Category: Arts & Theatre

Welcome Back, Norwich Pride

Last Saturday Norwich Pride was back painting the town pink after a three-year absence because of you know what. And it was back with a bang – bigger, brasher and better than ever. Our bus into the city was transformed into a pride express, stuffed with jolly rainbow people from town and county. After arriving in the city, we joined the crowd of many colours heading to the centre and pitched our tent along Gentlemen’s Walk to watch the parade. It ran late. Turns out that a cast of thousands wanted to get in on the act, so it took a while to gather them all up.

Courtesy of the EDP

When it did set off, the exuberant mega-march just went on and on and on. It was truly heartening to see a long chorus line of so many young people putting it out there, happy and unafraid.

Norwich Pride is fully inclusive, everyone welcome, no one turned away. Why? Because it’s free. Some other pride events are now ticket-only. I get it, really I do. Many are run on a wing and a prayer and a bad weather day can result in a wash-out, leaving a trail of unpaid bills. But not everyone can afford the price to be proud, especially right now. Just like the NHS, let’s hope Norwich Pride remains free at point of access for many, many years to come.

The Little Mermaid Makes a Big Splash

The Maddermarket Theatre, former chapel and the spiritual home of am-dram in Norwich, is firing on all cylinders again after a tough couple of years because of you know what. The latest production to rock the stage was Disney’s The Little Mermaid courtesy of the Echo Youth Theatre. Despite the best of intentions, amateur gigs can sometimes sink without trace. A stiff gin has got us through many a stinker. Did The Little Mermaid flounder on the rocks?

Definitely not. The young cast put on a cracking show full of joy, energy and enthusiasm, and the clever use of Heelys – trainers with wheels which enabled the seafood to glide effortlessly across the stage – was inspired. Wardrobe and makeup merit a special mention. The fishy weaves were just fabulous.

There was some real talent and great vocals on that stage – not least from our very own rising starlet, Alice Peck, the daughter of our local tavern keeper. We loved her performance. Keep it up, Alice. You have a bright future treading the boards.

Ariel with Flotsam and Jetsam
Ariel saves Prince Eric
Sebastian the crab with Alice the soft-curled beauty in yellow.

Images courtesy of Charley Nicol and Norwich Evening News.

The show got a well-deserved standing ovation. And the stiff gins were nice too – before, during and after.

The Duke

In 1961 a portrait of the Duke of Wellington by Francisco Goya was lifted from the National Gallery in London. Only 19 days earlier it had been ‘bought for the nation’ for £140,000, a huge sum to shell out back in the day. But it wasn’t an ill-gotten gain to be fenced to a dodgy dealer. No, it was a modern take on robbing the rich to feed the poor, or rather to pay for their TV licenses. The thief sent a series of ransom notes to the authorities guaranteeing to return the Duke unharmed if elderly people were exempted. It’s a campaign that still rumbles on to this day. But who was the anti-hero behind the audacious heist? None other than Kempton Bunton, a middle-aged cabbie from Newcastle with a messianic sense of social justice.

And now there’s the COVID-delayed film, Duke, based on this extraordinary story and starring Jim Broadbent as Kempton and Helen Mirren as his long-suffering wife, Dorothy. Both deliver top-notch performances in a very British, very funny and heart-warming Robin Hood tale for the modern age. But does Kempton meet his Waterloo? The answer will surprise.

As an interesting footnote, the painting appears in Dr No, the first James Bond film, where it’s on display in the villain’s lair giving the impression it was stolen to order.

The Book of Mormon: The Newest Testament

Since they switched the theatre lights back on, we’ve been playing catch-up with all the shows queuing up impatiently in the wings. Our latest gig was the UK tour of The Book of Mormon. Deliciously camp, rude, lewd and super crude, the song and dance show pulls no punches when ridiculing the fairy tales at the core of the Mormon credo – and by extension, organised religion in general. So there was a third biblical testament buried on a hillside in upstate New York? Who knew? Not the villagers in far-flung Uganda who had more pressing, real-world problems to deal with, like trigger-happy warlords, grinding poverty, AIDS and female genital mutilation. Ripe for conversion? The all-American dancing boys from Salt Lake City thought so. The desperate often are.

Credit: Paul Coltas

All’s well that ends well as the Bard once wrote and the show does have a happy ending because, in the end, we all need something to believe in, even if it’s just the power of the human spirit. By curtain call we were all on our feet. Yes, it’s that good.

