We love a live show and they don’t get more lively than ‘La Voix’, drag queen extraordinaire and a glorious blend of song, sparkle and wit. La Voix belts out the tunes in the best tradition of old-fashioned drag cabaret where the voice and the repartee are just as important as the frocks and the wig.
It was high camp in a big tent – ‘Interlude in the Close’, a big top in the grounds of Norwich Cathedral’s Lower School. La Voix’s old razzle dazzle was part of the wider opening up of the arts across the city, after a very dark time. Even during the Blitz, the theatres stayed open; not so with COVID.
The only downside was travelling back to the village on the last bus with a load of young people who’d been out on the razzle themselves. They were no trouble, but there wasn’t a mask between them. Forgive them, for they know not what they do.
We just can’t wait to get back into the theatre – we’ve a glittering chorus of touring musicals queued up – from the modern: Six, Waitress, The Book of Mormon to the classics: Bedknobs and Broomsticks and The Sound of Music. Few trades have suffered from COVID more than the performing arts. The only sure way to get bums back on seats and keep them there is for everyone to get the jab. And yet there are still some twats out there who won’t get vaccinated because they’d rather fall for the total crap swilling around social media than listen to those who really know what’s what.
A case in point is the music video commissioned by the Official London Theatre (the umbrella organisation for London’s West End theatreland) which features a host of names encouraging vaccine take-up. I love it because it’s a spoof of ‘The Rhythm of Life’ number from Sweet Charity, one of my all-time favourites. Like everything else these days, the video’s on YouTube. Depressingly, the barrage of fake ‘outrage’ from the trolls is staggering.
So I have two messages – the first to the refuseniks…
Do us all a favour, stop being a wanker and get the bloody jab because it’s the right thing to do.
And the second to those running the show…
Do us all a favour, share the vaccine with those in the world who can’t afford it because it’s the right thing to do and because until we’re all protected, none of us are.
Local lass, friend, author and blogger, Roving Jay, is a remarkable lady – intrepid, resilient, resourceful, on-the-ball and bright as a button. Little seems to faze her. She just gets on with it. As it turns out, she’s also quite the artist too. Not a piss artist like Liam and me, though she can sink a few with the best. No, a proper artist in pen, pencil and paint. She’s good, very good, as in people-would-pay-good-money good. Our Christmas card this year was a classic and, unlike most cards chucked into the recycling, now hangs proudly on the wall of the office here at Pansies HQ.
Jay recently travelled from the UK to Turkey and was forced to endure the tortuous tedium of quarantine. As she did so with fortitude and good humour, a Valentine’s Day card dropped on our mat.
I guess it’s unusual for a couple of married old fairies to get a romantic Valentine’s card from someone of the opposite sex but then, Roving Jay is unusual in the best possible way.
Read about Jay’s witty and informative Quarantine Chronicles here.
Edinburgh, Scotland’s elegant capital, was on the agenda for my sixtieth birthday. Alas, with the latest lockdown it wasn’t to be. That particular jolly has been postponed until 2021 – a bit like life really. But Liam wasn’t going to let the most important celebration since the Queen’s Diamond Jubilee pass without marking the occasion. Oh no. A veritable festival of delights came a-knocking.
Overture
A concert production of Hair, The Musical in a big tent in the grounds of the University of East Anglia featuring an ensemble of rising West End stars. Great show but no nudity. Just as well really. The COVID-secure tent was open to the elements so any dangly bits would have shrivelled up in the cold anyway. Not a good look.
Act One
Afternoon tea in the garden of Rosy Lee’s, Loddon’s famous bijou café. Or at least that was the plan. Mother Nature had other ideas so our hosts packed the goodies into takeaway boxes and we scoffed the lot at home instead.
Act Two
A trip to the local leisure centre to sign me up for a fitness programme to work off Act One. There wasn’t a bar so I took a rain check on that one and headed into town where there was a bar.
Act Three
The actual day was a deliciously indulgent whirlwind – so many messages, cards, calls, gifts and flowers from family and friends, including a portrait courtesy of our niece. I also received enough wine to sink the Queen Mary. The day continued with posh nosh in Norwich and a mini-tour of our favourite city watering holes. I laughed, I cried, I drank, I took calls. My head spun. I felt rather humbled, not something I experience every day.
The Finale
Lunch at our local to receive the warmest of welcomes on a cold autumnal day. Hearty fare was topped off with cake, candles, a rousing rendition of that song and the scariest face mask ever. I even got a hanging basket of pansies. Now there’s a first.
My double chin’s getting bigger!
I was exhausted with all the excitement but what a gig. Now I’ve come up for air, it’s a huge thank you to all those who made it so memorable. You know who you are. Extra special thanks have to go to Liam. Who knew he could be so devious?
Finally, I got to pick up my first free prescription, making my status as a senior citizen – and grumpy old fart – official.
All masked up, Liam and I jumped on the bus to Norwich to take a gander at In Memoriam by artist Luke Jerram, flapping about in Chapelfield Gardens. The installation premiered in Belgium and is now on tour across Europe. Made up of bed sheets arranged in the form of a red cross, In Memoriam is a tribute to all those health and care workers who risk their own lives caring for the sick during the COVID-19 pandemic. We meandered through the forest of sheets in grateful silence. Lest we forget.
We wear face masks when required – on public transport and elsewhere – not because we want to. No one wants to. We wear them because it helps protect us and those around us. That’s the socially responsible thing to do, the civilised thing to do. We don’t think wearing them is any more of an infringement of our civil liberties than, say, wearing a seat belt or stopping at a red light. So my message to those ignorant refuseniks who think they’re striking a blow for freedom, don’t be a twat, wear a bloody mask.
