We missed Big Dick and His Pussy, last year’s mucky offering from the Adult Panto team, so we were determined to see Sinderella, their very naughty-but-nice interpretation of the classic rags to royalty tale we all know so well. It was a strictly gays’ and girls’ night for our foursome at Norwich’s Maddermarket Theatre, with husbands left behind to look after the sprogs. Giving a whole new meaning to that well-trod panto phrase ‘he’s behind you’, it was a non-stop, X-rated, utterly unbridled, cross-dressed, nudge-nudge, wink-wink glitterfest of smut and filth which left no profanity unsaid or hole barred. We loved it.
Just one more show to go – Treasure Island from the Loddon Players, our much-loved local am dram company – and then it’s curtains for panto season for another year.
Looking around at our troubled and troubling world, 2023 hasn’t exactly been the best of years – precious little hope and definitely no glory. Despite the doom and gloom, for the most part village life has remained tranquil and quietly satisfying, with the pansies erect and un-wilted. We know how lucky we are. This year’s crop of top pansy posts reflects this theme and has a distinctly personal and domestic feel with splash and crash, a Turkish dilly-dally, a hungry pot plant and a little slice of Essex chucked into the mix. For some unknown reason, July saw a surge in interest. And then there was the old post about our coffin hatch, which suddenly took off in November. Who knows why? It’s a mystery.
I looked around the tidy cemetery. It was serenely silent except for the sound of birdsong and the trickle of water from the mouths of the dolphins in their petrified embrace. It calmed me. I sat on the bench and inserted the earphones of the MP3 player, already cued for the moment. I pressed play,…
We’ve become part-time groupies for our local village bowls team. To the uninitiated, bowls is a traditional sport beloved of the grey herd in which the objective is to roll weighted balls along a green so that they stop close to a smaller ball at the other end – closest wins. A variant of French boules, the…
We returned from our nostalgic dalliance in Dalyan to water trickling down our dining room wall. Okay, it’s a bit of a stretch to call it an actual dining room. It’s more of a dining area. We quickly traced the leak to our bathroom, shut off the stopcock and summoned an emergency plumber. Nice young…
It’s been a quarter of a century since I last visited Dalyan on Turkey’s pine-clad south-west coast. Back in the day, it was a sleepy village on a dreamy, reed-lined river stuffed with turtles. I’d been told that Dalyan had since grown into a full-on resort stuffed with young Russians avoiding the call-up. As they…
The definition of boredom is cleaning out the bathroom extractor fan with an old toothbrush. Let’s face it, there’s only so much knick-knack dusting a boy can do when home alone. But I’m not yet ready for a meagre diet of daytime TV for the sofa-bound brain-dead – all idle chit-chat from nobodies about nothing.…
I’ve always had a fu*k ’em attitude to authority, particularly the do-as-I-say-not-as-I-do hypocrites. You know the kind of thing: politicians preaching ‘family values’ while knocking off their secretaries on the side or hellfire priests touching up the altar boys in the vestry. I’m glad to say that sheer bloody-mindedness is a glorious national trait. And…
We had a little taste of Echo Youth Theatre’s Little Shop of Horrors at the Maddermarket’s recent charity gig and thought, yep, that’s right up our alley. The quirky musical comedy features Skid Row florist Seymour in a kinda horticultural ménage à trois with co-worker Audrey and Audrey 2, his pet pot plant with an…
Liam is away visiting an old friend from his wayward early years as a young gay about town. They worked and played together when Liam did a proper job with a pension attached. It’s the first time I’ve been home alone since we moved to the village over three years ago. Liam left to catch…
We binned the car in 2014 so, unsurprisingly, good public transport is important to us. That’s why we chose a village close to Norwich with a decent bus service – regular and reliable. And Norwich has fast and frequent train services to London for our big city fixes and family stuff. All in all, it…
Essex, the home county to the east of London, has the reputation of being, well, a bit chavvy. But there’s more to Essex than big hair, gaudy bling, fake tans, assisted tits and impossibly white tombstone teeth – and that’s just the men. Beyond the faceless towns of the commuter belt, Essex is a green…
Before the miracle of modern medicine and universal healthcare, life for most was plagued by illness or the fear of it. People croaked in their beds from mundane diseases that today we pop a pill for. Many a cottage stairwell was too narrow for a coffin so some featured a trap door between floors called…
It’s Christmas so it must be pantomime time, and panto doesn’t get any more lavish and camp than the annual festive frolic at the London Palladium. Each year the show just gets bigger and better, brasher and trashier, cross-dressed in glitter, sequins and smut. Once again, all our senses were assaulted; the perfect antidote to the drizzle of a dull December and a darkening world.
This year’s extravaganza is a panto mainstay – the evergreen Peter Pan, but not quite as Disney, or indeed JM Barrie, imagined it. Starring Ab Fab’s Jennifer Saunders as Captain Hook and the matchless Julian Clary mincing on as Seaman Smee, the cast also includes Palladium regulars Paul Zerdin, Nigel Havers, Gary Wilmot, and the simply wonderful Rob Madge as Fairy Tink who made us laugh and cry in his autobiographic tale My Son’s a Queer (But What Can You Do?).
