An Ordinary Hero

Sometimes real heroes are just ordinary people who do extra-ordinary things. One such ordinary hero was Nicholas Winton who, following the 1938 German annexation of the Sudetenland in what was Czechoslovakia, travelled to Prague to help deal with the ensuing refugee crisis that was overwhelming the city. Aided by a small and very brave band of fellow heroes, together they saved 669 – mostly Jewish – children from the Nazis. It was part of the much broader ‘Kindertransport’ programme across Western Europe which, in Britain alone, saved around 10,000 children – once again, mostly Jewish. But it couldn’t last. The rescue missions hit the buffers once war was declared in 1939. Tragically, many of the children who arrived on Britain’s shores were the only members of their families who survived the Holocaust.

A quiet and humble soul, Nicholas Winton’s story remained untold for 50 years until in 1988 it was finally picked up by a national newspaper and the That’s Life TV show on the Beeb. And now the heroic tale is the subject of a remarkable film One Life, with Anthony Hopkins brilliantly playing Winton in his dotage and Helena Bonham Carter as his formidable mother in earlier years, who ran the show at the London end.

Along with others, we sat through the film in stunned silence and didn’t rise from our seats until after the final credits had rolled. Winton was later knighted for services to humanity and died in 2015 at the grand old age of 106.

Here’s the trailer followed by original 1988 footage from That’s Life.

For the recreation of the That’s Life scene, the audience in the film was made up of the descendants of ‘Nicky’s children’.

“Save a life, save the World,” Winton says in the film. As we left the cinema, I couldn’t help thinking that despite his amazing story of hope, history just carries on repeating itself over and over again.

Exodus

exodus-560x372Nothing slaps you about the face better than God’s wrath in 3-D. I’m a sucker for a Hollywood style Biblical epic, particularly as the fairy tales of the Old Testament lend themselves to stunning special effects. So when Ridley Scott’s ‘Exodus: Gods and Kings’ was released, I was front of the queue. For the most part, the movie delivers on spectacle, making up in drama what it lacks in depth. The plagues sequence is particularly delicious as the God of Moses teaches Rameses a thing or two about divine power. The film has dumped the preachy gravitas of the Cecil B Mille’s 1956 ‘The Ten Commandments’. Christian Bale’s doubting Moses is much grittier than Charlton Heston’s pulpit-style rendition and is better suited to today’s more secular age. Depicting God as a ten year old boy is either inspired or daft (I’m still not sure which). Having the child resemble Damien from ‘The Omen’ is masterly.

According to the BBC, the film has been banned in Eqypt because of ‘historical inaccuracies’ (sorry?) – partly because the movie depicts the Hebrews slaving over a pair of pyramids (the construction of which ceased centuries before the alleged great escape). I’m glad to see that the religious censors are on the ball and standing up for the truth.