Lest We Forget

We joined the enthusiastic crowd of locals gathered on Church Plain in front of the Loddon War Memorial to celebrate the 80th anniversary of VE Day – the end of the Second World War in Europe. The organisers did a splendid job. So too did the kids from the local primary school who serenaded us with a medley of wartime songs made famous by forces sweetheart, Vera Lynn.

On the very first VE Day, millions took to the streets for a monster party which was followed, no doubt, by a monster hangover. It’s hard to imagine the immense sense of relief that must have been felt on that momentous day by those who’d lived through six long years of conflict. And also the immense sadness for those who didn’t make it. There are few people still alive today who have direct experience of that terrible war. And soon there will be none.

‘Jaw, jaw is better than war, war’ is a famous Churchill misquote from the Cold War. But with so many hot wars burning around us and the disturbing rise of nasty fright-right nationalists, I wonder what those brave souls died for. Lest we forget? Tragically, I think we have.

On a much lighter, brighter note, the good burghers on Loddon Town Council have compiled a fantastic history trail of local WW1 and WW2 sites hereabouts. It’s a fun and fascinating glimpse into all our yesterdays.

The Darkest Hour

The Darkest Hour

There’s been a flurry of historical war films lately and more to come, I’m sure. It’s not surprising, given the various centenaries involving the Great War of 1914-18 and the knock-on remembrance of other major conflicts. As a general rule, I don’t do war movies. I’d much rather watch Maggie Smith in bustle and bodice than endure the blood, sweat and tears of the trenches. One exception was the cinematic tour de force, Dunkirk  – a masterpiece. Then came The Darkest Hour, a fictionalised account of the first few weeks of Winston Churchill’s premiership during the Second World War; France is finished, the Brits are trapped, the Americans are hedging their bets and Churchill must decide whether to parley with Hitler. The days don’t get any darker than that. We were drawn in by reports of Gary Oldman’s performance as Winston and his Churchillian prosthetic transformation.

I’ve liked Gary Oldman ever since he played Joe Orton, the controversial and irrepressibly gay sixties playwright, in the deliciously naughty but tragic biopic Prick Up Your Ears.  In The Darkest Hour, neither Gary nor the prosthetics disappoint – both are superb. And what of the film in general? It’s a witty script that doesn’t whitewash Churchill’s considerable flaws, ruthless streak or periods of mental paralysis. But it’s the performance that makes it. Expect a few gongs for Oldman and the clever people in the rubber department.

We also recently saw the latest Star Wars blockbuster – The Last Jedi. The critics loved it, the fans less so. I’m with the fans.

War and Remembrance

2014 marks the centenary of the start of the Great War. We Brits love to wallow in the past. Needless to say there have been commemorations all year – books, exhibitions, documentaries and the like. Mercifully, few have been sullied with jingoism. The First World War started as a glorified pissing contest between the European Great Powers (‘My dreadnought’s bigger than your dreadnought’) and ended with the slaughter of nine million combatants and seven million civilians. It was supposed to be the war to end all wars. Fat chance. Man’s appetite for killing has remained stubbornly undiminished. Sometimes, though, something makes you stop and think. Such is the field of 888, 246 blood red poppies pouring out of a gun port at the Tower of London, each one representing a fallen British, Dominion or Empire soldier. The display has caused quite a stir – for and against. It’s just so much hot air, signifying nothing (to badly paraphrase the Bard). What is certain is that the flood of ceramic poppies has become one of the most visited exhibitions ever. Anything that reminds us all of the general futility of war is fine with me.