We boarded the bus.
Where’s he taking me? A little rural retreat with ancient beams and hearty fare, deep in the flatlands?
We boarded the train.
We must be going to Diss, a pretty little market town with fine Georgian architecture.
Where’s Diss? Near Dat, as the in-joke goes.
Diss came and went.
Liam bundled me off at Ipswich and we headed for the Marina.
Fancy a drink?
Well, I don’t need asking twice but why Ipswich?
This is why.
It was an inspired birthday treat – a complete surprise. Marc Almond in his torch song years is right up my street and his ‘Tenement Symphony’ album is one of my favourites of all time. Marc was in fine voice, supported by a full ensemble – strings, guitars, percussion, keyboards, brass, backing vocalists – a quality set and a rich wall of sound. New songs, old songs, a couple of Dusty Springfield classics (‘the sixties have been very good to me,’ he said) and a bit of Northern Soul chucked in at the end to get you to your feet. Just brilliant.
We polished off the evening in a very pleasant watering hole near our hotel, full of fun and fantastic punters. This was one of them:
Thank you, scary lady, for letting me take your photo and thank you, Liam, for my magical mystery tour.
So, ladies and gents, I give you my favourite Almond track from my favourite Almond album superbly delivered on a memorable night – ‘the Days of Pearly Spencer’. It’s a song I first heard one balmy evening in a gay bar in old Ibiza Town. It was 1991. But that’s another story.
Unlike many of the stately old homos of my generation, I never quite developed a taste for the torch-song trilogy of Garland, Minnelli or Bassey. And I can take or leave the new old girls on the block – the fallen Madonna, nip and tuck Cher or crazy Diana (Ross not Spencer). But, my spot is very soft for a classy dame from Surrey, a woman who first hit the streets in the year war broke out. Then, she was performing with an orchestra in the entrance hall of a Kingston-upon-Thames department store for a tin of toffee and a gold wristwatch. She was seven. Seventy four years on, she is still going strong and is currently on national tour. I am, of course, referring to the iridescent and timeless Petula Clark – child protégé, forces favourite, Hollywood starlet, Sixties pop princess, chanteuse Française and West End superstar.
Autumn was fashionably late this year but made quite an entrance when it did eventually arrive. We were battered by brolly-snapping weather as we wandered the windy streets of Ipswich in search of the Regent Theatre, East Anglia’s largest. We had a stiff double at the bar while we dried off. The drench did nothing to dampen our spirits and as we took our third row seats in the auditorium, the crowd buzzed with anticipation. Miss Clark has been treading the boards for a very long time and this was no better illustrated than by the giddy silver-haired fans who surrounded us. Every care home in Suffolk must have been drained that night. I swear I spotted a St John’s Ambulance crew on standby just in case the excitement got too much; mercifully, we were spared a medical emergency. Still, our Pet raised the blood pressure with a superb performance, giving those X Factor wannabees, a fraction of her age and a fraction of her talent a marathon for their money. From Gershwin to Lennon via Elvis and Gharls Barkley, Miss Clark stepped through her set with style, humour and remarkable agility. Naturally, ‘Downtown’ got the biggest cheer but, for me, it was ‘I Couldn’t Live Without Your Love’ that got me all dewy-eyed. You see, I’d chosen it as the soundtrack to the champagne reception at our Civil Partnership (“Ah,” I hear to cry in unison).
Come the finale of the two-hour gig, the wrinkly congregation got to their feet for the much-deserved standing ovation (though, in truth, it was more of a slow stagger than a youthful leap). Even a wheelchair-bound man in a turban found his legs, Twas a miracle from the lady who famously played Maria Von Trapp’s favourite singing nun. Hallelujah, sister.
Get your hankies ready…