Getting the Abbey Habit

We interrupted our recent theatrical pilgrimage to old London Town to have a gander around Westminster Abbey. Regular viewers will know I’m a sucker for an old ecclesiastical pile, and King (and Saint) Edward the Confessor’s ‘West Minster’ is arguably the most famous ecclesiastical pile in the realm. Generally thought to have been founded in the mid-10th century as a Benedictine monastery, the church was rebuilt by the saintly king about 100 years later to serve as his royal burial chamber. What Edward the Confessor actually fessed up to is anyone’s guess.

Following the Norman victory at the Battle of Hastings in 1066, William the Conqueror (or ‘the Bastard’ as he was affectionately known) was crowned King of England at the abbey on Christmas Day that same year; just to make sure everyone knew the old bastard was now in charge. Extended and remodelled down the centuries, the church has been the site of royal coronations ever since. The 14th-century coronation chair sits behind bars to prevent we plebs from getting above our station.

The abbey’s Gothic splendour soars heavenwards while history drips from every statue and every stone. As well as being the most famous house of God in the land, it’s also the most popular. The crowds were too much, particularly when trying to catch a fleeting glimpse of the first two undisputed Queen Regnants* of England – the first Mary and the first Elizabeth – half sisters, one Catholic and one Protestant at a time when you had to pick a side. These two old queens – one Catholic and one Protestant – inched and jostled past the tombs. Of the 16 or so other monarchs buried at the abbey, the tomb of Mary, Queen of Scots is perhaps the most poignant, given her life and times.

*That is, a queen reigning in her own right rather than a queen through marriage to a king.

The list of the dead and commemorated is a veritable who’s who of Britons past: a galaxy of big brains – Newton, Hawking, Darwin; a symphony of composers – Purcell, Vaughan Williams, Elgar; a company of luvvies – including Laurence Olivier; and a society of dead poets and writers – Chaucer, Byron, Lewis Carroll, Dylan Thomas, DH Lawrence, et al.

There is also a parliament of politicians – many either forgotten or best unremembered.

And, lest we forget, the abbey also contains the grave of the Unknown Warrior, commemorating the terrible slaughter of the First World War. It’s the only floor stone on which it’s forbidden to walk. Be warned. Lest you forget.

Beer is All Around

The big screen at Cinema City flickered green – Gremins green. So that was the end of that. No matinee at the flicks for us. What’s a couple of likely lads to do instead on a damp and dismal afternoon in old Norwich town? Find a pub, of course. Down the years, we’ve supped at most city centre watering holes and one of our favourites is the Murderers on Timberhill, a traditional ale house stuffed with old world charm, oak beams and exposed brickwork. The pub has a dark past – hence the name – and it’s usually our last port of call before we stumble onto our bus back to the village.

They serve a very quaffable house wine at the Murderers, at a very good price. And quaff it we do. At the time of our visit, the bar was rammed to the crooked beams with hard-drinking young bearded types. Boisterous but good-humoured, it turns out the hairy merry men had parachuted in from the North Sea gas rigs. And the riggers were hell-bent on spreading the love by offering sambuca shots to everyone from a loaded tray. It would’ve been rude to refuse.

Not to miss a PR trick, the Murderers has stepped into Christmas with a brilliant parody of a famous scene from that perennial festive favourite, Love Actually. So folks, I give you…

Ghost Post

Apologies for the ghost post, folks. A slip of the wrist. Normal services will resume soon! 🙂

Cruising Down by the River

I stumbled upon a strange fella lurking among the trees who gave me the old ‘come hither’. So I came hither. Okay, that’s not true. I’m a little long in the tooth for that old malarkey. Having said that, while my sell-by date might have long expired, I like to think there’s still a bit of mileage left in my use-by date. Liam, on the other hand, may disagree.

In reality, a glorious autumn day took these two old codgers for a shuffle down by the River Chet. We’re making the most of the fine weather while it lasts – it keeps us out of the pub. It won’t be long before the trees will be totally bald and the bone-chilling drizzle will force us back to the bar for a hot toddy. Tod had better brace himself.

It’s Showtime!

For our two-day birthday bonanza in old London Town, we hit the theatrical jackpot with a double bill of top-drawer shows. First up – The Curious Case of Benjamin Button – is a foot-tapping bundle of heart-warming folksy fun, despite the strange and, at times, bleak plot of a man born old who gradually regresses to a babe in arms. Based on a short story by F. Scott Fitzgerald, the tale is relocated to a Cornish fishing village at the turn of the last century. Unique, funny, charming, fast-paced and complex, the entire ensemble remains on stage throughout – singing, dancing, swapping instruments and characters in a dazzling display of talent. At its heart, Benjamin Button is a moving tale of love against the odds, and it’s a triumph.

Images © Marc Brenner

Talking of love against the odds, second up was Moulin Rouge, based on Baz Luhrmann’s iconic 2001 boy-meets-girl basque-and-knickers glitterfest. The show was our emergency stand-in for the cancelled performance of The Devil Wears Prada, Elton John’s new musical. Lavish, brilliantly staged, slick, bawdy and addictive, the disappointment of missing The Devil evaporated within minutes of us taking our seats. Superbly delivered to a clever karaoke mash-up, including (ironically) Elton’s Your Song, I have a feeling in my water that this spectacular high-octane, all-singing, all-can-canning tale of consumption and doomed love in a Parisian garret will run and run. Ooh la la!

Images courtesy of The Piccadilly Theatre

The Devil Wears Prada

Picture it. October, London, Liam’s birthday and the much-anticipated new Elton John stage musical, The Devil Wears Prada, based on the acclaimed 2006 film. So imagine our disappointment to discover, quite by chance, that the performance we were due to see had been cancelled – no notice, no explanation. We contacted the Dominion Theatre Box Office to establish what was what. They said they’d emailed. Well, sweet Fanny Adams received this end – zero, zilch, zip, nada, nothing, nowt. Lost in cyberspace or so it seems. Or was it? A first-world problem, I know, but annoying nonetheless. We could have arrived at the theatre to find it ‘dark’, as they say in the trade. Many happy returns.

Anyway, once prompted, the theatre refunded the cost of our tickets and we booked to see Moulin Rouge instead. Because we can-can!