As we left the theatre, we spotted a solitary Mormon elder politely handing out leaflets for the cause. Seems The Church of Jesus Christ of Latter-day Saints sees the show as an opportunity for a recruitment drive. Who said there’s no such thing as bad publicity?

Nuns and Nazis

I first watched The Sound of Music in the sixties at the tender age of seven. To see over the heads of the people in front of me, I sat on an upturned seat. Not that I saw that much anyway. I nodded off halfway through and didn’t wake up ‘til Dame Julie and co were heading for the hills.

Even though the film eventually became a Christmas staple on TV, I never actually sat through it. All I knew was that it was a tale of good versus evil with singalong tunes. And then the BBC exposed the truth about the von Trapps in a 2013 warts-and-all documentary. It turned out our heroes didn’t climb any mountain or ford any stream to escape the clutches of the nasty Nazis. No, they caught the 5.30 express to Italy. It was a bitter blow.

To restore my faith in the fairy tale, I jumped at the chance to see a new production at Norwich’s Theatre Royal by the Norfolk and Norwich Operatic Society. They’re amateur thesps but they always put on a good show.

As we necked our interval gins, I asked Liam,

So, when does the cute blond sing ‘Tomorrow Belongs to Me?’

That’s from Cabaret.

Oh.

Seems I was mixing up my Nazis.

Overall, the production was charming, with some really sweet moments. Nuns and Nazis, what’s not to like? For us, the stand-out performance was from Sara Cubitt as the Mother Abbess. ‘Climb Every Mountain’ is a tough song to sing, and we held our breath as she warbled towards that devilishly difficult final note. Did she hit it? Oh yes. 

The Nimmo Twins – Normal for Norfolk

After a six-year hiatus, local comedy heroes The Nimmo Twins (Owen Evans and Karl Minns) were back treading the boards at the Norwich Playhouse for the second of their twenty-fifth-anniversary shows. Despite their glittering quarter-century career, to our shame, we’d never heard of them, but then a couple of fellow villagers put us firmly in the picture.

I’m glad they did. In skit and sketch, satire and song, characters old and new, the Twins put us straight about all things normal for Norfolk – the ups and mostly downs of Norwich City Football Club, local petty bureaucrats who couldn’t organise a piss-up in a brewery, geriatric TV presenters well past their sell-by, livestock-lovin’ farmhands with single-digit IQs and flash Londoners with their fancy cars and holiday homes, all delivered in the broadest of Naarfuk and with tongues firmly in cheek. It’s a total, affectionate piss-take and it’s hysterical.

Heroes in Heels

Soppy, sentimental old fool that I am, I’m a sucker for a tear-jerker. I cried during the opening Circle of Life scene of the Lion King when I first saw it in the West End many moons ago. And I started to blub during the first few bars of Billy Elliot at the Victoria Palace and carried on sobbing right through to the finale. Pass the Kleenex.

Last year Liam and I watched the film version of Everybody Talking About Jamie on Amazon Prime. There’s a scene midway through – a flashback to the dark days of the early nineties when the gossip on the street was of a ‘gay plague’ and gay men were bowing out to a hostile crowd.

A few brave folk fought back, and the rest, as they say…

“Even the Iron Lady couldn’t stop the show.”

It’s a time I remember well. Too well. Who could forget? Here’s the scene that had me bawling.

But then there are tears of joy too. We also saw Six, a musical about the wives of that old lecherous tyrant, Henry the Eighth. Despite their bleak destiny – divorced, beheaded, died, divorced, beheaded, survived – the show delivers an uplifting, defiant message. It’s a message that seems to have struck an inspirational chord with young ladies everywhere judging by the audience at Norwich’s Theatre Royal and the flash mob at the Tower of London, where two of Henry’s queens lost their heads. The young faces say it all. Right, ladies, it’s time for your crowning glory. You’ve earned it.

Now that’s how to teach history.

In Step with Modern Britain

With all the endless doom and gloom swilling around us, it’s easy to forget just how far we’ve come. It says something incredibly powerful about our society when the three finalists of Strictly Come Dancing – the most popular show on British TV – were a black woman, a deaf actor and a same-sex couple, as voted for by the viewers. As critic Barbara Ellen put it in her Guardian review:

“A ground-breaking Strictly final in step with modern Britain.”

“… Strictly, and the BBC, at its best: everyone welcome, and everything all the better for it.”

Hot on the heels of Strictly came the BBC’s Sports Personality of the Year, also a public vote. It was won by the child of Chinese-Romanian immigrants with a gay diver bringing up the rear in second place.

