Beauty and the Beast

Drama and performance can really help young minds build important life skills like confidence, comradeship, communication, cooperation and commitment – and loads of other vital ‘c’s too. But it takes guts and gumption to strut your stuff on the stage in front of a bunch of strangers. Back in my old school days, our annual theatrical offering usually consisted of a few spotty boys in need of deodorant mumbling a few lines from the Bard they didn’t really understand. Thankfully, things have come a long way since then.

Unlike the could-do-better days of my youth, this year’s Hobart High School’s production of Beauty and the Beast attained A+ in the talent and fun department. So much so, the show received an emotional standing ovation at the end, which I’m sure will linger long after the lights and makeup have faded. We know several members of the young cast – Benny, Eva, Jas and Rory. They were all amazing. And as for our very own budding starlet, Alice, in her directorial debut, is there anything this brilliant young lady can’t do?

Matilda, the High School Musical

The last time I was at a school play, I was in a school play. That was 1976 and it was Midsummer Night’s Dream. No, I wasn’t typecast as one of the fairies. Shame on you for thinking it. In fact, I was ‘Snug, a Joiner’, who was also ‘Lion’ in the Bard’s play within a play. I was terrible. My lion’s roar was particularly lame. Roll on nearly half a century and school plays have come a long way. Back in my day, there was no technical wizardry with lights, mikes and music, just a few spotty teens mooching and mumbling.

And judging by the recent production of Matilda, the Musical, at Hobart High, our local secondary school, the quality of the performances has come a long way too. There was some real talent on that stage and the complicated ensemble song and dance routines were a pleasure to watch – harmonious and pretty much step perfect. The enthusiasm was infectious, warming up the audience on a cold midwinter’s evening. And the fact we knew some gifted kids in the cast made it even better. Mothers cried with joy.

Ian McKellen on Stage

Sir Ian Mckellen, star of stage, screen and gay bar, turns 80 this year. To celebrate this remarkable milestone, he’s trolling round the country on a nationwide tour of theatres big and small, illustrious and humble. The boards don’t come more illustrious than the Old Vic in London or more humble than the 300-seater Maddermarket Theatre here in old Norwich Town. It was to the Maddermarket we trolled to catch his one-man show.

And what a show he put on – from Gandalf to Shakespeare via Gerard Manley Hopkins and TS Eliot, all sprinkled with intimate memoir and gossipy anecdotes – like spending the evening with your favourite uncle, the one with a racy past and funny tales to tell. Wise, witty and utterly charming, Sir Ian (or Serena as he’s affectionately known to the brethren) doesn’t hide his light or sexuality under a bushel. He’s very matter of fact about both – modest about his immense talent and a ‘so what?’ attitude about his love life. How he can drop into character, instantly recalling long, complex soliloquies from the Bard is beyond me. His campy, high-pitched Juliet was pure joy.

There are many wonderful stories about Serena but perhaps my favourite is the time he arrived in Singapore to roll out his King Lear. Man-on-man hanky-panky was (and still is) illegal in the city state where the punishment is the cane and up to two years in Sing Sing. He was being interviewed on breakfast TV and asked the host where he might find a gay bar. I suspect one or two viewers choked on their muesli.

A Hard Act to Follow

A Hard Act to Follow

When Liam planned our ‘jolly’ down memory lane, he wasn’t to know it would be the hottest May Day holiday on record. The Sun puts a smile on everyone’s face, doesn’t it? And we smiled our way round Bankside, my favourite district of London. Back when the first Elizabeth was on the throne, old Southwark was a riot of licentiousness – playhouses, brothels and taverns – beyond the jurisdiction of the City of London’s buttoned-up elders who wagged their fingers from the other side of the Thames. This is where Will Shakespeare plied his trade among the players, the prostitutes and the drunks. That’s my kind of town.

Not that there are many ne’er-do-wells milling around these days. The area has cleaned up its act and is now home to over-priced flats, over-priced eateries, over-priced bars, world-class modern art and a working replica of Shakespeare’s Globe Theatre. It certainly pulls in the crowds.

I went all thespian and began to recite the only lines I could remember from my part in a school production of A Midsummer Night’s Dream circa 1976…

You, ladies, you, whose gentle hearts do fear

The smallest monstrous mouse that creeps on floor,

May now perchance both quake and tremble here,

When lion rough in wildest rage doth roar.

And roar I did, when Snug the Joiner became the lion in a rabbit costume smelling of mothballs and accessorised with an improvised mane. Times were hard in the seventies.

Liam decided my hammy Shakespeare was putting off the tourists and bundled me onto a riverboat and took me to a different kind of theatrical show – a little fairy dusting of trad drag.

street-entertainment.jpg

It was an eventful afternoon made all the more eventful by the delightful boys from the Abbey Rugby Club in Reading. They were on a ‘Monopoly board tour’ and had landed on Trafalgar Square for a queer beer. Well fancy that. And I did.

If Music be the Food of Love

If Music be the Food of Love

Norwich Cathedral Cloister

In an attempt to develop this old Philistine’s cultural palate, Liam dragged me along to Norwich Cathedral for a bit of drag from the Bard. The Lord Chamberlain’s Men, an open-air theatre company, brought their production of ‘Twelfth Night’ to the divine (forgive the pun) Gothic cloisters of the Norman edifice. Billy Shakespeare’s cross-dressing comedy of mistaken identities was a big hit with the picnicking crowd. It went down well with us too, along with a bottle of Merlot. Sadly, the show wasn’t quite so popular with the famous pair of peregrine falcons roosting in the cathedral spire. Clearly pissed off about being upstaged, they squawked through the entire performance.

The Lord Chamberlain’s Men are noted for bringing a touch of Tudor authenticity to their gigs and this was no exception. I knew the Bard could be bawdy but I never knew he could be so camp. This was a delicious cross between ‘Life of Brian’ and John Inman in ‘Are You Being Served?’

Every one of Shakespeare’s works has its famous lines and Twelfth Night is no different…

If music be the food of love, play on.

Be not afraid of greatness; some are born great, some achieve greatness, and some have greatness thrust upon them.

Not bad for the ‘Carry On Camping’ of its day, eh?