If you’re looking for a masterclass in how to open a thriller, I suggest you read the first two pages of Barbara Nadel’s latest book, Land of the Blind. It’s the start of a rich and taut mystery, expertly crafted and atmospherically set in the extraordinary city of Istanbul. Following the discovery of a woman’s body in the hidden depths of the ancient Hippodrome, dog-eared, chain-smoking Inspector Çetin İkmen, leads the reader to the achingly satisfying reveal. İkmen is eminently likeable. He puffs and shuffles his way through the politically charged streets of the city like a Turkish Columbo. Nadel’s writing is fluid, crisp and crystal clear. As the clever plot weaves its way, she deftly lifts the veil on the contradictions of contemporary Turkey: the clash between secularism and Islamism, freedom and conformity. But this is no personal polemic against the direction of modern Turkey, more an astute observation seen through the eyes of the cleverly cast characters, from Inspector Süleyman and his controversial liaison with a feisty gypsy in the hills, to Ahmet Oden, a despised and despicable property mogul. Add into the mix the riots at Gezi Park and you end up with a compelling and electrifying read. In some ways, the city is as much a protagonist as the canny sleuth. A brilliant seventeenth book in the Çetin İkmen series.
Jack Scott Imagine the absurdity of two openly gay, married, middle aged, middle class men escaping the liberal sanctuary of anonymous London to relocate to a Muslim country. I chronicled our exploits with the mad, the bad, the sad and the glad in a blog for the whole world to ignore. Then came the book which became a critically acclaimed best seller. Its success opened out a whole new career for me, firstly as an author, and now as a publisher. Who'd have thought it? Certainly not me. In June 2012, we ended our Anatolian affair and paddled back to Britain on the evening tide, washing up in Norwich, a surprising city in eastern England, then to the wilds of Norfolk as the only gays in the village. I’m sometimes nostalgic for our encounters with the hopeless, the hapless and, yes, the happy go lucky. They gave me an unexpected tale to tell and for this I thank them.