And then came the out-of-the-blue and very public marriage proposal on the stage of Norwich’s splendid Theatre Royal at the end of their Christmas panto production of Dick Whittington. When Joe popped the question, the kids went wild. Just as well Luke said yes!

Watch it on Facebook. Congratulations boys.

Sixty is the New Fifty

I reached the grand old age of sixty last year. This year was Liam’s turn and I’d planned a succession of treats – for me as well as for him – in old London Town. First up was a dinner date and gossipy catch up with an old pal in a fancy French restaurant in Chelsea, the trendy part of town where I gladly misspent much of my youth – ‘Days on the tills and nights on the tiles,’ I call it. The King’s Road is my memory lane and Liam joined me on my trip down it.

Next day I whisked Liam off to Covent Garden for a full English followed by a stroll. Once London’s main fruit and veg market with an opera house attached – think Audrey Hepburn as the cockney sparrow flower girl lip-syncing to ‘Wouldn’t it be Loverly?’ in My Fair Lady – Covent Garden has long since evolved into a major magnet for tourists. And there were tourists aplenty, finally returning from home and abroad after lockdown.

Here’s the queue for Burberry. All that fuss just for a posh handbag.

We decided to take in some street opera and pavement art instead.

Our Covent Garden jolly continued with a ride around the London Transport Museum. In many ways, the story of London Transport is the story of London itself. The city couldn’t have spread like it has without the constant innovation needed to enable Londoners to go about their business. If trains, tubes, trams and trolley buses are your thing, it’s an Aladdin’s cave. We loved it.

After a brief power nap back at the hotel, we jumped on the Tube for a real indulgence – a performance of Hamilton at the Victoria Palace Theatre. The musical tells of the story of Alexander Hamilton, one of the (to me) lesser known American ‘Founding Fathers’, delivered in song and rap. The deliberately delicious twist is that most of the cast – including Alexander himself – is black or mixed heritage. Adorned with every gong going, the show is slick, brilliantly staged and tuneful. The rap is used as dialogue and is lyrical and clever. It’s a masterpiece, a work of genius.

The evening concluded with more posh nosh and a final snifter in our favourite dive bar in busy, buzzy Soho. The long weekend was a whirlwind with the perfect ending. We finally got to meet Fred, our newest great-nephew.

A Tale of Two Villages

We queued up at the checkout with two bottles of Majestik and a tub of Cadbury’s Celebrations, attracting the curiosity of the shopper ahead of us. She was loading her groceries into a large tartan shopping trolley, her eyes darting quickly between me and Liam as if she had suddenly recognised long lost friends. I contemplated smiling but thought better of it.
     ‘You’re Jack Scott, aren’t you? I’ve been reading your blog.’
     ‘Oh,’ I said, blushing like a pubescent teen caught coming out of a backstreet massage parlour. ‘I suppose I should apologise.’
     ‘Actually, it’s rather good.’
     Liam rolled his eyes.
     ‘Well,’ I said, ‘would you mind telling him that?’
     She grinned at Liam, almost in sympathy, paid the cashier and pulled the flap down over her trolley.
     ‘Thrilled to meet you both. You’ve caused quite a stir, you know. And don’t worry, I’m not about to stalk you, but I hope we meet again. We’re practically neighbours after all.’

Turkey Street, Jack and Liam move to Bodrum, Chapter 27, The Exiles

That was the very first time I met Annie, a vetpat of distinction. It wasn’t to be the last. This is Annie in her own words:

“In early 1982 I boarded a Turkish Kibris flight to Izmir – my destination was a 29 foot sloop in Bodrum’s new marina. At 22, my belongings fitted into a worse for wear sailing holdall. In 2012 I made a similar journey from Heathrow to Bodrum. Thirty years have passed and Bodrum has changed. There are plenty of very good blogs detailing the ex-pat journey through modern Turkey. The aim of this one is to catch sight of past Turkey through my experience of re-settling in modern Bodrum.”

Annie Onursan, Back to Bodrum

Erudite and creative, Annie has recently taken up painting with watercolours – first with greeting cards and now with larger works – inspired by the natural world and the timeless rural life that surrounds her. It turns out she’s good, very good. Here’s a sample.

‘Women at Work’

I spotted Annie’s first larger piece – ‘Watching’ – on Facebook. I loved it, really loved it. Sneaky old Liam contacted Annie and snapped it up as a surprise birthday gift. It now hangs proudly on our wall – an Annie Onursan original, from her village to ours.

Annie is a member of a local arts group called the Bodrum Art Collective. Check out their website here.