Hair Dos and Don’ts

On a trivial note, the thing that intrigued me about the guinea pig kids I ‘interviewed’ a couple of weeks back was the boys’ hair dos. They tended to fall into two cuts, style-wise – all swept front and centre, or flapping about behind. The front loaders resembled an alpaca, whereas the back flappers were a real blast from the past.

Yes folks, just when I thought it was safe to go back into the barber’s for my number 2 crop, the dreaded mullet is back in town, but with a fancy salon makeover. Not quite the floppy locks of Andre Agassi that bounced across the Centre Court at Wimbledon (before they all fell out). No, modern mullets are…

“… a more blended and refined version of the classic style, often incorporating fades and layers for a more textured and sophisticated look.”

The born-again hair don’t was confirmed on a recent festive frolic in old Norwich. We found ourselves surrounded by mullet-crowned students out on the lash, often accessorising their vintage cuts with a new twist on seventies-style clone-zone tashes and nineties-era baggy trousers – a kinda cross-decade mashup. Best bin the skinny jeans, then.

Guinea Pig Kids

Strolling through our hamlet, you could be forgiven for thinking it’s one sprawling retirement village with more mobility scooters than you could shake a walking stick at. We don’t see too many teens milling about the sleepy streets and kicking their heels. Recently, though, I had a chance to get up close and personal with a bunch of 15 and 16-year-olds – nothing pervy, of course – when I volunteered to conduct one-to-one mock interviews at our local school. I gave up my proper job way back in 2008, so I don’t know who was the more nervous, them or me.

Despite our collective nerves, my guinea pig kids were delightful – well turned out, warm, smart and engaging. It was a chance for them to try out their presentation skills before moving to the next stage of their studies. I was impressed most by their ambitions; less butcher, baker and candlestick maker, more firefighter, engineer, medic and – get this – child psychologist. I really enjoyed the experience, and I hope that having old bones like me as their guinea pig wasn’t too traumatic for them.

In a Galaxy Far, Far Away

I’ve never understood the enduring, almost religious appeal of sci-fi and superhero stuff – the comics, the blockbusters, the video games, the whole alternative universe. Ok, I admit I did enjoy the original Star Wars trilogy and loved the sixties Batman with Adam West as the camp caped crusader in budgie smugglers (I wonder why?). But that was back when I was young and easily aroused. These days, I much prefer a whodunnit – even better if it’s set in a quintessential caramel-coloured English village with a mad vicar with murder in mind.

But we were reminded how big the ‘super-verse’ has become when the circus came to town for Comic Con 2025 at the Excel Centre in London’s Docklands. Our East End digs for my 65th birthday extravaganza were occupied by a battalion of young superhero lookee-likees. A trio of dressed-up Star Wars jedheads joined us in the lift. As the doors began to close, one cried out, ‘Shit, I’ve left my light sabre behind!’ Down in the lobby, we were faced with a speeding bullet of supermen in full caped garb, rushing – though not flying – out the door, with Captain America and Darth Vader bringing up the rear.

Still, I guess it’s all good clean fun for the young and the young at heart. Much healthier than being seduced by the dark side of cybercrime, county lines, street gangs or religious fruitcakes.

Sometimes, Big Boys Do Cry

We binge-watched the third and final series of Big Boys on Channel 4, having been hooked from the very first episode of series 1. A semi-autobiographical account of the university years of writer and comedian Jack Rooke, Big Boys follows his journey from freshers’ week to graduation. As if coping with teenage angst and social awkwardness isn’t enough, Jack is also dealing with the agony of his father’s tragic death from cancer and exploring his own sexuality. The real Jack is both writer and narrator.

BAFTA nominated and featuring a rich tapestry of vivid characters, the sad-happy comedy deftly weaves together challenging themes of grief, coming of age, mental health, suicide and sexuality with a beautifully light touch, making us belly laugh one minute and well up the next. It’s rude, lewd and pulls few punches.

Jack’s touching relationship with his mother is one of the show’s many incredible highlights. Here’s a small taste from series 1. His coming-out confession halfway through the clip gets me every time. Because, sometimes, big boys do cry.

Shrek – Everyone’s Pet Ogre

I’ve said it before and I’ll say it again. Drama and performance can really help young minds build important life skills. But make no mistake, it takes guts and gumption to strut your stuff on stage in front of a bunch of strangers.

Hobart High School have a proud history of giving us the old razzle dazzle with a feast of young talent. This year’s offering – Shrek, the Musical, a fantastic tale of love conquering all from a kingdom far, far away – was up there with the best of ’em. How apt it was that we saw it on Valentine’s Day.

We knew some of the young cast. Jas and Benny were splendid. And a very special mention must go to Rory in the title role. He strutted his stuff with huge confidence, enthusiasm and the most convincing Scottish accent this side of Dundee. Well done, Rory.

