Spuds, Spies and Something for the Weekend

The renaissance of the iconic Battersea Power Station and its surroundings isn’t the only radical regeneration along the old Thameside rust belt. Virtually the entire south bank from Grosvenor to Vauxhall Bridges has been transformed by new fancy offices and posh flats along Nine Elms Lane. At the Vauxhall end once stood Market Towers, a typically seventies block with the Market Tavern on the first floor. It was added for the traders who fancied a pint or two after a hard day’s graft shifting spuds and sunflowers at the nearby New Covent Garden Market*.

Come the weekend, though, an altogether different trade was transacted. The pub doubled up as a gay bar, particularly popular on a Sunday afternoon because the boys just loved to booze and cruise after Sunday prayers. I should know, I was one of them. I misspent many an afternoon there during the nineties and noughties. As did Jean Paul Gaultier during his Eurotrash years. But I was never tempted to try my hand in the very ugly and very derelict Nine Elms Cold Store next door. Many a randy lad came a cropper cruising its dark and dank corridors. Plunging down an unlit crane shaft was not good for anyone’s health. Ironically, it was built on part of the 17th-century Vauxhall Pleasure Gardens, which had pleasured Londoners for over 200 years. Both Market Towers and the Cold Store are now gone, swept away by redevelopment. Ah, the memories.

Alongside the ribbon of luxury riverside high rises sits the HQ of MI6, the UK’s spymasters, as featured in a number of James Bond films. And not far away is the new, fortress-like US Embassy, which looks like it sits on a lazy Susan. No doubt, both buildings are bristling with various top-secret ways to detect and deter, disrupt and destabilise. Is their proximity to one another just a coincidence? I wonder. Let’s hope they’re keeping us safe from Tsar Pukin and his deadly cronies.

*The old Covent Garden in Central London is now an uber-busy tourist hotspot, so you won’t find Eliza Doolittle flogging flowers and warbling ‘Wouldn’t it be Loverly’ on the steps of the Royal Opera House.

Another Game of Trumps

Back in 2016, the people at Displaced Nation asked me and a few others about the election of Donald Trump. Now that MAGAmouth has his dainty little hands on the keys to the White House once again, I’ve been looking back at my reaction. This was my take at the time…

I first heard about Donald Trump’s victory on the morning news here in Britain. It was a wake-up call, but after Brexit, not entirely unexpected. I think we all know that both outcomes are a symptom of something deeper and more socially corrosive. There are a lot of people out there who feel marooned in poverty with little hope of rescue, including members of my own family. So it was okay to bail out the bankers but not the steelworkers? Really? If I was a praying man, I’d be on my knees hoping that Trump will be less incendiary in office than he has been on the podium, but I wouldn’t bet my shirt on it. Stoking up the darkest fears of those at the bottom of the heap is what got him elected. How a man born to enormous privilege can possibly understand the worries of the common man or woman is beyond me. But then I don’t understand the appeal of former merchant banker Nigel Farage, either.

So here we go again, another white knuckle ride on the magic roundabout of make-believe with Don the Con. But this time a posse of kiss-his-arse social media moguls and assorted tax-dodging billionaires are hanging on to his coat-tails. I wonder why?

A Right Royal Do

My dad took the King’s shilling in the late forties and made a career out of soldiering for the next twenty-something years. Despite swearing allegiance to the monarch, Dad was a soft leftie, voting Labour all his life. He liked and respected the Queen but he didn’t think much of the motley crew of incidental royals – the  ‘hangers on’ as he called them. My mother, on the other hand, was a devoted royalist and had a picture of Her Maj hanging on her bedroom wall.

In my adult years, I’ve always been conflicted about the entire notion of a hereditary head of state. My head questions its relevance in our modern, more egalitarian world but my heart tells me different. I was genuinely saddened by the Queen’s death. I can’t explain why. Maybe it’s my age. And when I look around the world at the assortment of elected nobodies, ne’er-do-wells and nasties, particularly those who would sell their children to the Devil to cling to power, I think, well, if it ain’t broke

Today, we have the right royal do of the Coronation with Charles and Camilla riding the golden Cinderella coach to their ball at Westminster Abbey, the venue for such rituals for nearly a thousand years. The Crown Jewels will be dusted down, oaths will be sworn, heads will be anointed. And yes, we will be joining the locals at our local for a glass of bubbly to watch the fairy tale on the big screen.

