Strike A POSE

We love ‘POSE’ – a must-watch on the telly box. The first two series were compulsive viewing and pioneering in the heart-warming but warts-and-all portrayal of the LGBT drag ball scene of 80s and 90s New York. Gritty, witty and fabulous, the edgy drama pulled no punches. Life on the margins was rough and tumble and then AIDS joined the party to make it deadly. The cast of largely unknowns delivered a sparkling script with conviction and passion. It’s no surprise that POSE has been lavished with critical acclaim and showered with gongs and globes.

We could hardly wait for the third and final season on the BBC. It had already aired in the US – again to universal praise – so we were on the edge of our seats with anticipation. Tragically, it didn’t start well. The clunky plot of the opening episodes seemed like it had been chucked together by committee using keywords. Usually we don’t have a problem with Yankee accents but during one particular mumbling scene we had to switch on the subtitles. Touches of former brilliance did emerge mid-series but the saccharine pep talks about lurv just went on and on. The hard edge was lost. We still lurv POSE but the romance has sadly cooled.

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