This year’s offering struck a more poignant note, dedicated as it was to the late Paul O’Grady, who sparred with Julian Clary on the Palladium stage a number of times as his alter-ego, Lily Savage.
Naturally, Julian steals every scene he’s in with one outrageous costume after another and all the best gags – a tsunami of filth. Absolutely fabulous.
Our immediate neighbours at the Duke of York’s Theatre in old London Town were a trio of antique thesps with silver hair, floaty chiffon and silk scarves – very Sunset Boulevard – who were getting so over-excited by Backstairs Billy I thought we might have to ask if there was a doctor in the house. Liam got chatting to the classy lady in the pew next to him. She was an actress – retired, not resting, she told him.
“Theatre? TV? Films?” he asked.
“Ads, darling,” she said.
It turns out she was the face of Cadbury’s drinking chocolate back in the day.
As we dropped into our seats on the top deck of the early morning workers’ express to Norwich, Liam said, “Okay Jack, roll up for a magical mystery tour.” I had no clue what was to come but went along for the ride anyway. Three hours later we were meandering through London’s theatreland, eventually joining the queue outside the Duke of York’s Theatre in St. Martin’s Lane.
Sneaky Liam had secretly booked tickets for a West End play I’d mentioned in a throwaway comment months earlier. The show, Backstairs Billy, is a comedy about the close relationship between Queen Elizabeth the Queen Mother and her faithful retainer of 50 years, William ‘Billy’ Tallon.
Set long after the dowager queen had been put out to pasture, the razer-sharp script cascades from belly-laugh slapstick farce to moments of real tenderness. The sparkling Penelope Wilton (The Best Exotic Marigold Hotel, Downton Abbey) and hunky Luke Evans (Beauty and the Beast) play mistress and servant. And they do it with great aplomb.
Billy cut a controversial figure in royal circles. The Queen Mother wasn’t the only queen he serviced. An infamous chaser of young men, Billy often sailed close to the wind at a time when it wasn’t quite cricket. The play waltzes around one such indiscretion when he was caught in flagrante delicto with a casual pickup in the garden room of Clarence House and almost got the boot. But the Queen Mother’s loyalty knew no bounds – apparently she loved her gays, as evidenced by the famous quote,
“Perhaps, when you two queens are quite finished, you could get this old queen her drink.”
Whether or not she actually said this we shall never know, but the line got the biggest laugh in the show.
Billy died in 2007 and, despite his notoriety, his funeral was held in the Queen’s Chapel at St. James’s Palace, and it was attended by more than 200 mourners, including lords, ladies and luvvies of stage and screen. Not too shabby for a boy from the wrong side of the tracks.
Before we got hitched, Liam and I had both enjoyed the many meaty treats of old Amsterdam. Needless to say, it didn’t include a cultural cruise around the august galleries of the world-famous Rijks Museum. These days, life is mercifully more sedate. Randy times with likely lads on the pull are but a distant memory, and nights on the tiles have given way to days on the trail.
First up on our cultural pilgrimage was the Homomonument, a memorial to those poor souls persecuted for their sexuality during the Second World War. Opened in 1987, the monument takes the form of a giant pale pink triangle jutting out into the Keizersgracht. The pink triangle was the badge gay men were forced to wear in the Nazi death camps. And we all know what happened in those places.
This is the one site I’d seen before. Here’s me in the naughty nineties. The second picture is me now. Obviously, I haven’t changed a bit!
To my shame, I’d never visited Anne Frank’s Huis, so I was determined to right this particular wrong. It was a sobering lesson in everyday evil. Lest we forget.
And, yes, we made it to the Rijks Museum – huge and impressive but way too busy, I thought. There’s little time to take in the art without being bothered by jostling, happy snappers. Well, if you can’t beat ’em…
The following day we took an audio tour around the well-sculptured Royal Palace on Dam Square with its lofty ceilings and twinkling crystal chandeliers. It was great fun, apart from the couple of young pushy queens who didn’t understand the simple concept of the queue.
As our long weekend coincided with Storm Babet tearing across Northwest Europe, we were expecting lively weather. And we got it. We coped by drinking through it; like we needed an excuse.
Despite the inclement weather (and contrary to the images below), the city was rammed. Weaving through the obstacle course of talkers, walkers, cars, trams and manic cyclists coming at us from every which way was quite the challenge. It’s a miracle we didn’t come a cropper. But we survived unscathed.
We see a lot of am-dram these days – across town and county, in huts and halls, theatres big and small, all delivered by companies of dedicated luvvies giving it their all. We love the old razzle dazzle. It keeps us out of the pub, though not necessarily sober as there’s always a bar attached. Unsurprisingly, the gigs are a mixed bag – some good, some not so good. And sometimes they’re really, really good. We never know what to expect. It’s all part of the drama.
Right up there on the really, really good scale was the recent production of The Wizard of Oz at the Beccles Public Hall and Theatre, a charming little venue just across the county line in Suffolk. From the first scene to the last, the show was pure magic, slick and professional, with some cracking acts.