Lost Boys and Fairies

Sometimes something just turns up without warning, punches you in the gut and has you reaching for the Kleenex. Such a thing is Lost Boys and Fairies, the three-part prime time BBC drama about a gay couple – Gabriel and Andy – applying to adopt a child in Wales. No big deal in these more liberal times, you might think. It’s all about love, right? Except it is a big deal. Not because of the gay angle but because the adoption process is forensic and intrusive. It has to be. Kids in the care system are often already badly damaged, and getting it wrong can finish them off for good.

Cue the gradual opening up of old wounds for lost boy Gabriel – the strict chapel upbringing, the relentless bullying, the repression, depression, an over-fondness for risky pleasures and eventual salvation through sequins and song. Brilliantly scripted, peppered with Welsh, tender performances and gloriously showy musical interludes. Glitzy and graphic, the drama pulls no punches. At times, it’s uncomfortable viewing. Does it end well? Watch it to find out, but don’t forget the tissues.

Not Gay At All

Back in the seventies, catalogue shopping was all the rage and buy now, pay later was my old Mum’s mantra. The entire family was kitted out on the nevernever, all for a few shillings a week for 52 weeks. Her catalogue of choice was Freemans and no one was more excited than me when the latest glossy collection dropped on the mat. For some strange reason, I was always drawn to the men’s underwear section – endless hours of fun thumbing and fumbling. I can’t think why. But, for me, it brought a whole new meaning to the phrase ‘mail order’.

My best friend at primary school was a boy called Christopher and, one Saturday, Christopher and I decided to go newt hunting on Wimbledon Common. He arrived at my gaff fully prepared for our safari in all-weather gear – sensible shoes and waterproof anorak. And what was I wearing? A little two-piece number I’d picked out from Mum’s catalogue – matching tight t-shirt and skimpy shorts in sunny yellow towelling with bright blue piping.

I was 10. Not gay at all. And, yes, it rained.

Les Misérables – Not Glum At All

Affectionately known as ‘The Glums’, the spectacular musical ‘Les Misérables’ has been a London fixture for nearly forty years. I’ve seen the West End production twice. I also bought the soundtrack and saw the star-studded and much-praised 2012 film adaptation. So it’s fair to say I’m pretty familiar with the tale and the tunes.

I must confess I was a little nervous as we took our seats to see Echo Youth Theatre’s version of this epic story of love, loss, injustice, rebellion and redemption. The big songs need big voices and a rousing chorus line to stir the soul. I shouldn’t have worried. As a brilliant training ground for young talent, Echo Youth always deliver. I’ve seen most of their recent shows and they’ve all hit the target with top note performances and top-notch production. Without a doubt, this show was their finest – classic and classy, energetic and emotional. And despite the high body count – most of ’em die in the end – we were left feeling elated and all tingly.

The spontaneous standing ovation at the end was richly deserved. Not glum at all.


All images courtesy of the Echo Youth Theatre.

Beauty and the Beast

Drama and performance can really help young minds build important life skills like confidence, comradeship, communication, cooperation and commitment – and loads of other vital ‘c’s too. But it takes guts and gumption to strut your stuff on the stage in front of a bunch of strangers. Back in my old school days, our annual theatrical offering usually consisted of a few spotty boys in need of deodorant mumbling a few lines from the Bard they didn’t really understand. Thankfully, things have come a long way since then.

Unlike the could-do-better days of my youth, this year’s Hobart High School’s production of Beauty and the Beast attained A+ in the talent and fun department. So much so, the show received an emotional standing ovation at the end, which I’m sure will linger long after the lights and makeup have faded. We know several members of the young cast – Benny, Eva, Jas and Rory. They were all amazing. And as for our very own budding starlet, Alice, in her directorial debut, is there anything this brilliant young lady can’t do?

New Year, New Life, New Hope

During Twixmas, one of our many nephews asked his long-term partner to marry him. His proposal was made at a surprise engagement do in London. Was he wise or foolhardy to drop to one knee in front of his nearest and dearest, ring in hand? Will she? Won’t she? Well, she burst into happy tears and said yes so there’s the answer. Relief all round to the sound of chinking and cheers. With tension eased, the party got into full swing. The young ‘uns kept their old gay uncles well-oiled with plonk and Jagerbombs. We must have looked like a pair of old drunken dowagers propped up in the corner.

We also found out that our soon-to-be niece-in-law is heavy with twins. They already have one toddler – fredelicious Freddy – so three will soon become five.

New year, new life, new hope.

I’ll leave you with London’s epic New Year’s Eve fireworks, a spectacular light show to celebrate ‘a city for all’ with a nod to some of the more positive events of 2023, including the 10th anniversary of the legalisation of same-sex marriage in England and Wales. Amen to that.