Across our twin villages, the streets are decked out in fluttering flags and bunting of red, white and blue, and shops have gone all out to put on the best stately display. Here’s a taste…

And tomorrow, our villages are throwing their very own right royal do with a big Coronation party. We’ll be joining the festivities because let’s face it, we could all do with a party right now.

Way to Go, Tom Daley

Our rainbow day came hot on the heels of the opening ceremony of the 2022 Commonwealth Games in Birmingham earlier that week. Eccentric, multicultural and with a distinctly steampunk feel, it was a gloriously quirky start to the games. Check out the amazing pictures from the Guardian.

For me, a spectacular high point of the show was Tom Daley, Olympic champion diver and growing national treasure, carrying the Queen’s baton flanked by gay rights activists each holding the LGBT progress flag high and proud.

Seen by over one billion viewers worldwide, they were there to spotlight the barbaric situation where in over half of Commonwealth countries homosexuality is illegal and also where, in three of them, the maximum penalty is execution. Just think about that for a moment. That’s another good reason why we need pride events.

But now the ‘Friendly Games’ – and they were terrific – are over for another four years, will Tom’s rainbow flag-waving make a lasting difference? We can but hope.

Click the image below to see the footage on the BBC.

Welcome Back, Norwich Pride

Last Saturday Norwich Pride was back painting the town pink after a three-year absence because of you know what. And it was back with a bang – bigger, brasher and better than ever. Our bus into the city was transformed into a pride express, stuffed with jolly rainbow people from town and county. After arriving in the city, we joined the crowd of many colours heading to the centre and pitched our tent along Gentlemen’s Walk to watch the parade. It ran late. Turns out that a cast of thousands wanted to get in on the act, so it took a while to gather them all up.

When it did set off, the exuberant mega-march just went on and on and on. It was truly heartening to see a long chorus line of so many young people putting it out there, happy and unafraid.

Norwich Pride is fully inclusive, everyone welcome, no one turned away. Why? Because it’s free. Some other pride events are now ticket-only. I get it, really I do. Many are run on a wing and a prayer and a bad weather day can result in a wash-out, leaving a trail of unpaid bills. But not everyone can afford the price to be proud, especially right now. Just like the NHS, let’s hope Norwich Pride remains free at point of access for many, many years to come.

Belfast – Should We Stay or Should We Go?

I was a little nervous when I took my seat to watch Belfast, Kenneth Branagh’s semi-autobiographical film about the life of a working-class family in late sixties Belfast. It was a time when the Troubles really exploded on the streets, and I was dreading being slapped about the face by the grim senselessness of sectarianism.

But despite the nightmarish backdrop, there’s something incredibly warm and generous about the film. Set to a Van Morrison soundtrack (with a little help from Love Affair’s Everlasting Love) and shot in radiant black and white, the tender and funny script has a simple question at its heart – leave for a brighter future ‘across the water’ or stay for kith and kin and all that’s familiar. It was a choice faced by generations of Irish people – including our own.

The sparkling cast really deliver – anything with Judi Dench gets my vote – and despite the eye candy that is Jamie Dornan, the stand-out performance has to be from Jude Hill as Buddy, the young boy around whom the story revolves.

Do they stay or do they go? Here’s a clue. Sir Kenneth Branagh is now one of the UK’s foremost actors and directors.

Here’s the trailer…

Heroes in Heels

Soppy, sentimental old fool that I am, I’m a sucker for a tear-jerker. I cried during the opening Circle of Life scene of the Lion King when I first saw it in the West End many moons ago. And I started to blub during the first few bars of Billy Elliot at the Victoria Palace and carried on sobbing right through to the finale. Pass the Kleenex.

Last year Liam and I watched the film version of Everybody Talking About Jamie on Amazon Prime. There’s a scene midway through – a flashback to the dark days of the early nineties when the gossip on the street was of a ‘gay plague’ and gay men were bowing out to a hostile crowd.