I don’t know the first thing about art. Like beauty, it’s all in the eye of the beholder. I do know a lot of old twaddle is said and written on the subject. The stuff we have hanging on our walls is there because of the stories and meanings behind the images – the emotional and sentimental value rather than the worth artistically or financially. And we certainly have nothing to declare for insurance purposes. Here’s a sample…
A Green Man fit for a country cottage
The lady of the house always takes pride of place wherever we are and has done so eight times to date
A leaving gift from our Bodrum landlady who embroidered it herself, stitching the fabric to the page of an old Turkish newspaper
No idea how I acquired this but I think its a piece of fancy wallpaper
Original oil paintings picked up in a shop on Mykonos
Photos of ‘proper art’ – massive metallic installations created by an old friend of Liam’s
Double exposure – Liam and the Alps
The first print I ever bought, picked up in an art shop in Covent Garden
A gift from a friend who knows us only too well!
One the posters featuring my book created for a Norwich Art Exhibition
A Chinese silk Liam picked up in Hong Kong
A birthday gift from a Bodrum Belle
John Garner (1967-2003)
Liam wanted ducks so Liam got ducks
An original watercolour of Norfolk beach huts by Jenny Parfitt
A gift from a waitress at the Eleonas Country Village in Crete, the venue for our second honeymoon
A leaving gift for Liam
The first thing Liam bought for me while we were on a date in Brighton
A photo of an original painting by author Iona Jenkins used as a cover for one of her books
Elton John commemorative stamps from the Royal Mail. I have all these albums
“Chloe the lovely donkey who has led the Palm Sunday procession from Alpington School to Yelverton Church for many years, has left the area. We would be most grateful if anyone has a donkey in the area who would be willing to fill this important job to please get in touch.”
Nextdoor, the neighbourhood hub
I’m guessing Chloe’s understudy is no longer required as tomorrow’s gig will have been cancelled just like tonight’s performance of ‘I Remember it Well’ with the incredible Judi Dench at the Bridge Theatre in London. The great dame was a surprise anniversary present from Liam. That’s pandemics for you – a monumental pain in the ass.
Apologies for yesterday’s ghost post. I pressed the wrong button – duh!
It was the calm before the storm. We flew out just before Storm Ciara barrelled across the flatlands on the Jet2 poofs and pensioners express to Gran Canaria with an all-male crew who minced up and down the aisles dishing up relentless jollity with the booze. We fitted right in and celebrated with fizz.
For our fix of winter sun this year we’d gone a bit more upmarket, staying at the Canary Garden Club, a well-appointed collection of whitewashed bungalows set in lush, beautifully-tended gardens. The sparkling pool was gorgeous though somewhat marred by the assortment of old fossils drying out in the sun. Still, it made us feel young again.
This was intended to be R&R gig and so we only ventured out once to the Yumbo Center – the epicentre of gay nightlife in Playa Del Inglés – with its trashy bars with their trashy boys flaunting their trashy bits. A likely lad emerged from the shadows and offered us Charlie, and I don’t mean my mother’s favourite fragrance from the seventies.
The gay scene has evolved down the years from the small intimate bars of my youth, partially hidden from view so as not to offend the easily offended, to cocktail cafés spilling out everywhere, in-yer-face drag shows banging out the show tunes and brash cruising establishments that do exactly what they say on the signs, and more – Sodom and Gomorrah in sequins and leather. We left it to the wide-eyed and lustful, and were in bed by midnight.
Most days we dined early and watched the sun go down over the Atlantic – just what the doctored ordered after an over-eventful year.
We arrived back at Stansted late – too late to travel back all the way to the middle of nowhere – so we’d pre-booked a budget hotel, or so I’d thought. To my surprise and total delight, Liam had upgraded us for Valentine’s. And on the train back to Norwich the next day, the guard hole-punched our tickets with a heart. Who said romance is dead?
Released in 2010, ‘Made in Dagenham’ is a gritty, evocative and warm-hearted film about the female workers at the Ford car plant in Dagenham, East London, who, in 1968, downed tools to demand equal pay for doing work of equal value. The machinists faced a barrage of patronising and often vicious opposition from every side – from the management at Ford UK, their paymasters across the pond and the Labour government of the day but also from their male co-workers and their union, run – you guessed it – by men. Evidently, solidarity only applied to the hairy-arsed blokes on the assembly line.
It was a time when a woman’s place was in the home and even those who had to work to put food on the table were routinely paid less than men because, well, they were just women, after all. Thankfully, times were a-changing. The strike was ultimately successful and led to the 1970 Equal Pay Act.
A musical adaptation followed in November 2014, opening at the Adelphi Theatre in London. It’s now doing the provincial rounds and we saw the production by the Norfolk and Norwich Operatic Society at Norwich’s handsome Theatre Royal. Am-dram it may have been but top not notch am-dram it was with sparkling vocal performances, light-footed routines and a real sixties vibe. We caught the matinee, joining the grey herd who laughed, gasped and clapped their way through a clever and often very naughty script, witty lyrics and jolly tunes. Mind you, the nice people from St John’s Ambulance were on standby with their defibrillators – just in case it all got too much.
Our final jolly in old London Town at the end of 2019 was a trip to see Wicked – the stage prequel to The Wizard of Oz and a show every friend of Dorothy should see before they reach the end of the rainbow.
Bizarrely, neither Liam nor I had seen the musical before even though it’s been a firm West End fixture for donkey’s years and one of the rare few that just go on and on, pulling in the punters night after night. The trouble with many a classic on a long run is it can all get a bit tired. Fine wine to vinegar? Actually, no. The big scenes are still big and the current lead – Nikki Bentley, as Elphaba, the Wicked Witch of the East – has a belting voice. And the political subplot – the rise of fascism – is as relevant now as it’s ever been. There was a standing ovation at the end. All in all, not a bad gig.