A special mention must go to Alice Peck, the daughter of our local tavern keeper, in her debut lead role as Dorothy. Well done, young Alice. It was a tornado of a performance. You’ll go far.
And who could forget Alice’s mother, Karen, reprising her role as the Wicked Witch of the West from her 2022 performance? She swapped her usual soft Dundonian tones for full-on, in-yer-face Glaswegian. Full of menace and mayhem, we were half-expecting a Glasgow kiss from a seriously pissed-off cackling witch. We definitely weren’t in Kansas.
After an unseasonably warm few weeks fired by a hot Saharan blast, autumn is finally upon us and thoughts meander back to summer frolics and the bucket-and-spade family entertainment that took me right back to more innocent times in short trousers. Some people may remember Seaside Special on the box during the seventies and eighties. I know I do. It was a Saturday night fixture in our house.
Our first 2023 seaside special was the award-winning Cromer Pier Show at the Pavilion Theatre. For my sins, I was expecting something fun but just a little bit naff. How wrong was I? What we got was a spectacular and lavish vaudeville-on-sea variety show with crackin’ tunes, crackin’ vocals, belly laughs and juggling genius, all wrapped up in sequins and feathers.
If that wasn’t enough to set the pulse racing, nothing could prepare us for the Hippodrome in Great Yarmouth, Britain’s last remaining circus building. Seemingly untouched by the modern world, the theatre reeks of old-style, time-worn charm – the toilets alone are a riot of Victorian bling. But there was nothing faded about the show. Featuring top-notch acts from around the world, it was full-on, edge-of-the-seat stuff. And it doesn’t get any more full-throttle than four leather-clad bikers playing ‘catch me’ around a metal cage. For the grand finale, the stage fell away to reveal a swimming pool and the show was brought to a splashing close by a shoal of fancy ladies doing a Busby Berkeley number surrounded by fit blokes in tight wet shirts. It felt like I was on drugs.
For more exciting images, check out the Hippodrome’s own website. Many thanks to our fellow village people who invited us along for the rides. You know who you are.
If you’d said a few years back that one day I’d be in a small provincial theatre watching a bunch of kids bounce about in a Lloyd Webber musical with a book by Julian Fellowes (he of Downton Abbey fame), I’d have laughed you off the stage. “Not my thang,” I would have said. “Give me Superstar and maybe Coat of Many Colours, but his other stuff? Nah, not for me.”
But there I was last night settling down to watch Echo Youth Theatre’s performance of School of Rock at the Maddermarket Theatre, along with rows of nervously proud friends and family, a buzz in the air. And I can report that Lloyd Webber’s eclectic, guitar-heavy score is a revelation. Andy’s back to his rock roots, and as the opening number blasted to the back of the auditorium, we all knew we were in for a foot thumping night.
And the talent on the stage last night was astounding. But then, that’s something I’ve come to expect from Echo Youth. It’s an ensemble piece and it would be unfair to single anyone out, apart from Chris Davidson in Jack Black mode. Oh, and Rory Peck, our favourite shake, rattle and roller. Suffice to say, the energetic and gifted cast produced a joyous and uplifting account of Lloyd Webber’s hit, and the standing ovation at the end was instant and richly deserved.
If you’re anywhere near Norwich, grab yourself a ticket for this rocking show and get yourself down to the Maddermarket (it runs until Sunday). And if you don’t come out humming Stick It to the Man, I’m the Queen of Sheba.
Yes, it’s that time of year again when the technicolor travelling circus that is Eurovision rolls into town. After Ukraine’s win last year, the tele-moguls wisely decided against staging the glitterfest in Kyiv with the risk of Russian drones crashing the party – literally. So, the poisoned – or blesséd – chalice was passed to runners-up, le Royaume-Uni.
‘… the songfest has been given an extra political frisson this year by Tsar Putin’s annexation/ repatriation (delete according to taste) of the Crimea; continued unrest in eastern Ukraine might earn Kiev a few sympathy votes…’
Prophetic or what?
Reaching an audience of over 160 million, the Eurovision Song Contest is the biggest music show on the planet. These days, the competition is less about the actual songs – once heard, rarely remembered – and more about the glitzy spectacle, with performances ranging from the camply sublime to the utterly bizarre. It hardly matters. Votes will be cast along political and ethnic fault lines anyway. They always are.
The City of Liverpool won the bid to host the jamboree on behalf of Ukraine and good ol’ Auntie Beeb has chucked most of our licence fee at it with week-long sideshows online and on stage to accompany the main events. Excitement has built to fever pitch with superfans from across the realm and the continent descending on the city. There have even been special trains laid on…
Just like our Liverpudlian comrades, we’ve decided to embrace the entire silly shindig with a silly shindig of our own. Sadly, our gaff is a tad smaller than the Liverpool Arena so a kindly neighbour has stepped in to host the show at their mini-mansion. They’ll be silly hats, silly score cards and silly prizes. Good luck to the UK’s Mae Muller. It’s a crackin’ song with crackin’ lyrics.
But when the nil points roll in and the UK predictably plummets down the scoreboard, we’ll just crack open another bottle and drown our silly sorrows.
Perking the Pansies 