A few brave folk fought back, and the rest, as they say…

“Even the Iron Lady couldn’t stop the show.”

It’s a time I remember well. Too well. Who could forget? Here’s the scene that had me bawling.

But then there are tears of joy too. We also saw Six, a musical about the wives of that old lecherous tyrant, Henry the Eighth. Despite their bleak destiny – divorced, beheaded, died, divorced, beheaded, survived – the show delivers an uplifting, defiant message. It’s a message that seems to have struck an inspirational chord with young ladies everywhere judging by the audience at Norwich’s Theatre Royal and the flash mob at the Tower of London, where two of Henry’s queens lost their heads. The young faces say it all. Right, ladies, it’s time for your crowning glory. You’ve earned it.

Now that’s how to teach history.

Made in Dagenham

Released in 2010, ‘Made in Dagenham’ is a gritty, evocative and warm-hearted film about the female workers at the Ford car plant in Dagenham, East London, who, in 1968, downed tools to demand equal pay for doing work of equal value. The machinists faced a barrage of patronising and often vicious opposition from every side – from the management at Ford UK, their paymasters across the pond and the Labour government of the day but also from their male co-workers and their union, run – you guessed it – by men. Evidently, solidarity only applied to the hairy-arsed blokes on the assembly line.

It was a time when a woman’s place was in the home and even those who had to work to put food on the table were routinely paid less than men because, well, they were just women, after all. Thankfully, times were a-changing. The strike was ultimately successful and led to the 1970 Equal Pay Act.

A musical adaptation followed in November 2014, opening at the Adelphi Theatre in London. It’s now doing the provincial rounds and we saw the production by the Norfolk and Norwich Operatic Society at Norwich’s handsome Theatre Royal. Am-dram it may have been but top not notch am-dram it was with sparkling vocal performances, light-footed routines and a real sixties vibe. We caught the matinee, joining the grey herd who laughed, gasped and clapped their way through a clever and often very naughty script, witty lyrics and jolly tunes. Mind you, the nice people from St John’s Ambulance were on standby with their defibrillators – just in case it all got too much.

Here’s how they did it in the West End…

Wicked

Wicked

Our final jolly in old London Town at the end of 2019 was a trip to see Wicked – the stage prequel to The Wizard of Oz and a show every friend of Dorothy should see before they reach the end of the rainbow.

Bizarrely, neither Liam nor I had seen the musical before even though it’s been a firm West End fixture for donkey’s years and one of the rare few that just go on and on, pulling in the punters night after night. The trouble with many a classic on a long run is it can all get a bit tired. Fine wine to vinegar? Actually, no. The big scenes are still big and the current lead – Nikki Bentley, as  Elphaba, the Wicked Witch of the East – has a belting voice. And the political subplot – the rise of fascism – is as relevant now as it’s ever been. There was a standing ovation at the end. All in all, not a bad gig.

Helping History Out of the Closet

The Autumn edition of ‘Link’, the South Norfolk Council community magazine, dropped on the mat. Packed with facts and fun, it’s something to thumb through over coffee and a rich tea. It’s the usual recipe of charity gigs, sport and leisure updates, seasonal treats, pub and club news, health and environmental titbits and (groan) advice on preparing for Brexit. But also thrown into the mix is a remarkable full-page piece about a roving exhibition called ‘Helping History Out of the Closet’. Intended to raise awareness about LGBT issues, the show was put together by the Thetford Teenage History Club who were shocked to discover that man-on-man action could once land you in the clink, or worse. Why remarkable?

Well, it isn’t that long ago that a council in liberal London banned a gay support group from an out-of-hours chinwag on council premises for fear of a moral backlash. I guess the powers that be thought it might degenerate into an orgy and frighten the grand old dames of Kensington. I worked for that council and had the keys to the offices in Earls Court so we met anyway, under cover of darkness.

Essentially South Norfolk is one giant field sprinkled with small towns and villages. Like most rural communities, it’s conservative with a small ‘c’ (and sometimes with a massive one) where change is snail-paced and being different can be an isolating and horrible experience. We’ve come a long way. Let’s hope it stays that way.