Jack and the Beanstalk

The weather outside is dull and drizzly so it must be pantomime season, just the thing to chase away those winter blues. Panto is a centuries-old theatrical tradition which has evolved into a totally OTT cross-dressing, saucy song and dance piss-take loosely based on a fairy tale, fable or folklore. Kids love it and, for many, it’s their first taste of live theatre. Grown-ups love it too, catching the ripe gags that fly over the heads of the little β€˜uns. Often a little bit naff, Panto is always great fun. And it’s profitable, keeping many a local theatre in the black for the rest of the year.

We’ve done two pantos this season – both versions of β€˜Jack and the Beanstalk’. The first beanfeast was at the glorious London Palladium starring the incomparable Julian Clary as the Spirit of the Beans, brought up the rear by a host of top notch familiar faces. The Palladium gig is the annual headliner, panto-wise – getting the full-on West End treatment with no sequin spared. Julian stole every scene with one outrageous costume after another and all the best lines. It was a glorious belly-laugh of the lewd, the crude and the rude. All in the best possible taste – not.

The second interpretation, at the Fisher Theatre in nearby Bungay, was a more modest affair. It was surprisingly good; a few missteps, the odd fluffed line and an emergency stand in due to illness but that’s par for the course in amdram-land. None of that mattered, especially to the army of kiddies in the audience who lapped up every silly joke and every slapstick moment. Great fun for all the family in a cute local theatre with a fab little bar attached. Wonderful.

6 thoughts on “Jack and the Beanstalk

  1. That Bungay one wasn’t an am-dram. Just because it’s a small stage, doesn’t make it less professional (just smaller budget)

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