as we all expect these days, believable and not at all like a glorified X-Box game (something that afflicts so many Hollywood blockbusters). Benedict Cumberbatch makes a suitably menacing baddie (even if casting a clipped-vowelled Brit as the evil villain is a bit of a cliché) and seeing London in a high-rise 23rd century cameo role, complete with St Paul’s and the London Eye, was a nice touch. I suspect Wren’s opus magnum may well last a few more centuries but the Eye? We watched the entire extravaganza in 3D and this worked well  for the big ticket scenes, particularly when the Enterprise flew directly towards us from the screen. That said, the multi-dimensional technique jarred with some of the more intimate close-up moments and I’m sure we looked quite ridiculous in the goggles. All in all, you get a lot of cosmic bangs for your bucks. Space: the final frontier. Go see.

Beautiful Thing

Beautiful Thing

Recently, my gig at Pride Live on Norwich’s Future Radio gave me the chance to chat with Nikolai Foster, the director of the 2013 revival of Jonathan Harvey’s ‘Beautiful Thing.’  What fun we had. Alas, I’ve never seen the play (I was always in the wrong place at the wrong time) but I have seen the Channel 4 film (over and over) and it’s as fresh today as it was when it was first released in 1996. At the time it was such a relief to watch a gay-themed drama that was about life and living rather than death and dying.

Beautiful Thing is currently playing at the Arts Theatre in the West End until 25th of May after which it goes on mini tour – Liverpool, Leeds and Brighton (sadly, not Norwich). Grab your ticket while you can.

To listen to the entire Pride Live podcast, click here.

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The Best Exotic Marigold Hotel

The-best-exotic-marigold-hotelI wanted to see ‘The Best Exotic Marigold Hotel’ when it was released in 2012. It’s my kind of film but not the kind that got a screening at the plush cinema in Bodrum which tended to focus on Hollywood blockbusters, more’s the pity. We could have lifted a dodgy download from the enterprising Low Countries couple who did a roaring trade in counterfeit DVDs for the emigreys but I’m rather anti the whole it’s-not-really-stealing thing. Actually, it is. So, I was resigned to stalking the bargain bucket to acquire a proper copy at a knock-down rather than a knock-off price. My patience was rewarded and we picked up the film for a song at our local Norwich HMV store.

We uncorked the wine, turned off the lights and put our feet up. It was well worth the long wait. The tall tale is about a disparate group of cash-strapped Brits who up sticks, drop off their excess baggage at check-in and travel to the sun to eke out a low-cost dotage in an emigrey enclave (in this case, a run-down retirement hotel in India). Sounds strangely familiar and not so tall after all. The funny and tender script, heaving with sharp one-liners and set against the glorious chaos of the sub-continent, is delivered with expert thespian timing by the outstanding cast (including that pair of incomparable old Dames – Judi and Maggie). I didn’t want it to end

Let Dame Judi tell it as it is:

“There’s no past that we can bring back by longing for it, only a present that builds and creates itself as the past withdraws.”

Did the old wrinklies heed the advice and find redemption and contentment? Do any of us? Now, that would be telling.

Hyde Park on Hudson

Hyde Park on Hudson

Hyde Park on HudsonAnother free ticket for Cinema City and another viewing: ‘Hyde Park on Hudson.’ We were enticed by the promising trailer, but I’m afraid the trailer contained all the best bits. Given the context – the first official visit of a British monarch to the USA, desperately trying to drum up American support on the eve of World War Two – and the salacious depiction of President Roosevelt as a serial philanderer with a First Lady who liked to lick the lettuce, the movie was disappointingly flat. The narrative was plodding and the dialogue lacked depth. Laura Linney put in a fine performance as ‘Daisy,’ the President’s distant cousin and reluctant paramour, Bill Murray as Roosevelt did his best with an average script and Samuel West made a suitably terrified King George VI. But ‘The King’s Speech,’ this ain’t.

Les Misérables

Les misThe advantages of joining the club at Cinema City are free tickets and 10% off at the bar, both of which are guaranteed to drag us out into the drizzle. Our latest freebie at the flicks was the musical blockbuster, ‘Les Misérables,’ adapted from the all-conquering stage musical. Les Mis follows the fortunes of on-the-run ex-con, Jean Valjean, ducking and diving his way to redemption from the final defeat of Napoleon in 1815 to the abortive Paris uprisings of 1832. Anyone who is familiar with the Victor Hugo tale will know the misery of the revolting masses is relentless. The film slaps on the despair with a technicolor trowel from the epic opening act right through to the desperate insurrection of the final scenes. The historic ex-Royal Naval College (now university) at Greenwich is used to great effect as the grand backdrop to the bloody revolution. I presume the lofty burghers of Paris didn’t provide the right tax breaks to the production company.

The complicated score of Les Mis requires pipes of semi-operatic quality and it was entertaining watching various Hollywood divas straining to hold a tune. Apart from Russell Crowe’s flat notes, on the whole it wasn’t half bad, and Anne Hathaway’s exquisite performance as the luckless Fantine was a tear-jerking revelation. The film is 2 ½ hours long which befits one of the longest novels ever penned. The Glums canters the distance well enough. Misery was never so much fun.

Quartet

QuartetAnything Maggie Smith does is alright with me. She could break wind on screen and I’d give her a standing ovation. She’s just my kind of actress, like Judi Dench and Joan Plowright. No wonder I have multiple orgasms when I watch ‘Tea with Mussolini’ – Maggie, Judi, Joan AND Cher. It’s a gay boy’s wet dream. Liam didn’t have to ask me twice when he suggested we see ‘Quartet,’ Maggie’s latest flick. Adapted from the original play, Dustin Hoffman’s directorial debut  is set in a retirement home for classical musicians and singers. Maggie stars alongside Tom Courtney, Pauline Collins, Billy Connolly and Michael Gambon with a supporting chorus of real-life former divas, fiddlers, and ivory ticklers. We took our seats at Cinema City, our local picture house. The auditorium was crammed with half-cut old folk of Norfolk spending their winter fuel allowance on buckets of booze, illustrating that not every pensioner in the land is living on the edge of malnutrition and hypothermia. The film is a sweet tale of long-lost love reignited in old age. It brought back fine memories of an old friend’s mother who moved into sheltered housing and married the boy next door. At the time, they were both in their eighties and found a little companionship and happiness towards the end of their lives. I was honoured to be invited to their wedding. It gave me hope for the future, something I’ve clung onto ever since.

Naturally, Maggie as a crabby old opera singer was magnificent but, for me, Pauline Collins stole the show. Her touching performance of someone suffering from the onset of dementia, slipping in and out of cognisance, was delicately and beautifully played. Dementia is a subject Liam and I know only too well.

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